Behind The Big House

"When residents and tourists visit plantation sites, whose stories are told? All too often the lives of slaveowners are centered, obscuring the lives of enslaved people and making it impossible for their descendants to process the meanings of these sites. Behind the Big House gives readers a candid, behind the scenes look at what it really takes to interpret the difficult history of slavery in the U.S. South. The book explores Jodi Skipper's eight-year collaboration with the Behind the Big House program, a community-based model used at local historic sites around the country to address slavery in the collective narrative of U.S. history and culture. Part memoir and part ethnography, the book interweaves Skipper's experiences as a Black woman and a southerner to imagine more sustainable and healthy spaces for interracial collaborations around historic preservation and slavery tourism in the U.S. South. Skipper considers the growing need among professional and lay communities to address slavery and its impacts through interpretations of local historic sites. In laying out her experiences through an autoethnographic approach, Skipper seeks to help other activist scholars of color negotiate the nuances of place, the academic public sphere, and its ambiguous systems of reward, recognition, and evaluation. By directly speaking to a failed integration of teaching, research, and service as a crisis in academia, she strives not to give others answers, but to model another way of being"--

Timmy has a very special relationship with his grandmother. He believes she can do anything. On a family road trip to visit his grandparents, his beliefs in Grandmas extraordinary powers and abilities are revealed.

Musaicum Books presents to you this meticulously collection of hundreds of life stories, recorded interviews and incredible vivid testimonies of former slaves from the American southern states, including photos of the people being interviewed and their extraordinary narratives. After the end of Civil War in 1865, more than four million slaves were set free. There were several efforts to record the remembrances of the former slaves. The Federal Writers' Project was one such project by the United States federal government to support writers during the Great Depression by asking them to interview and record the myriad stories and experiences of slavery of former slaves. The resulting collection preserved hundreds of life stories from 17 U.S. states that would otherwise have been lost in din of modernity and America's eagerness to deliberately forget the blot on its recent past. Contents: Alabama Arkansas Florida Georgia Indiana Kansas Kentucky Maryland Mississippi Missouri North Carolina Ohio Oklahoma South Carolina Tennessee Texas Virginia

Interpreting Slavery at Museums and Historic Sites aims to move the field forward in its collective conversation about the interpretation of slavery—acknowledging the criticism of the past and acting in the present to develop an inclusive interpretation of slavery. Presenting the history of slavery in a comprehensive and conscientious manner is difficult and requires diligence and compassion—for the history itself, for those telling the story, and for those hearing the stories—but it’s a necessary part of our collective narrative about our past, present, and future. This book features best practices for: Interpreting slavery across the country and for many people. The history of slavery, while traditionally interpreted primarily on southern plantations, is increasingly recognized as relevant at historic sites across the nation. It is also more than just an African-American/European-American story—it is relevant to the history of citizens of Latino, Caribbean, African and indigenous descent, as well. It is also pertinent to those descended from immigrants who arrived after slavery, whose stories are deeply intertwined with the legacy of slavery and its aftermath. Developing support within an institution for the interpretation of slavery. Many institutions are reticent to approach such a potentially volatile subject, so this book examines how proponents at several sites, including Monticello and Mount Vernon, were able to make a strong case to their constituents. Training interpreters in not only a depth of knowledge of the subject but also the confidence to speak on this controversial issue in public and the compassion to handle such a sensitive historical issue. The book will be accessible and of interest for professionals at all levels in the public history field, as well as students at the undergraduate and graduate levels in museum studies and public history programs.

 They are known as “cupcake games”—lower division teams get paid to travel to college football Meccas where the hosts make a nice profit from an extra game. On September 1, 2007, the University of Michigan Wolverines, with more wins than any team in history, hosted the Appalachian State Mountaineers from Boone, North Carolina, in the first such game at Michigan Stadium, the largest stadium in the country. App State was no cupcake. Coach Jerry Moore, in the spirit of the 1980 U.S. Olympic Hockey Team and other memorable underdogs, assembled his team with two things in mind—speed and character—and conditioned them to the breaking point. “We’re fixin’ to shock ’em,” he shouted at practice, in the locker room, at the dinner table. This book tells the inside story of Moore’s legendary team and the Mountaineers’ historic win.

Twelve-year-old Annie Thompson used to be friendly and cheerful. She loved her home in Southern California, and she loved school. Now Annie has a secret--one that makes her feel shamed and all alone. When she was nine, an older boy named Lonny molested her more than once, threatening to kill her and her parents if she told. Now in seventh grade, Annie is withdrawn, suspicious, and depressed. Her parents don’t understand where the girl they once knew has gone, and she can’t tell them. It was her fault, she tells herself. Kids at school sense she’s in pain, and they bully her. And then, Precious, a six-year-old brown-and-white Welsh pony with a white star on her forehead, appears in Annie’s life. The pony, too, despite the neglect it has received, is a survivor. Together, Annie and Precious embark on a journey that takes them both to a better place.

Now finally collected into a single volume, the Sherbrookes trilogy—Possession, Sherbrookes, and Stillness—is Nicholas Delbanco's most celebrated achievement. Centering upon one New England clan and their estate in southwestern Vermont—a full thousand acres, including the bleak and chilly Big House, from which the volatile Sherbrookes have such trouble escaping—these books form a virtuoso portrait of the love, pride, resentment, and even madness we inherit from our families. Written in his characteristically opulent, bravura prose, Delbanco is here revealed as a Henry James for our time: a passionate cataloger of human strength and frailty. Edited and revised by the author some thirty years after its first publication, the trilogy—“made new” as the single-volume Sherbrookes—can now be rediscovered by a new generation of readers.