Between The Wars 1919 1939

At the end of 1918 one prescient American historian began to write a history of the Great War. "What will you call it?" he was asked. "The First World War" was his bleak response. In Between the Wars Philip Ziegler examines the major international turning points - cultural and social as well as political and military - that led the world from one war to another. His perspective is panoramic, touching on all parts of the world where history was being made, giving equal weight to Gandhi's March to the Sea and the Japanese invasion of China as to Hitler's rise to power. It is the tragic story of a world determined that the horrors of the First World War would never be repeated yet committed to a path which in hindsight was inevitably destined to end in a second, even more devastating conflict.

Winner of Heritage Toronto's Award of Excellence, Book category in 2005. The pace of life in Toronto picked up after 1919 and never slowed down again. During the 1920s and '30s, Toronto went through massive changes that affected the physical and the social life of the city. In these two decades between World War I and World War II, Toronto was finding its place in the swiftly changing world of the twentieth century. Toronto Between the Wars features 180 archival photographs of Toronto during this fascinating period. Each picture is accompanied by a captivating story about some aspect of life in the city. During this period, cars became commonplace, the downtown skyline changed as new skyscrapers were built, and women's roles changed dramatically. Then the Depression sent the economy into a tailspin, unemployment became rampant and poverty took its toll. People struggled to afford the basic necessities and lived under the shadow of a growing threat of another war in Europe. The text reveals little known facts, such as how a leading retail family kept their interest in a major downtown property secret for twenty years. Photographs capture unguarded moments with startling immediacy: a tired but happy group of disheveled merrymakers waiting for a bus; two women in flouncy bridesmaid dresses; an old man cleaning the statue of Queen Victoria; and children buying fish from an itinerant fishmonger. With intriguing pictures and absorbing text, Toronto Between the Wars offers a rare opportunity to observe life in Toronto during a critical time in its history.

The InterWar Years details the path from Versailles in 1919 to the invasion of Poland in 1939. It considers the failings of the Treaty of Versailles, the influence of communism, the rise of fascism, and the role of economics as they led to war. It provides a detailed chronology of the path to war beginning with Hitler's ascension to power in 1933. It concludes with a discussion of why Germans embraced Hitler and why European democracies were unable to stop Hitler. The Best One-Hour History series is for those who want a quick but coherent overview of major historical events. It will also serve those who need a competent high-level introduction before going further. Each volume provides a clear and concise account of the episode under discussion. In about an hour, the reader will obtain a well-grounded understanding of why each subject holds iconic status in Western Civilization.

This Seminar Study takes the reader through the tumultuous, uncertain years of the inter-war period, and examines why, in Italy, Spain, Germany, the Baltic States, and the Balkans, dictatorships came to supplant democracy, as the world slid into war once again.

First Published in 1992. `Between the wars' was the great age of the cartoon character. The adventures of Mickey Mouse, Popeye, and Donald Duck were followed avidly by millions. Even the political leaders of the grim world of the 1920s and 1930s were known to millions as cartoon characters - gawky, bespectacled Woodrow Wilson, the balloon-like Mussolini, and the moustache men Hitler, Stalin, Neville Chamberlain and Ramsay MacDonald. Comic, mordant, and irreverent, political cartoons reveal more about popular concerns in the world of the slump, of rising nationalism and aggression, than either official documents or the work of most journalists. Published in newspapers or magazines with a wide circulation, they `made sense' to the ordinary reader. More than half a century on, that sense of immediate identification has been lost, and political cartoons of the period now need detailed explanation. Roy Douglas, author of the acclaimed The World War: The Cartoonist's Vision, now applies the same skills to the interwar period. His scope is international, and he has selected his cartoons from many different countries. Douglas covers all the great political and social issues of the period as they revealed themselves through the cartoonist's eyes. His greatest gift is for concise, clear explanation, setting each cartoon into its historical context. Throughout this book it is easy to trace the decay of hope in the 1920s, through the fear of war in the 1930s, to the determination at its end that fascism `must be stopped'. These cartoons, intended for the man and woman `in the street', in Europe, North America, in the Soviet Union and in Asia mirror their changing attitudes and beliefs, as their nations shaped up for war.

The literature on German foreign policy between the two World Wars is even more extensive than it was when the first edition of this book was published in 1977. This text makes use of the increase in available literature, analyzing the interwar period as a whole from the German perspective.