Battle Of The Sexes Iii Revenge Of The Words

Welcome to the 3rd installment of the Battle of the Sexes saga. Join us as we present poetry in a Mars vs. Venus format that is sure to entertain you.

V.1 the war of the words. V.2 sexchanges.

Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.

This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text.

This, the second volume of the only authorized companion guide to charmed, contains everything you need to know about the sexiest supernatural show of all time.

Women's contributions to science fiction have been lasting and important. This is a collection of 11 key stories, alongside 11 essays that explore the stories' contexts, meanings, and theoretical implications. Organized chronologically, it aims to create a different canon of feminist science fiction and examines the theory that addresses it.

This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.

Unmasking the Male Soul is about freedom that confronts the innate and enslaving obsession for power and control in destructive ways. At the core of this liberating process, we must acknowledge that we cannot escape the sociocultural matrix in which every human being emerges. In denying their fallen nature, human beings set aside their dependency on God and become self-centered and self-reliant. It is from their self-centered hearts that human beings foster dynamics of coercion, domination, competition, and distorted self-realization at the expense of others. This cycle of shame and guilt is well-disguised behind a mask which enables them to enact these dynamics in subtle ways. At times even in the name of religion, men followed the illusion of their internal insecurities and became dependent on masks of power and control. It is time to break away from the chains of exclusion and devaluation of women in Christian leadership. Masculinities have only perpetrated a narrative of exceptionalism as the apex of humankind, and often they have contrasted to subservient expectations of women in leading others. Each chapter responds to the implicit male silence on the issue in a multidisciplinary way with historical, sociocultural, theological, and scriptural implications. In this book, I will endeavor to challenge the masks of masculinities and dismantle several mental models that foment a gender divide in Christ-like leadership in the twenty-first century.