Beyond The Turnstile

This handbook of values will help museums of every kind and size articulate their value to their community at a time when economic woes cause even supporters to question their importance.

The ticket was washed out, as if it had been left out in the sun for months. Below the $12.50 admission price were the words in bold capitals over a faded red, white, and blue design: WORLD SERIES 1975, GAME 6, FENWAY PARK, BOSTON. With my ticket clenched in one hand, I gripped one of the turnstile’s arms and pushed ... Lifelong Red Sox fan Landon Burgess thought he’d seen it all – from Jon Lester’s no-hitter against the Royals to Big Papi’s treasure chest of late-game heroics. Baseball was his passion, and he’d witnessed over six hundred games at the fabled Fenway Park. Enough to know the ins and outs of the “Shrine at the heart of Boston” like he knew his own apartment. Until one late-September evening, when he chances upon a mysterious ticket scalper before the game. He has no way of knowing he’s about to see a side of Fenway that can only be experienced through The Turnstile.

Celebrating the diversity of institutions in the United States, Latin America, and Canada, Remix aims to change the discourse about museums from the inside out, proposing a new, “panarchic”—nonhierarchical and adaptive—vision for museum practice. Selma Holo and Mari-Tere Álvarez offer an unconventional approach, one premised on breaching conventional systems of communication and challenging the dialogues that drive the field. Featuring more than forty authors in and around the museum world, Remix frames a series of vital case studies demonstrating how specific museums, large and small, have profoundly advanced or creatively redefined their goals to meet their ever-changing worlds. Contributors: Piedade Grinberg (Brazil), Nichole Anderson (Canada), Dr. James D. Fleck O.C. (Canada), Vanda Vitali (Canada), Lydia Bendersky (Chile), Andres Navia (Colombia), Manuel Araya-Incera (Costa Rica), Oscar Arias (Costa Rica), Alejandro de Avila Blomberg (Mexico), Marco Barerra Bassols (Mexico), Cuauhtémoc Camarena Ocampo (Mexico), Miguel Fernández Félix (Mexico), Demian Flores (Mexico), Teresa Morales (Mexico), Nelly Robles (Mexico), Hector Feliciano (Puerto Rico), Mario Vargas Llosa (Peru), Santiago Palomero Plaza (Spain), Maxwell L. Anderson (United States), Susana Bautista (United States), Graham W. J. Beal (United States), Jane Burrell (United States), Thomas P. Campbell (United States), Erica Clark (United States), Chip Colwell-Chanthaphonh (United States), Kristina van Dyke (United States), William Fox (United States), Ben Garcia (United States), Ivan Gaskell (United States), Tomas W Hanchett (United States), Richard Koshalek (United States), Clare Kunny (United States), Stephen E. Nash (United States), Joanne Northrup (United States), Jane G. Pisano (United States), Edward Rothstein (United States), Karen Satzman (United States), Lori Starr (United States), Carlos Tortolero (United States), David Wilson (United States), Fred Wilson (United States), Guillermo Barrios (Venezuela), Patricia Phelps de Cisneros (Venezuela)

Patented in 1917, Piggly Wiggly was by far the most influential self-service store of the early twentieth century. Before 1940 it was the only self-service chain with a national distribution network, but it was neither the first nor the only version. Beyond Piggly Wiggly reveals the importance of Piggly Wiggly in the invention of self-service and goes beyond the history of a single firm to explore the role of small business entrepreneurs who invented the first self-service stores in a grassroots social process. During the 1920s and 1930s a minority of enterprising grocers experimented with a wide variety of (sometimes wacky) design ideas for automating shopping. They created specialized stores designed as enclosed retail systems that went far beyond open display techniques to construct unique physical and psychological advantages for automating salesmanship. Beyond Piggly Wiggly offers the first perspective on the national scale of experimentation and connects the southern Jim Crow origins of self- service to the national history of this mass retailing method. Empirical analysis of store arrangements demonstrates how small stores that have previously been overlooked or undervalued as quaint anomalies were integral to the creation of supermarkets. Ultimately, self-service was more than a business decision; it was a fundamentally new social practice.

This collection, first published in 1969, showcases the range of Lin Carter's writing talent: fantasy, science fiction, horror, and humor are all here, with the winning charm of a master storyteller.

Winner of the Barbara DiBernard Prize in Fiction Amy Black, a queer single mother and an aspiring artist in love with calligraphy, dreams of a coveted artist’s residency at the world’s largest social media company, Q. One ink-black October night, when the power is out in the hills of Oakland, California, a stranger asks Amy to transcribe a love letter for him. When the stranger suddenly disappears, Amy’s search for the letter’s recipient leads her straight to Q and the most beautiful illuminated manuscript she has ever seen, the Codex Argentus, hidden away in Q’s Library of Books That Don’t Exist—and to a group of data privacy vigilantes who want her to burn Q to the ground. Amy’s curiosity becomes her salvation, as she’s drawn closer and closer to the secret societies and crackpot philosophers that haunt the city’s abandoned warehouses and defunct train depots. All of it leads to an opportunity of a lifetime: an artist’s residency deep in the holographic halls of Q headquarters. It’s a dream come true—so long as she follows Q’s rules.

A cult figure among loyalists, despised and feared by nationalists, Billy 'King Rat' Wright is reputed to have been involved in a number of sectarian murders before he himself was shot dead by republican gunmen inside the Maze Prison in 1997. Wright became involved with loyalist paramilitaries at the age of 16, and in the early 1990s he emerged as the UVF commander in the Mid-Ulster area. The Billy Boy documents Wright's role in the Drumcree dispute of 1995-96 and his split from the UVF, recounting how he ignored both a death threat and an order to leave Northern Ireland, only to remain in Portadown and form the Loyalist Volunteer Force. It covers Wright's trial and subsequent imprisonment for a crime it has been claimed was set up by the State; recounts the circumstances of his killing inside a top-security prison; and investigates the allegations of State collusion in Wright's death. Terrifically gripping and often disturbing, The Billy Boy is an exhaustive account of a notorious figure of the Troubles, whose life and death were surrounded by controversy and political debate.