Beyond The Gods

First published in 1974 Beyond the Gods argues that true mystics transcend religious boundaries, and that Eastern mysticism has increasing relevance for the troubled minds and spirits of the West. Blofeld’s approach is a highly personal one based on encounters with monks, lamas, and recluses in their mountain retreats. He also includes a vivid description of the Chinese religious scene and chapters on the mystical practices of Taoism, Ch’an (Zen) and the Tantric Buddhism of Tibet. The book seeks to answer broader questions like – what has Eastern mysticism to offer the West, how can we free ourselves from the pressures of modern life or benefit from eastern methods of cultivating the sublime mystical experience? This is an interesting read for scholars and researchers of Buddhism, Taoism, and religion in general.

No man may touch Zaria. Not even her own father. Envy of the other girls, Zaria was born for the sea. Nobody questions her fate as the chosen braenese to marry Keroe, God of the Sea -- least of all her. And even if she did, she has no choice. When Zaria's wedding day finally arrives, she'll become the only islander of her generation permitted to cross into the God Sea. There's nothing more she could possibly want. Until a curious boy washes up on her palm-fringed paradise and Zaria defies sacred law to hide the unconscious stranger. There are only two possibilities with his strange (and strangely handsome) face: he's either a village anomaly or the Sea God himself, in disguise. The alluring boy-creature couldn't have come from anywhere else, because there is no other land in all the ocean. But when the scoundrel awakens, he has the gall to ambush Zaria. As three pageants leading up to her wedding turn unexpectedly deadly, and the enigma of its true purpose looms, Zaria is torn between her long-desired fate as Sea Queen and the infuriating boy who tells her that everything her people know is a lie. ******** Please be advised: In this dystopian series the protagonist grows in a manner similar to characters such as Sansa Stark. She begins as sheltered/ and does not become a strategist until Book II when the story darkens and matures. There is no spice/adult content until Book III. Book I is Mid-Range YA. Book II is Dark/Mature YA better suited to older teen readers. Book III is New Adult and contains mature content. **Winner of Independent Book Review's "The Best Books We Read This Year (2021)"**

The fourth and final book in the hilarious bestselling WHO LET THE GODS OUT series; perfect for fans of David Solomons! 'I totally fell in love with Elliot and the gods, and I think you're all going to love them too.' ROBIN STEVENS on book 1 'One of the funniest new voices in children's literature. The laughs come thick and fast' DAVID SOLOMONS on book 1 In the series finale of Maz Evans' bestselling Who Let the Gods Out? series, Elliot faces his darkest period yet. As well as facing up to his fears, he realises that the future of mankind - and the survival of everything he holds dear - is at stake. But can a bunch of misfit gods, a lost constellation and a mortal boy stand up to the daemon hordes?

This combination of two key works by the Italian avant-garde writer Giorgio Manganelli (1922-90) is a major addition to the small number of his works available in English. In the 1960s Manganelli was a member, along with Umberto Eco and Eduardo Sanguinetti, of the Gruppo 63 movement, and a close friend of Italo Calvino, who provides an enthusiastic foreword that describes "To Those Gods Beyond" (1972) as a "heraldic bestiary" that "launches into a crescendo of variations on its main theme, the self-aggrandisement of a lucid megalomaniac." Perhaps the best known of his works included here, "An Impossible Love," comprises an epistolary exchange between Hamlet and the Princess of Cleves conducted with a "verbal catapult" as the universes about them descend into oblivion. All is overseen by gods beyond whom an endless array of other gods lie in wait, intent on torment. Everything seemingly finite or known in our world becomes infinite and unknown. The book is prefaced by Manganelli's notorious manifesto "Literature as Deception" (1967), in which he describes the "literary object" as something cynical, corrupt and devoted only to turning human suffering into exquisite figures of speech. This is a major new offering of work by this important writer, heralded by Calvino as an "erudite acrobat who twirls around the trapeze of rhetoric above the timeless void of meaning."

AN ACCLAIMED, EMMY-NOMINATED TV SERIES ON AMAZON PRIME VIDEO WINNER OF THE HUGO, LOCUS AND BRAM STOKER AWARDS 'To give him his full title: Neil Gaiman, Architect of Worlds, Svengali of Plot, Shaman of Character, Exploder of Cliché, Master Craftsman of Style, Dreamer Laureate of the Republic of Letters' DAVID MITCHELL 'Original, engrossing, and endlessly inventive' GEORGE R.R. MARTIN 'Brilliant and unique' GUARDIAN --- 'This is about the soul of America, the idea that everyone came here from somewhere' NEIL GAIMAN --- After three years in prison, Shadow Moon is free to go home. But hours before his release, his beloved wife is killed in a freak accident. Numbly, he boards a plane where he meets an enigmatic stranger who seems to know Shadow and claims to be an ancient god - and king of America. Together they embark on a profoundly strange road trip across the USA, encountering a kaleidoscopic cast of characters along the way. But all around them a storm of unnatural proportions is gathering. War is coming, an epic struggle for the very soul of America. And Shadow is standing squarely in its path. NEIL GAIMAN. WITH STORIES COME POSSIBILITIES.

The Pulitzer Prize-winning history of the Scopes Trial and the battle over evolution and creation in America's schools In the summer of 1925, the sleepy hamlet of Dayton, Tennessee, became the setting for one of the twentieth century's most contentious courtroom dramas, pitting William Jennings Bryan and the anti-Darwinists against a teacher named John Scopes, represented by Clarence Darrow and the ACLU, in a famous debate over science, religion, and their place in public education. That trial marked the start of a battle that continues to this day-in cities and states throughout the country. Edward Larson's classic Summer for the Gods -- winner of the Pulitzer Prize in History -- is the single most authoritative account of this pivotal event. An afterword assesses the state of the battle between creationism and evolution, and points the way to how it might potentially be resolved.

A Business Week, New York Times Business, and USA Today Bestseller "Ambitious and readable . . . an engaging introduction to the oddsmakers, whom Bernstein regards as true humanists helping to release mankind from the choke holds of superstition and fatalism." —The New York Times "An extraordinarily entertaining and informative book." —The Wall Street Journal "A lively panoramic book . . . Against the Gods sets up an ambitious premise and then delivers on it." —Business Week "Deserves to be, and surely will be, widely read." —The Economist "[A] challenging book, one that may change forever the way people think about the world." —Worth "No one else could have written a book of such central importance with so much charm and excitement." —Robert Heilbroner author, The Worldly Philosophers "With his wonderful knowledge of the history and current manifestations of risk, Peter Bernstein brings us Against the Gods. Nothing like it will come out of the financial world this year or ever. I speak carefully: no one should miss it." —John Kenneth Galbraith Professor of Economics Emeritus, Harvard University In this unique exploration of the role of risk in our society, Peter Bernstein argues that the notion of bringing risk under control is one of the central ideas that distinguishes modern times from the distant past. Against the Gods chronicles the remarkable intellectual adventure that liberated humanity from oracles and soothsayers by means of the powerful tools of risk management that are available to us today. "An extremely readable history of risk." —Barron's "Fascinating . . . this challenging volume will help you understand the uncertainties that every investor must face." —Money "A singular achievement." —Times Literary Supplement "There's a growing market for savants who can render the recondite intelligibly-witness Stephen Jay Gould (natural history), Oliver Sacks (disease), Richard Dawkins (heredity), James Gleick (physics), Paul Krugman (economics)-and Bernstein would mingle well in their company." —The Australian

Lieutenant Commander Shawn 'Calvin' Hobbs and his special forces platoon just returned from a three-month mission to the stars. The technology they brought back will help with the Earth's defense, but it won't be enough to hold off the alien menace headed their way. Although they made it back alive, they returned without any new allies or help in building the fleet necessary to ensure the Earth's survival. They've got to go back. "When the Gods Aren't Gods" is the second book in "The Theogony," a trilogy that has taken Lieutenant Commander Hobbs and his special forces platoon to the stars, where they have found out that there is much more to Earth's history than is written in the history books! What do you do when myths become reality, and nothing you have ever been taught about history turns out to be true? How do you find the truth when everything you know is a lie? What is there left to believe in, when even the gods aren't gods?