Beach Better Have My Money

In this sexy trilogy, Rachelle Vaughn introduces Ryan, Gavin, and Coop—three bad-boy heroes who smoothly mix hot hockey action and scorching sex appeal… Riley’s Rebel – Book One This bad boy’s heart is as guarded as the gated community he lives in and half as welcoming. Can Ryan convince Jenna that he’s ready for forever? Or will it be the other way around? Marlowe’s Maverick – Book Two Marin is sure she has no place in a community like Harlequin Hills, but Gavin knows differently. Marin belongs there with him and convincing this sexy, stubborn woman will be a challenge no bad boy could resist… Cooper’s Cougar – Book Three Charlie Cooper is the perfect package of sex appeal and silly goofball. Even better, he’s about to meet his match with the one woman who can see his true self behind all the humor…

The thrilling conclusion to the Bad Boys of Hockey Trilogy! Charlie Cooper is the perfect package of sex appeal and silly goofball. Even better, he’s about to meet his match with the one woman who can see his true self behind all the humor… For Coop, filling the role of class clown always came easy. Making people laugh was second nature—growing up with four older sisters, a guy did what he had to do in order to get noticed—and he enjoyed putting smiles on his teammates’ faces. In the world of professional hockey, some guys filled the role of enforcer, some guys scored goals, and others, like Coop, provided the comic relief. Coop isn’t laughing when he meets the sexy new resident of Harlequin Hills. In fact, he’s a little smitten and a lot attracted to the smoldering carefree widow who has hair like a mermaid and curves like a goddess. And it’s here, in the arms of the most fascinating woman he’s ever met, that Coop will finally have a chance to prove that cracking jokes isn’t the only thing he’s good at…

A comprehensive resource, this book reviews current and historical examples of violence in film, television, radio, music, music videos, video games, and novels. Despite decades of attention and various attempts to enact legislation that limits violence in American popular culture, it remains ubiquitous across films, television, radio, music, music videos, video games, and popular fiction. Studies have shown that programs marketed to children are often remarkably violent and that viewing or otherwise consuming such violence has numerous negative effects on children's psychological health. This book sheds light on the scholarship related to violence in popular culture and compares historical and current examples, analyzing popular shows such as Game of Thrones, video games such as Mortal Kombat, young adult fiction including the trilogy The Hunger Games, and more. Not only does Violence in American Popular Culture provide a comprehensive review of the research about the effects of violence in media, but it also offers detailed assessments of violent content in various expressions of popular culture. In addition, it invites readers to compare violence in American popular culture with that globally via entries on violence in popular culture outside the United States. An appendix of additional resources and primary sources gives readers further tools for deepening their understanding of this complex and controversial issue.

The award-winning annual anthology from New York City’s first and only writing and mentoring organization for girls and gender-expansive teens. What is it like growing up in New York City as a teen in 2020? This book invites you into their homes and families, their schools and neighborhoods, their hearts, hopes, and fears. Enter a world where clay creatures take on aluminum oppressors. Get thrown against an elevator wall in the midst of a horror story. Go backstage with a rock band, say goodbye to relatives as you start a new life, stand with an engineer solving a coding problem. Experience tragedy in a mosque, feel the wounds of slavery, know the terror of glass shattering in a World War II village, and see how this next generation of leaders looks to the past and writes a better future for us all. For more than two decades, the nationally award-winning nonprofit Girls Write Now has broken down the barriers of gender, race, age, and poverty, elevating the voices of writers who are too often not heard—or worse, silenced. With mentors by their sides, the girls and gender-nonconforming youth tackle climate change, racism, sexism, rejection, immigration, and friendship—and take their place in history. This book is their testament. “The written word has often been the only outlet for women and girls to express their authentic stories and unique voices in so many societies across the globe. Girls Write Now harnesses that power, nurtures it, and amplifies it so that these singular voices can become generations.” —Robin Thede, creator, writer, executive producer and star of A Black Lady Sketch Show

Queen is the landmark biography of the brief, intensely lived life and soulful music of the great Dinah Washington. A gospel star at fifteen, she was discovered by jazz great Lionel Hampton at eighteen, and for the rest of her life was on the road, playing clubs, or singing in the studio--making music one way or another. Dinah's tart and heartfelt voice quickly became her trademark; she was a distinctive stylist, crossing over from the "race" music category to the pop and jazz charts. Known in her day as Queen of the Blues and Queen of the Juke Boxes, Dinah was regarded as that rare "first take" artist, her studio recordings reflecting the same passionate energy she brought to the stage. As Nadine Cohodas shows us, Dinah suffered her share of heartbreak in her personal life, but she thrived on the growing audience response that greeted her signature tunes: "What a Diff'rence a Day Makes," "Evil Gal Blues," and "Baby (You've Got What It Takes)," with Brook Benton. She made every song she sang her own. Dinah lives large in these pages, with her seven marriages; her penchant for clothes, cars, furs, and diets; and her famously feisty personality--testy one moment and generous the next. This biography, meticulously researched and gracefully written, is the first to draw on extensive interviews with family members and newly discovered documents. It is a revelation of Dinah's work and her life. Cohodas captures the Queen in all her contradictions, and we hear in this book the voice of a natural star, born to entertain and to be loved.

Santa Fe attorney Ed Eagle returns—and so does his past—in this riveting thriller from #1 New York Times bestselling author Stuart Woods. Ed Eagle, the six-foot-seven, take-no-prisoners Santa Fe attorney, is no stranger to murder, corruption, or organized crime—both north and south of the border. Ed has recovered from his encounters with Mexican organized crime and his ex-wife, Barbara—who’s much more dangerous. But now a mysterious new client has come his way, one who may shed light into some dark corners of Ed's past...and put him in danger once more.

Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.

Delve into the history of the word 'bitch', from its humble origins to the complex modern phenomenon it is today.