Behind The Brushstrokes

Social and economic life of popular people in the Philippines; articles previously published in Business World.

Analyzing ten paintings by Courbet, Manet, Cézanne, Monet, Seurat, and Picasso exposes vital relationships between intension and habit, the singular and the complex. In doing so, it uncovers a space worthy of historical and aesthetic analysis between the brushstroke and the self

Read Along or Enhanced eBook: Step inside a studio and learn what it takes to be an artist! This nonfiction title engages readers through stimulating facts and vivid images and diagrams in conjunction with a brief background on well-known art movements such as Expressionism, Surrealism, and Impressionism, an interview with a real-life artist, a glossary, informational text, an index, and list of useful sources for learning more about art.

Automatic style characterization is the process of measuring, extracting, and analysing different formal elements. Brushstroke technique, in conjunction with other formal elements such as colour and texture, play a vital role in defining an artistic style. This thesis explores the stroke-based style analysis of the paintings of Vincent van Gogh, who is well-known for his use of wide and repetitive brushstrokes. Novel brushstroke extraction techniques are used to segment and analyse Van Gogh’s brushstrokes. The extracted features can then be compiled into a feature set which represents the quantified brushstrokes’ properties and tested using several classification based tests. The most contributing factor for detecting visible brushstroke is the brushstroke’s texture, due to the fact that the texture-based segmentation methods give more satisfactory results in extracting visible brushstrokes with their average classification accuracy and F-measure being 98.30% and 0.973 respectively.

A revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century A pioneer of minimalism and conceptual art, Sol LeWitt (1928–2007) is best known for his monumental wall drawings. LeWitt’s broad artistic practice, however, also included sculpture, printmaking, photography, artist’s books, drawings, gouaches, and folded and ripped paper works. From the familiar to the underappreciated aspects of LeWitt’s oeuvre, this book examines the ways that his art was multidisciplinary, humorous, philosophical, and even religious. Locating Sol LeWitt contains nine new essays that explore the artist’s work across media and address topics such as LeWitt’s formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan’s Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist’s practice, and investigate issues of site, space, and movement. Together, these studies reveal the full scope of LeWitt’s creativity and offer a multifaceted reassessment of this singular and influential artist.

A completely revised and updated edition of the all-time bestselling Flash title Written by two of the world’s leading Flash experts, this comprehensive reference provides you with undocumented techniques, tips, and tricks on the CS4 release of Flash, the popular tool that allows you to create animations and build interactive Web sites In-depth coverage on more than one thousand pages includes something for everyone—whether you’re a Web novice or an accomplished Web professional—this resource will be your guide to the inner workings and capabilities of Flash CS4 Two of the world’s leading Flash experts offer more coverage than any other book on the market The accompanying CD-ROM includes trial software, addons, plugins, shareware, templates, and examples Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

The first major history of the bravura movement in European painting The painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter’s distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Franҫois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velázquez, Suthor explores the key elements defining bravura’s richness and power. Suthor delves into how bravura’s unique and groundbreaking methods—visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis—cause viewers to feel intensely the artist’s touch. Examining bravura’s etymological history, she traces the term’s associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration. Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, Bravura raises important questions about artistic performance and what it means to create art.