Bertrams Hotel

At Bertram’s Hotel the intrepid Miss Marple, on holiday in London, must solve a deadly mystery at the end of a chain of very violent events. An old-fashioned London hotel is not quite as reputable as it makes out to be.… When Miss Marple comes up from the country for a holiday in London, she finds what she’s looking for at Bertram’s Hotel: traditional decor, impeccable service, and an unmistakable atmosphere of danger behind the highly-polished veneer. Yet, not even Miss Marple can foresee the violent chain of events set in motion when an eccentric guest makes his way to the airport on the wrong day.…

A grand old London hotel A series of alarming coincidences Danger lurking down every corridor

During a vacation in London, Miss Marple becomes suspicious of the other guests in her too-dignified West End hotel.

Before Sex and the City there was Bridget Jones. And before Bridget Jones was The Artificial Silk Girl. In 1931, a young woman writer living in Germany was inspired by Anita Loos's Gentlemen Prefer Blondes to describe pre-war Berlin and the age of cinematic glamour through the eyes of a woman. The resulting novel, The Artificial Silk Girl, became an acclaimed bestseller and a masterwork of German literature, in the tradition of Christopher Isherwood's Berlin Stories and Bertolt Brecht's Three Penny Opera. Like Isherwood and Brecht, Keun revealed the dark underside of Berlin's "golden twenties" with empathy and honesty. Unfortunately, a Nazi censorship board banned Keun's work in 1933 and destroyed all existing copies of The Artificial Silk Girl. Only one English translation was published, in Great Britain, before the book disappeared in the chaos of the ensuing war. Today, more than seven decades later, the story of this quintessential "material girl" remains as relevant as ever, as an accessible new translation brings this lost classic to light once more. Other Press is pleased to announce the republication of The Artificial Silk Girl, elegantly translated by noted Germanist Kathie von Ankum, and with a new introduction by Harvard professor Maria Tatar.

Previously published in the print anthology The Thirteen Problems. A woman is warned by a psychic of the evil and danger in her house. On a full moon, she must watch for the signs: blue primrose means caution, blue hollyhock is danger, and blue geranium is death!

"I like a good detective story, but they begin in the wrong place! They begin with the murder. But the murder is the end. The story begins long before that." So remarks esteemed criminologist Mr. Treves. Truer words have never been spoken, for a psychopathic killer has insinuated himself , with cunning manipulation, into a quiet village on the river Tern. But who is his intended victim? What are his unfathomable motives? And how and when will he reach the point of murder...the zero point? In the ingenious and noteworthy departure for Agatha Christie, it's the intricate workings of a pathological mind that becomes the stuff of startling mystery as group of friends at a seaside resort remain blithely unaware that their weekend will be the death of them all...

The Sittaford Mystery is Dame Agatha at her most intriguing, as a séance in a snowbound house predicts a particularly grisly murder. In a remote house in the middle of Dartmoor, six shadowy figures huddle around a table for a seance. Tension rises as the spirits spell out a chilling message: "Captain Trevelyan . . . dead . . . murder." Is this black magic or simply a macabre joke? The only way to be certain is to locate Captain Trevelyan. Unfortunately, his home is six miles away and, with snowdrifts blocking the roads, someone will have to make the journey on foot. . . .