Berkeley

The Great Depression was defined by poverty and despair, but visionary American filmmaker Busby Berkeley (1895-1976) managed to divert the public's attention away from the economic crash with some of the most iconic movies of all time. Known for his kaleidoscopic dance numbers featuring multitudes of performers in extravagant costumes, his musicals provided a brief respite for an audience whose reality was hard and bitter. Buzz: The Life and Art of Busby Berkeley is a revealing study of the director, drawing from interviews with his colleagues, newspaper and legal records, and Berkeley's own unpublished memoirs to uncover the life of a Hollywood legend renowned for his talent and creativity. Jeffrey Spivak examines how Berkeley's career evolved from creating musical numbers for other directors in films such as 42nd Street (1933) and Gold Diggers of 1933 (1933) to directing his own pictures, such as Strike up the Band (1940) and The Gang's All Here (1943). Though Berkeley claimed he was no choreographer, his movies revitalized the public's waning interest in musical pictures. While other popular filmmakers advertised their works specifically as nonmusical, Berkeley embraced his niche, eventually becoming the premier dance director of his time. However, the happy face Berkeley presented publicly did not necessarily reflect his life. Offstage and away from the set, the director met with scandal, and his fondness for liquor and women was well known. In September 1935, he was involved in a car accident that left three people dead and four others severely injured. Accused of driving under the influence, he was put on trial for second-degree murder. The accident significantly changed the nature of his stardom.

Berkeley Walks celebrates the things that make Berkeley such a wonderful walking city—diverse architecture, panoramic views, tree-lined neighborhoods, historic homes, unusual gardens, secret pathways, hidden parks, vibrant street life, trend-setting restaurants, and intriguing history. Fascinating and surprising sidelights include the apartment building from which Patty Hearst was kidnapped; Ted Kaczynski’s home before he became the Unabomber; and the residences of Nobel laureates and literary Berkeleyans such as Thornton Wilder, Ann Rice, and Philip K. Dick. Bob Johnson and Janet Byron—longtime city residents and tour guides—designed these 18 walks to showcase the many elements that make Berkeley’s neighborhoods, shopping districts, and academic areas such fun to explore. Visitors will discover a vibrant community beyond the University of California campus borders, while locals will be surprised and delighted by the treasures in their own backyards. Highlights of the book include a focus on architects Joseph Esherick, John Galen Howard, Bernard Maybeck, Julia Morgan, James Plachek, Walter Ratcliff, Jr., and John Hudson Thomas, 100 archival and original photos, and 20 maps, including a map of Berkeley bookstores.

Why is Berkeley famous worldwide? Because of its inventiveness, its liberal attitudes, and its artists and writers. Did you know that public radio, California cuisine, the lie detector, the atomic bomb, free speech, the hot tub, and yuppies were all invented in this all-American city? J. Stitt Wilson, Berkeley's first Socialist mayor, once said, "Any kind of a day in Berkeley seems sweeter than the best day anywhere else." In How Berkeley Became Berkeley, Dave Weinstein goes about showing us just that. He tells the story of this unique city from the beginning-the 1840s-to present day by focusing on the events and people that made Berkeley into the famous-and infamous-place that it continues to be. More than any other general book about Berkeley, How Berkeley Became Berkeley brings the history of the town and the university to life with anecdotes that are amusing, surprising, sometimes shocking, and often touching. Dave Weinstein, a native of Long Island, New York, received his undergraduate degree in art history at Columbia University in 1973, and then studied journalism at UC Berkeley. He has lived in the Bay Area for thirty years, and spent twenty years as a reporter and editor for daily newspapers. Dave has written two books, Signature Architects of the San Francisco Bay Area, and the text for a photo book Berkeley Rocks. He writes for the magazine CA Modern, and for four years has been writing a popular series of architect profiles for the San Francisco Chronicle.

This book tackles some of the deepest problems in Berkeley's philosophy by providing a fresh interpretation of Berkeley's core ontological doctrines and their relationship to his views about self-consciousness. Berkeley, the author argues, is led to adopt a new model of self-consciousness because he rejects the basic metaphysics of many of his predecessors. This new model of self-consciousness provides the foundation for Berkeley's own ontological framework. Bettcher's interpretation provides answers to long-standing questions about Berkeley's traditionally derided views about mind, offers an elegant treatment of Berkeley's core metaphysical views more generally, and illuminates Berkeley's innovative attempt to address the important philosophical and theological issues of his day. Moreover, Bettcher shows the importance of Berkeley's philosophy of spirit to the perplexing thesis that the subject of experience is somehow mysteriously elusive. She argues that Berkeley can be seen as a transitional figure with respect to the older philosophical concept of 'subject' (as a metaphysical supporter of properties) and the more modern philosophical concept of 'subject (as opposed to 'object'). She provides a re-reading of Hume's famous claim that when he turned reflection upon himself, he could perceive only perceptions and sheds new light on the notion of a 'subject of experience'. The book will be of substantial interest both to Berkeley scholars and to philosophers concerned with contemporary discussions of self-consciousness.

Berkeley's Three Dialogues is a key text in the history of philosophy-the dialogues are, with the exception of Hume's, arguably the most important philosophical dialogues written in English. In Berkeley's "Three Dialogues": A Reader's Guide, Aaron Garrett offers a clear and thorough account of this key philosophical work. The guide explores the complex and important ideas inherent in the text and provides a cogent survey of the reception and influence of Berkeley's work.

George Berkeley (1685–1753) is, with John Locke and David Hume, one of the three major figures in the British empiricist school of philosophy. He has been the centre of much attention recently and his philosophical profile has gradually changed. In the 20th century he was almost exclusively known for his denial of the existence of matter (as this term was defined in those days), but today it is no longer reasonable to confine an account of Berkeley to the challenging philosophical inventions that he published when he was a young fellow at Trinity College in Dublin. This is a welcome trend. It shows Berkeley as a contributor not only to epistemology, metaphysics and moral and social philosophy, but also to a wide range of subjects including mathematics, philosophy of science, empirical psychology, political economy and monetary policy. The present collection aims at meeting this new trend by presenting a broad and comprehensive picture of Berkeley’s works in their historical context. The contributors are some of the finest international experts in the field. The editors hope that this collection will show George Berkeley as he was: a wide-ranging, widely influential and courageous philosophical innovator. This volume has been published to celebrate the 300th anniversary of George Berkeley’s Principles.

This volume focuses on Berkeley's doctrine of signs. The 'doctrine of signs' refers to the use that Berkeley makes of a phenomenon that is central to a great deal of everyday discourse: one whereby certain perceivable entities are made to stand in for (as 'signs' of) something else. Things signified might be other perceivable entities or they might also be unperceivable notions - such as the meanings of words. From his earliest published work, A New Theory of Vision in 1710, to those works written towards the end of life, including Alciphron in 1732, Berkeley is at pains to emphasise the crucial role that sign-usage, particularly (but not only) in language, plays in human life. Berkeley also connects sign-usage to our (human) relationship with God: an issue that was right of the heart of his philosophical project. The contributions in this volume explore the myriad ways that Berkeley built on such insights to better understand a range of philosophical issues - issues of epistemology, language, perception, mental representation, mathematics, science, and theology. The aim of this volume is to establish that the doctrine of signs can be seen as one of the unifying themes of Berkeley's philosophy. What's more, this theme is one which spans his whole philosophical corpus; not just his best-known works like the Principles and the Three Dialogues, but also his works on science, mathematics, and theology.