Beyond The Blur

Adaptive optics (AO) corrects distortions created by atmospheric turbulence and delivers diffraction-limited images on ground-based telescopes. The vastly improved spatial resolution and sensitivity has been utilized for studying everything from the magnetic fields of sunspots upto the internal dynamics of high-redshift galaxies. This thesis about AO science from small and large telescopes is divided into two parts: Robo-AO and magnetar kinematics. In the first part, I discuss the construction and performance of the world's first fully autonomous visible light AO system, Robo-AO, at the Palomar 60-inch telescope. Robo-AO operates extremely efficiently with an overhead

A 2017 study by the Boston College Center for Work & Family found that all working dads across generations would like to spend more time with their children. But it's much easier said than done. Irreverent corporate author James Sudakow aims to detangle entrepreneurship and parenthood and demystify what it means to manage that much needed balance in his new book, Out of the Blur: A Delirious Dad's Search for The Holy Grail of Work-Life Balance (Purple Squirrel Media, September 2018). Sudakow, author of the humorous illustrated corporate glossary Picking the Low-Hanging Fruit... and Other Stupid Stuff We Say in the Corporate World (Purple Squirrel Media, 2016), brings his signature irreverent tone to the much discussed topic of work-life balance in Work-Life Blur. With illustrations from Todd Kale, Sudakow tells his story of building and running a small business while raising a family, and aims to help readers figure out how to define what they want their work-life balance to look like while identifying and solving the traps and habits many fall into that get in the way of truly reaching balance. Despite being told from an entrepreneurial dad's point of view, Out of the Blur seeks to discuss the challenges all parents face while trying to be everything they need and want to be for their families while achieving the successes they need and want to at work - whether their job be entrepreneurial or traditional.

The author presents her professional insights and advice for properly analyzing and manually adjusting for lighting, exposure and focus when taking photographs in a wide range of settings.

An in-depth expose of the Robert Dziekanski Taser death and the years of obstructed and bungled inquiries Robert Dziekanski died after being shocked multiple times with Tasers by RCMP officers, in a confrontation that took just 26 seconds. Dziekanski was unarmed and not taking hostile actions A multi-million-dollar inquiry went nowhere, and three of the four RCMP officers remain on the force Author is a CBC journalist who has covered the case since it began

What the Bleep Do We Know!? is the biggest New Age movie phenomenon . . . EVER! This outrageous film plunges you into a world where quantum uncertainty is demonstrated—where neurological processes and perceptual shifts are engaged and lived by its protagonist—where everything is alive, and reality is changed by every thought. What the Bleep Do We Know!? gives voice to the modern-day radical souls of science, bringing their genius to millions. What the Bleep Do We Know!? says that science and spirituality are not different modes of thought, but are in fact describing the same thing. And it brings the power back to the individual man and woman as it demonstrates creation as the god-like capacity of every individual. In Beyond the Bleep, Alexandra Bruce illuminates the personalities and teachings of the physicists, neurologists, anesthesiologists, physicians, spiritual teachers, mystics, and scholars in the film, as well as the filmmakers, helping the reader sort through their wilder and woollier theories with simple explanations of the cutting-edge science on which they are based. The phenomenon of the movie is only just beginning, spreading outwards from the yoga studios and health food stores of the Pacific Northwest across America and the world. There is a huge demand for more information on the topics presented in the film; Beyond the Bleep is the place to start.

Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural "mixing" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a culturally amalgamated, boundary-crossing form of expression that reflects and defines modern American identities.

This book offers new ways of constellating the literary and cinematic delineations of Indian and Pakistani Muslim diasporic and migrant trajectories narrated in the two decades after the 9/11 attacks. Focusing on four Pakistani English novels and four Indian Hindi films, it examines the aesthetic complexities of staging the historical nexus of global conflicts and unravels the multiple layers of discourses underlying the notions of diaspora, citizenship, nation and home. It scrutinises the “flirtatious” nature of transnational desires and their role in building glocal safety valves for inclusion and archiving a planetary vision of trauma. It also provides a fresh perspective on the role of Pakistani English novels and mainstream Hindi films in tracing the multiple origins and shifts in national xenophobic practices, and negotiating multiple modalities of political and cultural belonging. It discusses various books and films including The Reluctant Fundamentalist, Burnt Shadows, My Name is Khan, New York, Exit West, Home Fire, AirLift and Tiger Zinda Hai. In light of the twentieth anniversary of 9/11 attacks, current debates on terror, war, paranoid national imaginaries and the suspicion towards migratory movements of refugees, this book makes a significant contribution to the interdisciplinary debates on border controls and human precarity. A crucial work in transnational and diaspora criticism, it will be of great interest to researchers of literature and culture studies, media studies, politics, film studies, and South Asian studies.