Between Dreams And Ghosts

More than one million Indians travel annually to work in oil projects in the Gulf, one of the few international destinations where men without formal education can find lucrative employment. Between Dreams and Ghosts follows their migration, taking readers to sites in India, the United Arab Emirates, and Kuwait, from villages to oilfields and back again. Engaging all parties involved--the migrants themselves, the recruiting agencies that place them, the government bureaucrats that regulate their emigration, and the corporations that hire them--Andrea Wright examines labor migration as a social process as it reshapes global capitalism. With this book, Wright demonstrates how migration is deeply informed both by workers' dreams for the future and the ghosts of history, including the enduring legacies of colonial capitalism. As workers navigate bureaucratic hurdles to migration and working conditions in the Gulf, they in turn influence and inform state policies and corporate practices. Placing migrants at the center of global capital rather than its periphery, Wright shows how migrants are not passive bodies at the mercy of abstract forces--and reveals through their experiences a new understanding of contemporary resource extraction, governance, and global labor.

More than one million Indians travel annually to work in oil projects in the Gulf, one of the few international destinations where men without formal education can find lucrative employment. Between Dreams and Ghosts follows their migration, taking readers to sites in India, the United Arab Emirates, and Kuwait, from villages to oilfields and back again. Engaging all parties involved—the migrants themselves, the recruiting agencies that place them, the government bureaucrats that regulate their emigration, and the corporations that hire them—Andrea Wright examines labor migration as a social process as it reshapes global capitalism. With this book, Wright demonstrates how migration is deeply informed both by workers' dreams for the future and the ghosts of history, including the enduring legacies of colonial capitalism. As workers navigate bureaucratic hurdles to migration and working conditions in the Gulf, they in turn influence and inform state policies and corporate practices. Placing migrants at the center of global capital rather than its periphery, Wright shows how migrants are not passive bodies at the mercy of abstract forces—and reveals through their experiences a new understanding of contemporary resource extraction, governance, and global labor.

Visitors to the Arctic enter places that have been traditionally imagined as otherworldly. This strangeness fascinated audiences in nineteenth-century Britain when the idea of the heroic explorer voyaging through unmapped zones reached its zenith. The Spectral Arctic re-thinks our understanding of Arctic exploration by paying attention to the importance of dreams and ghosts in the quest for the Northwest Passage. The narratives of Arctic exploration that we are all familiar with today are just the tip of the iceberg: they disguise a great mass of mysterious and dimly lit stories beneath the surface. In contrast to oft-told tales of heroism and disaster, this book reveals the hidden stories of dreaming and haunted explorers, of frozen mummies, of rescue balloons, visits to Inuit shamans, and of the entranced female clairvoyants who travelled to the Arctic in search of John Franklin’s lost expedition. Through new readings of archival documents, exploration narratives, and fictional texts, these spectral stories reflect the complex ways that men and women actually thought about the far North in the past. This revisionist historical account allows us to make sense of current cultural and political concerns in the Canadian Arctic about the location of Franklin’s ships.

This book, written by Andrew Lang's, is a collection of supernatural tales from various cultures. Despite the subject matter, he approaches the stories with a rational and analytical attitude. The book features over 80 tales, including naked ghosts, wraiths, and dancing devils, from both the past and present. Lang leaves it up to the reader to decide if the stories are real or just vivid hallucinations. Regardless, the book remains captivating for fans of ghostly stories.

A collection of death, dreams, and ghost stories were gathered and presented to C.G. Jung and the author, who approaches this fascinating material from the depths of her analytic experience. ¦ among the Swiss, who are commonly regarded as stolid, unimaginative, rationalistic and materialistic, there are just as many ghost stories and suchlike as, say, in England or Ireland. Indeed, as I know from my own experience ... magic as practiced in the Middle Ages ... has by no means died out, but still flourishes today ... I can recommend it to all those who know how to value things that break through the monotony of daily life with salutary effects, (sometimes!) shaking our certitudes and lending wings to the imagination " from the Foreword by C.G. Jung. We are left in the overpowering presence of a great mystery. 9783856305802

Drawing from social theory and the anthropology of religion, this book explores popular media's fascination with dreams, vampires, demons, ghosts and spirits. Dreams, Vampires and Ghosts does so in the light of contemporary animist studies of societies in which other-than-human persons are not merely a source of entertainment, but a lived social reality. Films and television programs explored include Buffy the Vampire Slayer, Twin Peaks, Bram Stoker's Dracula, Truly Madly Deeply and the films of Hitchcock. Louise Child draws attention to how they both depict and challenge ideas and practices rooted in psychology, while quality television has also facilitated a wave of programming that can explore the interaction of characters in complex social worlds over time. In addition to drawing on theories of film from Freudian psychology and feminist theory, Dreams, Vampires and Ghosts uses approaches derived from a combination of Jungian film studies and anthropology that offer fresh insights for exploring film and television. This book draws attention to explicit and subtle ways in which cinematic narratives engage with myth and religion while at the same time exploring collective dimensions to social and personal life. It advances new developments in genre studies and gender as well as contributing to the growing field of implicit religion using in-depth analyses of communicative dreaming, the shadow, and mystical lovers in film and television.