Better Endings

FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF PEOPLE WE MEET ON VACATION AND BOOK LOVERS! A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters. Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast. They’re polar opposites. In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses, broke, and bogged down with writer's block. Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She’ll take him on field trips worthy of any rom-com montage, and he’ll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really.

Returning to the dark and glamorous 19th century world of her New York Times instant bestseller, The Gilded Wolves, Roshani Chokshi dazzles us with the final riveting tale as full of mystery and danger as ever in The Bronzed Beasts. After Séverin's seeming betrayal, the crew is fractured. Armed with only a handful of hints, Enrique, Laila, Hypnos and Zofia must find their way through the snarled, haunted waterways of Venice, Italy to locate Séverin. Meanwhile, Séverin must balance the deranged whims of the Patriarch of the Fallen House and discover the location of a temple beneath a plague island where the Divine Lyre can be played and all that he desires will come to pass. With only ten days until Laila expires, the crew will face plague pits and deadly masquerades, unearthly songs and the shining steps of a temple whose powers might offer divinity itself...but at a price they may not be willing to pay.

From the Pulitzer Prize–winning author Larry McMurtry comes the sequel and final book in the Lonesome Dove tetralogy. An exhilarating tale of legend and heroism, Streets of Laredo is classic Texas and Western literature at its finest. Captain Woodrow Call, August McCrae's old partner, is now a bounty hunter hired to track down a brutal young Mexican bandit. Riding with Call are an Eastern city slicker, a witless deputy, and one of the last members of the Hat Creek outfit, Pea Eye Parker, now married to Lorena—once Gus McCrae's sweetheart. This long chase leads them across the last wild streches of the West into a hellhole known as Crow Town and, finally, into the vast, relentless plains of the Texas frontier.

DIV60 complete games, annotated throughout but emphasizing endings that seem like long-contemplated works of art. /div

Key Selling Points In My Best Friend Is Extinct a boy discovers a strange, wounded prehistoric creature and nurses it back to health. A fun imaginative adventure story about bravery and friendship. There are more than 30 fun, evocative b/w illustrations by an award-winning illustrator. The creatures in the book are based on actual prehistoric creatures (short-nose bear and saber-tooth tiger).

“If you’re hesitant to pull the trigger when things obviously aren't working out, Henry Cloud’s Necessary Endings may be the most important book you read all year.” —Dave Ramsey, New York Times bestselling author of The Total Money Makeover “Cloud is a wise, experienced, and compassionate guide through [life’s] turbulent passages.” —Bob Buford, bestelling author of Halftime and Finishing Well; founder of the Leadership Network Henry Cloud, the bestselling author of Integrity and The One-Life Solution, offers this mindset-altering method for proactively correcting the bad and the broken in our businesses and our lives. Cloud challenges readers to achieve the personal and professional growth they both desire and deserve—and gives crucial insight on how to make those tough decisions that are standing in the way of a more successful business and, ultimately, a better life.

This book looks closely at the endings of narrative digital games, examining their ways of concluding the processes of both storytelling and play in order to gain insight into what endings are and how we identify them in different media. While narrative digital games share many representational strategies for signalling their upcoming end with more traditional narrative media – such as novels or movies – they also show many forms of endings that often radically differ from our conventional understanding of conclusion and closure. From vast game worlds that remain open for play after a story’s finale, to multiple endings that are often hailed as a means for players to create their own stories, to the potentially tragic endings of failure and "game over", digital games question the traditional singularity and finality of endings. Using a broad range of examples, this book delves deeply into these and other forms and their functions, both to reveal the closural specificities of the ludonarrative hybrid that digital games are, as well as to find the core elements that characterise endings in any medium. It examines how endings make themselves known to players and raises the question of how well-established closural conventions blend with play and a player’s effort to achieve a goal. As an interdisciplinary study that draws on game studies as much as on transmedial narratology, Forms and Functions of Endings in Narrative Digital Games is suited for scholars and students of digital games as well as for narratologists yet to become familiar with this medium.