Betrayal At The B B

More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book—such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.

Edward Slocum is the executive vice president of KemKor Pharmaceuticals in West Grey, Canada, where he grew up. A widower, Edward Slocum goes on a walk after a long day at the office on the two-year anniversary of his wifes death. He feels tired and upset, reminiscing over the loss of his beloved Karen. During his walk, he passes Building 3C, soon to be used for Edwards groundbreaking new filter, created to eliminate pharmaceutical waste byproductshis obsession for the last fifteen years. Hes very surprised, however, to see men with machine guns at Building 3C. KemKor is up to something Edward isnt aware ofsomething illegal. As his suspicions mount about his own employers, Edward finds himself on a roller-coaster ride of events that may change both his life and the community he lives and works in. In the meantime, he reignites a love affair with his teenage sweetheart, Charlotte Bradley. As things heat up at KemKor, Edward suspects drug smuggling. He doesnt know who to trust; its possible that his coworkers and even the local authorities are in on the whole thing. Soon, Edward will learn much more than he ever wantedabout his wifes death, KemKors real agenda, and the strength of his own moral resolve.

The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.

George Orwell has been embraced, adopted, and co-opted by everyone from the far left to the neoconservatives. Each succeeding generation of Anglo-American intellectuals has felt compelled to engage the life, work, and cultural afterlife of Orwell, who is considered by many to have been the foremost political writer of the twentieth century. Every Intellectual's Big Brother explores the ways in which numerous disparate groups, Orwell's intellectual "siblings," have adapted their views of Orwell to fit their own agendas and how in doing so they have changed our perceptions of Orwell himself. By examining the politics of literary reception as a dimension of cultural history, John Rodden gives us a better understanding of Orwell's unique and enduring role in Anglo-American intellectual life. In Part One, Rodden opens the book with a section titled "Their Orwell, Left and Right," which focuses on Orwell's reception by several important literary circles of the latter half of the twentieth century. Beginning with Orwell's own contemporaries, Rodden addresses the ways various intellectual groups of the 1950s responded to Orwell. Rodden then moves on in Part Two to what he calls the "Orwell Confraternity Today," those contemporary intellectuals who have, in various ways, identified themselves with or reacted against Orwell. The author concludes by examining how Orwell's status as an object of admiration and detraction has complicated the way in which he has been perceived by readers since his death.

I am illegitimate. But this was never a problem for me—it was just me and my mother against the world. Mother never told me much about her past, and after a couple of unanswered questions in childhood, I stopped asking. Now, Mother is sick, and she's decided to revisit the past—literally—by taking an unexpected trip to the mountains where she was born. I was worried; I was scared. I followed her. And my mother's journey became my journey, too. I discovered that I have a father—and my parents are still in love. Their life together just took a detour that lasted over forty years. Their relationship was like a blackberry winter…the colder the weather, the sweeter the berries in spring. And now that I've found the truth, will I have the strength to make it through my own blackberry winter?

The controversial Leslie Fiedler (1917–2003) was one of the first critics of popular culture as well as an early proponent of queer theory. This book traces the evolution of this larger-than-life figure through an extensive examination of his works. Beginning with his homoerotic reading of the relationship between Jim and Huck Finn in the Mark Twain novel, this book covers how his many contributions have been provocative, outrageous, novel, and enduring.

New Novel Weaves Together Adventure, History and Romance Historical Two Volume Set Chronicles Battle between Slavery and Freedom, Love and Hate PORT COQUITLAM, British Columbia - Readers who have enjoyed historical fiction with a strong dash of adventure and a pinch of sex will surely love The Dark Side of the Mountain (published by AuthorHouse), the new epic in two volumes by S.A. Carter. Fueled by American historical events from 1854-1884, The Dark Side of the Mountain follows the adventures of John Saxton and Marcus Brown, who fight as Union guerillas against the Confederacy and all it stands for. Major Horatio Garrow and his son, Lucas, are mad men full of hate and greed, dedicated to one cause - their own. Along with a supporting cast of unforgettable characters both real and imaginary, these men are caught up in a vicious web of murder, dark secrets, betrayal and intrigue where only survival matters. In Volume One: The Dark Side of the Mountain; a young John Saxton watches helplessly as brutal slavers throw human cargo overboard to avoid capture by the "Africa Patrol." From then on, the Boston shipping heir becomes an implacable abolitionist bent on destroying slavery in America. Confederate spies, traitors and the dreaded Deacon Gang are arrayed against him. Can Saxton and his beautiful black bride, Virginia, survive a dangerous game of espionage, treachery and betrayal that culminates in the "honeymoon from hell?" As the Civil War divides and devours a nation, a black American guerilla force is carried behind Confederate lines by a unique sinking ship. Led by a giant Maasai warrior, they fight a determined and deadly foe from the eastern seaboard of America to its vast western plains. Even as the horror of war explodes around them, the Maasai Rangers embrace a common dream deep within the heart of Dixie. In Volume Two: The Dark Side of the Mountain; John Saxton is captured and thrown into the horror of Salisbury prison. Pursued by Major Horatio Garrow and his hapless brute of a companion Harley Blackstone, can Saxton survive? From his father's grave, a vengeful Lucas Garrow is led on a torturous search for stolen treasure. But a love fueled by the "Cause" and poisoned by greed, leads to a deadly confrontation. With America facing total ruination by blackmail; a battle erupts between a drug-addicted Lucas Garrow allied with the Klan, a militant underground colony of religious zealots, and the forces of justice bent on self-destruction. It all comes to an explosive conclusion not only deep within the heart of the Ozarks, but on Elder Mountain, Tennessee, where a utopia called Harmony Farm faces a forest fire out of control. Could Saxton and Marcus survive in an alien world and still find another dream called 'home'?

Basil Bunting's work was published haphazardly throughout most of his life, and in many cases he did not oversee publication. This is the first critical edition of the complete poems, and offers an accurate text with variants from all printed sources. Don Share annotates Bunting's often complex and allusive verse, with much illuminating quotation from his prose writings, interviews and correspondence. He also examines Bunting's use of sources (including Persian literature and classical mythology), and explores the Northumbrian roots of Bunting's poetic vocabulary and use of dialect.