Beyond What Is Given

Be careful what you wish for... Lt. Grayson Masters is focused on graduating the Apache helicopter course, and the last thing he needs is his gorgeous new roommate Samantha Fitzgerald distracting him. While her smart mouth and free spirit are irresistibly irritating, he can't deny their off-the-charts chemistry, no matter how hard he tries. Having just been expelled from college, Sam has no business digging for Grayson's secrets while she's hiding her own, but that doesn't stop her from trying to tear down his walls. Each barrier she busts through drops one of her own, though, and she's not prepared for the truth: another woman laid claim to Grayson's heart long ago. Falling in love is something neither Grayson nor Sam can afford, and when that line is crossed and secrets are exposed, they'll learn that sometimes it's the answered prayers that will put you through hell. The Flight & Glory series is best enjoyed in order. Reading Order: Book #1 Full Measures Book #2 Eyes Turned Skyward Book #3 Beyond What is Given Book #4 Hallowed Ground Book #5 The Reality of Everything

The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?

This book explores the co-dependency of monotheism and idolatry by examining the thought of several prominent twentieth-century Jewish philosophers—Cohen, Buber, Rosenzweig, and Levinas. While all of these thinkers were keenly aware of the pitfalls of scriptural theism, to differing degrees they each succumbed to the temptation to personify transcendence, even as they tried either to circumvent or to restrain it by apophatically purging kataphatic descriptions of the deity. Derrida and Wyschogrod, by contrast, carried the project of denegation one step further, embarking on a path that culminated in the aporetic suspension of belief and the consequent removal of all images from God, a move that seriously compromises the viability of devotional piety. The inquiry into apophasis, transcendence, and immanence in these Jewish thinkers is symptomatic of a larger question. Recent attempts to harness the apophatic tradition to construct a viable postmodern negative theology, a religion without religion, are not radical enough. Not only are these philosophies of transcendence guilty of a turn to theology that defies the phenomenological presupposition of an immanent phenomenality, but they fall short on their own terms, inasmuch as they persist in employing metaphorical language that personalizes transcendence and thereby runs the risk of undermining the irreducible alterity and invisibility attributed to the transcendent other. The logic of apophasis, if permitted to run its course fully, would exceed the need to posit some form of transcendence that is not ultimately a facet of immanence. Apophatic theologies, accordingly, must be supplanted by a more far-reaching apophasis that surpasses the theolatrous impulse lying coiled at the crux of theism, an apophasis of apophasis, based on accepting an absolute nothingness—to be distinguished from the nothingness of an absolute—that does not signify the unknowable One but rather the manifold that is the pleromatic abyss at being’s core. Hence, the much-celebrated metaphor of the gift must give way to the more neutral and less theologically charged notion of an unconditional givenness in which the distinction between giver and given collapses. To think givenness in its most elemental, phenomenological sense is to allow the apparent to appear as given without presuming a causal agency that would turn that given into a gift.

This complete introduction to the use of modern ray tracing techniques in plasma physics describes the powerful mathematical methods generally applicable to vector wave equations in non-uniform media, and clearly demonstrates the application of these methods to simplify and solve important problems in plasma wave theory. Key analytical concepts are carefully introduced as needed, encouraging the development of a visual intuition for the underlying methodology, with more advanced mathematical concepts succinctly explained in the appendices, and supporting Matlab and Raycon code available online. Covering variational principles, covariant formulations, caustics, tunnelling, mode conversion, weak dissipation, wave emission from coherent sources, incoherent wave fields, and collective wave absorption and emission, all within an accessible framework using standard plasma physics notation, this is an invaluable resource for graduate students and researchers in plasma physics.

This book seeks to place before a broad audience of students and general readers theological essays on both the Old and New Testaments. Theology is seen to derive from a number of sources: the biblical language, biblical rhetoric and composition, academic disciplines other than philosophy, and above all a careful exegesis of the biblical text. The essay on Psalm 23 makes use of anthropology and human-development theory; the essay on Deuteronomy incorporates Wisdom themes; the essay called "Jeremiah and the Created Order" looks at ideas not only about God and creation but also about the seldom-considered idea of God and a return to chaos; the essay on the "Confessions of Jeremiah" examines, not words this extraordinary prophet was given by God to preach, but what he himself felt and experienced in the office to which he was called. Other essays argue that theology is rooted in biblical words--in and of themselves, and in context--and in rhetoric, where the latter must also include composition. One essay on "Biblical and Theological Themes" includes a translation into the African language of Lingala.

This book was inspired by conversations and questions I've had with students all over Australia. Conversations about all kinds of subjects in a variety of different contexts. Conversations with students just like you.Each one of these conversations reflects a moment of choice in the life of a student-a decision that student had to make at one time or another.You see, life is full of moments. Every day is full of moments.Some we expect, and some we don't.Some that generate joy, celebration and satisfaction, and some that reflect pain, confusion and grief.The fact is, moments matter. And how we respond and navigate our way through those moments is important because it influences what happens next.As you continue to grow up, there will be moments that are inescapable. My hope is that this book will give you the practical tools to know what to do when these moments arrive.

The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?