Beckett Critical Reader

The Reader makes readily available for the first time 17 major, previously uncollected significant essays from the Journal of Beckett Studies from 1992 to the present.

The Reader makes readily available for the first time 17 major, previously uncollected significant essays from the Journal of Beckett Studies from 1992 to the present.

Bringing together seminal writings on Beckett from the 1950s and 1960s with critical readings from the 1980s and 1990s, this collection is inspired by a wide variety of literary-theoretical approaches and covers the whole range of Beckett's creative work. Following an up-to-date review and analysis of Beckett criticism, fifteen extracts of Beckett criticism are introduced and set in context by editors' headnotes. The book aims to make easily accessible to students and scholars stimulating and innovative writing on the work of Samuel Beckett, representing the wide range of new perspectives opened up by contemporary critical theory: philosophical, political and psychoanalytic criticism, feminist and gender studies, semiotics, and reception theory.

Best known as the author of Waiting for Godot, Samuel Beckett was one of the most distinguished writers of the 20th century. He was awarded the Nobel Prize in 1969, and his works have secured him a lasting place in the literary canon. The critical response to his fiction has been overwhelming. Numerous books and thousands of articles have been published on Beckett, primarily in Europe, the United States, and Canada. Since he wrote most of his works in French, and then translated them himself into English, critics responded to different versions of his works. This reference book documents the critical response to Beckett from his earliest prose and poetry to the public reaction to his death in 1989. Reviews and scholarly articles representing the response to Beckett's creative works are included. Selections are arranged chronologically, so that the reader may trace the reception of Beckett's works over time. An introduction summarizes Beckett's enormous contribution to literature, and a bibliography lists works for further reading. Winner of the 1969 Nobel Prize for literature, Irish-born author Samuel Beckett earned a solid reputation for being one of the most important authors of the 20th century. Best known as the author of Waiting for Godot, Beckett wrote other dramatic works, such as Endgame and Krapp's Last Tape. He wrote several novels, including Molloy, Malone Dies, and The Unnamable, and a number of poems and short stories. His innovative approach to language, character, plot, and narrative style was appreciated but sometimes criticized, and his nontraditional concepts of time and space taught readers to approach literature in a new way. Though he experimented with literary forms, his works are within the 20th century intellectual tradition of alienation, isolation, and pessimism. Through essays and reviews, this reference book documents the critical response to Beckett's poetry, fiction, and drama from his earliest works to the public reaction to his death in 1989. Because Beckett often wrote in French and then translated his works into English, scholars responded to several versions of the same work. Because Beckett also had an exceptional knowledge of world literature, philosophy, mathematics, and the sciences, his works are dense with meaning and have invited a broad range of critical approaches. This reference is divided into several sections that roughly correspond with the different genres Beckett utilized. Within each section, reviews and seminal articles are arranged chronologically, so that the reader may trace the response to Beckett over time. An introductory essay discusses the overall response to Beckett, and a bibliography lists works for further reading.

Winner of the Nobel Prize for literature and acknowledged as one of the greatest writers of our time, Samuel Beckett has had a profound impact upon the literary landscape of the twentieth century. In this one-volume collection of his fiction, drama, poetry, and critical writings, we get an unsurpassed look at his work. Included, among others, are: - The complete plays Waiting for Godot, Krapp’s Last Tape, Cascando, Eh Joe, Not I, and That Time - Selections from his novels Murphy, Watt, Mercier and Camier, Molloy, and The Unnamable - The shorter works “Dante and the Lobster,” “The Expelled,” Imagination Dead Imagine, and Lessness - A selection of Beckett’s poetry and critical writings With an indispensable introduction by editor and Beckett intimate Richard Seaver, and featuring a useful select bibliography, I Can’t Go On, I’ll Go On is indeed an invaluable introduction to a writer who has changed the face of modern literature.

Samuel Beckett (1906-1989). Irish dramatist and poet. His use of the stage and dramatic narrative and symbolism has revolutionalized drama in England.

A powerful, genre-defying meditation, with Beckett at its origin, that touches on mysteries as varied as literary celebrity, baseball, and why we feel the need to be cruel to one another Following the schema of Samuel Beckett's unpublished "Long Observation of the Ray," of which only six manuscript pages exist, poet and critic Michael Coffey interleaves multiple narratives according to an arithmetic sequence laid out by Beckett in his notes. This rhythm of themes and genres--involving personal memoir, literary criticism, Beckett studies, contemporary political reportage and accounts of state-sponsored torture in appropriated texts, plus an Arabian Tale and even a baseballplay-by-play--produce a work at once sculptural, theatrical, mathematical and above all lyrical, a new form of narrative answering to a freshened rule set. In executing Beckett's most radical undertaking--one scholar referred to "Long Observation of the Ray" as a "monument to extinction"--Coffey gives readers access to an open field in which ruminations on writing mix with an engagement with Beckett scholarship as well as the unsettling chaos in today's world. Although Beckett, like any writer, had his share of abandoned works, he was in the habit of "unabandoning" on occasion. Coffey's effort here salvages a Beckett project from a half-century ago and brings it to the surface, with the contemporary markings of its hauling.

Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond. Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy. she sits aloof ten yards fifteen yards she looks up looks at me says at last to herself all is well he is working my head where is my head it rests on the table my hand trembles on the table she sees I am not sleeping the wind blows tempestuous the little clouds drive before it the table glides from light to darkness darkness to light Edited by Edouard Magessa O'Reilly