Best New True Crime Stories

Obsession, Unrequited Love, Jealousy, Revenge, and Violence Collide in this Page-Turning Anthology #1 New Release in Forensic Science Law and Hoaxes & Deceptions Crimes of passion are both eerie and strangely tantalizing. How can someone you hold dear become someone you fear? This riveting anthology explores the question through some of the most compelling true crime accounts and stories of obsession and vengeance. Crimes fueled by emotions. Love, passion, obsession, jealousy, and betrayal. When it comes to the emotions, people can react in strange and unexpected ways. Whether it’s a heart hurt by unrequited love, or a lover so passionate they’ll stop at nothing to get their way—even the most mild-mannered soul can suddenly flip, becoming a vengeful spirit with dark intentions. From the ancient Greek myth of Jason and Medea to Shakespeare’s Othello, themes dealing with deeply felt emotions have persisted. But unlike mythology or fiction, The Best New True Crime Stories: Crimes of Passion, Obsession & Revenge contains stories from real life. A special selection of stories written exclusively for this book. The Best New True Crime Stories: Crimes of Passion, Obsession & Revenge includes stories from around the world and from different times. As with all titles in the popular The Best New True Crime Stories series, this volume contains original nonfiction accounts penned by writers from across the literary spectrum. Dive into these twisted true tales of passion and unrequited love turned violent. Examine why some have fully embraced their dark side, resorting to crime to achieve their own special brand of satisfaction and retribution. If you enjoyed Mitzi's last book in her series, The Best New True Crime Stories: Well-Mannered Crooks, Rogues & Criminals, and books like You Love Me, and The Big Book of Serial Killers Volume 2, then you’ll love The Best New True Crime Stories: Crimes of Passion, Obsession & Revenge.

Travel around the world and inside the minds of monsters in this true crime anthology featuring sixteen astonishing serial killer exposés. Serial killers: Ted Bundy, John Wayne Gacy, and Jeffrey Dahmer are often the first names that spring to mind. Many people assume serial killers are primarily an American phenomenon that came about in the latter part of the twentieth century—but such assumptions are far from the truth. Serial killers have been around for a long time and can be found in every corner of the globe―and they’re not just limited to the male gender, either. Some of these predators have been caught and brought to justice whereas others have never been found, let alone identified. Serial killers can be anywhere. And scarier still, they can be anyone. Edited by acclaimed author and anthologist Mitzi Szereto, The Best New True Crime Stories: Serial Killers reveals all-new accounts of true-crime serial killers from the contemporary to the historic. The international list of contributors includes award-winning crime writers, true-crime podcasters, journalists, and experts in the dark crimes field such as Martin Edwards, Lee Mellor, Danuta Kot, Craig Pittman, Richard O. Jones, Marcie Rendon, Mike Browne, and Vicki Hendricks. This book will leave you wondering if it’s ever really possible to know who’s behind the mask you’re allowed to see. Perfect for readers of true crime books such as I’ll Be Gone in the Dark, Mindhunter, The Devil in the White City, or Sons of Cain. “An engrossing and multi-faceted anthology for a new era of true crime writing.” ―Piper Weiss, author of You All Grow Up and Leave Me

“Here be monsters! This brilliant collection of gruesome small-town misdeeds . . . will have you running for the comfort and safety of the big city.” —Peter Houlahan, author of Norco ’80 We’ve been told nothing bad happens in small towns. You can leave your doors unlocked, and your windows wide open. We picture peaceful hamlets with a strong sense of community, and everyone knows each other. But what if this wholesome idyllic image doesn’t always square with reality? Small towns might look and feel safe, but statistics show this isn’t really true. From the vicious murderers of the Clutter family to Ted Bundy and his small-town charm, criminals have always roamed rural America and towns worldwide. Featuring murder stories, criminal case studies, and more, The Best New True Crime Stories: Small Towns contains all-new accounts from writers of true crime, crime journalism, and crime fiction. And these entries are not based on a true story—they are true stories. Edited by acclaimed author and anthologist Mitzi Szereto, the stories in this volume span the globe. Discover how unsolved murders, kidnapping, shooting sprees, violent robbery, and other bad things can and do happen in small towns all over the world. “Mitzi Szereto has assembled a group of today’s brightest and best authors for this truly extraordinary anthology. Brilliant!” —Dan Zupansky, author and host of True Murder “Chills. Endless chills.” —Cup of Books “These well-researched, globe-trotting, bite-sized tales are perfect for a lazy summer afternoon?especially at a time when it’s much safer to travel through the pages of a book.” —Ellery Queen Mystery Magazine

The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This international true crime anthology reveals more than a century of classy crooks and principled pirates from East Chicago to the South China Sea. Sometimes the nicest people make the best criminals. This volume introduces real-life characters who broke the law for all the right reasons—or committed devious acts with the friendliest of faces. It features incredible stories from across the globe, written by award-winning crime writers, true-crime podcasters, and journalists such as Tom Larsen, David Blumenfeld, and Anthony Ferguson. You’ll meet Freddie Brenman, the fearsome Chicago street-fighter and trusted friend of John Dillinger; Naún Briones, the Ecuadorian Robin Hood whose outlaw exploits are the stuff of legend; Ching Shih, the nineteenth-century lady pirate who fought Imperial China; and many others.

A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.

During the 1950s and 1960s True Detective magazine developed a new way of narrating and understanding murder. It was more sensitive to context, gave more psychologically sophisticated accounts, and was more willing to make conjectures about the unknown thoughts and motivations of killers than others had been before. This turned out to be the start of a revolution, and, after a century of escalating accounts, we have now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. The Rise of True Crime examines the various genres of true crime using the most popular and well-known examples. And despite its examination of some of the potentially negative effects of the genre, it is written for people who read and enjoy true crime, and wish to learn more about it. With skyrocketing crime rates and the appearance of a frightening trend toward social chaos in the 1970s, books, documentaries, and fiction films in the true crime genre tried to make sense of the Charles Manson crimes and the Gary Gilmore execution events. And in the 1980s and 1990s, true crime taught pop culture consumers about forensics, profiling, and highly technical aspects of criminology. We have thus now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. Through the suggestion that certain kinds of killers are monstrous or outside the realm of human morality, and through the perpetuation of the stranger-danger idea, the true crime aesthetic has both responded to and fostered our culture's fears. True crime is also the site of a dramatic confrontation with the concept of evil, and one of the few places in American public discourse where moral terms are used without any irony, and notions and definitions of evil are presented without ambiguity. When seen within its historical context, true crime emerges as a vibrant and meaningful strand of popular culture, one that is unfortunately devalued as lurid and meaningless pulp.

Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.