Beyond The Gang

This book challenges the widely held conjecture that gangs represent 'the new face of youth crime', repudiating claims which situate the gang at the heart of sexual violence, mass shooting and control of the illegal drugs trade and examining how better we might understand the violence of the street and the organisations that inhabit it.

Joint Winner of the 2023 ASSAf Humanities Book Award in the Emerging Researcher Category This book showcases a practical starting point for changing how criminologists think about gangs and street culture – offering hope to those trying to exit gang life, as well as those trying to help them do so.

Gabriel Nieves', nicknamed Grim by his California gang members, shares the powerful story of redemption, salvation and transformation. Gabriel's story is a powerful testament to the glorious and transformative power of Jesus Christ. A criminal, drug user, drunkard, and gang member, who is facing the possibility of life without parole. But all that changed when he finally met Jesus and accepted Him as his Savior. Gabriel Nieves left his gang and life of crime to start a ministry that impacts people today through music. His story proves that God can reach anyone with the good news of Jesus Christ.

The Bay City Rollers were one of the brightest things to happen in the tumultuous 1970s, illuminating a dark decade marred by falling stock markets, a plummeting economy and industrial unrest. Alan Longmuir, an apprentice plumber from Edinburgh, was inspired by the Beatles to form a band. After enlisting his brother and throwing a dart at a map, they became the Bay City Rollers. In I Ran with the Gang , Alan recounts his incredible journey from the Dalry backstreets to the Hollywood hills and back again. Along the way, he punctures some of the myths and untruths that have swirled around the group, and unflinchingly tells of the acrimony and exploitation that led to the disintegration of the band. Most of all, though, Alan captures the great adventure of five young boys from Edinburgh who for a few heady years threatened to turn the whole world tartan.

This book challenges the widely held conjecture that gangs represent 'the new face of youth crime', repudiating claims which situate the gang at the heart of sexual violence, mass shooting and control of the illegal drugs trade and examining how better we might understand the violence of the street and the organisations that inhabit it.

With the advent of Aboriginal street gangs such as Indian Posse, Manitoba Warriors, and Native Syndicate, Winnipeg garnered a reputation as the “gang capital of Canada.” Yet beyond the stereotypes of outsiders, little is known about these street gangs and the factors and conditions that have produced them. “Indians Wear Red” locates Aboriginal street gangs in the context of the racialized poverty that has become entrenched in the colonized space of Winnipeg’s North End. Drawing upon extensive interviews with Aboriginal street gang members as well as with Aboriginal women and elders, the authors develop an understanding from “inside” the inner city and through the voices of Aboriginal people – especially street gang members themselves. While economic restructuring and neo-liberal state responses can account for the global proliferation of street gangs, the authors argue that colonialism is a crucial factor in the Canadian context, particularly in western Canadian urban centres. Young Aboriginal people have resisted their social and economic exclusion by acting collectively as “Indians.” But just as colonialism is destructive, so too are street gang activities, including the illegal trade in drugs. Solutions lie not in “quick fixes” or “getting tough on crime” but in decolonization: re-connecting Aboriginal people with their cultures and building communities in which they can safely live and work.

Their names resonate with organized crime in Montreal: the Matticks, MacAllisters, Johnstons and Griffins, and Peter Dunie Ryan. They are the Irish equivalent of the infamous Rizzuto and Cotroni families, and the "Mom" Bouchers and Walter Stadnicks of the Hells Angels. Award-winning producer, journalist and author D’Arcy O’Connor narrates the genesis and rise to power of one of Montreal’s most powerful, violent and colorful criminal organizations. It is the West End Gang, whose members controlled the docks and fought the Hells Angels and Mafia for their share of the city’s prostitution, gambling, loan sharking and drug dealing. At times, they did not disdain forging alliances with rival gangs when huge profits were at stake, or when a killing needed to be carried out. The West End Gang—the Irish Mafia of Montreal—is a legendary beast. They sprang out of the impoverished southwest of the city, some looking for ways to earn enough just to survive, some wanting more than a job in an abattoir or on a construction site. In that sense, they were no different from other immigrants from Italy and other European countries. A shortcut to wealth was their common goal. And Montreal, with its burgeoning post-WWII population, was ripe for the picking. The Irish Mob made headlines with a spectacular Brinks robbery in 1976, using the money to broker a major heroin and cocaine trafficking ring. It took over the Port of Montreal, controlling the flow of drugs into the city, drugs which the Mafia funnelled to New York. The West End Gang had connections to the cocaine cartel in Colombia; hashish brokers in Morocco and France; and marijuana growers in Mexico. The gang imported drugs on an enormous scale. One bust that took place off the coast of Angola in 2006 involved 22.5 tonnes of hashish, destined for Montreal. The West End Gang is a ripping tale that unveils yet another chapter in Montreal’s colorful criminal underworld.

Challenging the widely held conjecture that gangs represent 'the new face of youth crime' this book repudiates claims which situate the gang at the heart of sexual violence, mass shooting and control of the illegal drugs trade. It pushes the epistemological, methodological and ontological borders of cultural criminology in order to understand violent street worlds and the informal organisations that operate within them. In part polemic, in part theoretical treatise, the book deciphers the gang talk now mediated by a developing industry of gang-talkers and explores how street realities have become lost in a collectively induced fantasy where gangs are regarded as public enemy number one. The book makes a case for returning to the analysis of street culture and the imperatives that orientate patterns of social action within it. It concludes by examining how better we might understand the violence of the street and the organisations that inhabit it.