Beyond Words Things Thoughts Feelings

What is the nature of aesthetic experience? Author Ha Poong Kim suggests that a genuine aesthetic experience is a perceptual state of consciousness, free of thought. He characterizes it as subjectless, objectless, timeless, revelatory, and joyous. It is a state of mind thus markedly different from our everyday experience, where thought processes impinge on our consciousness. In this book, Ha Poong Kim shares his thoughts on aesthetic experience. Part I tackles the nature of aesthetic experience, as opposed to everyday perception, and illuminates the experience of the beautiful by discussing Plato's famous allegory of the charioteer in Phaedrus and an episode in Proust's In the Shadow of Young Girls in Flower, the second section of In Search of Lost Time. Part II takes a critical look at Kant's treatment of the judgment of taste in his Critique of Judgment and Eduard Hanslick's conception of the imagination. Part III details Kim's thoughts on several topics of the current debate in aesthetics - among them, the difference between aesthetic and intellectual pleasure, and the nature of expressiveness of music. In the first of the two essays in Part III, the author critically discusses Christopher Butler's interpretation of artworks as narrative, and in the second essay, Peter Kivy's theory of expressive properties. Two appendices are provided: one on the alienation of aesthetic experience in the common love of artworks as values, and the other on performance art as an art form.

"Love needs no words, yet it speaks volumes in every silence."

Abhishek Kothari, aka Qais AK, wrote his first book A Feeling Beyond Words in 2010, and it became a bestseller soon after. An alumnus of Lovely Professional University, Punjab, Abhishek is an atheist at heart. A deep believer of Humanism, he loves every soul and sees every religion as equal.Born in the beautiful valley of Dehradun, when he isn't writing, he is sketching portraits and enjoying his pursuit of beauty. His latest book is Love & Peace

Ben doesn't like being rushed and when Paul won't make time for a chat, Ben gets cross and upset. Ben asks Jane for help and she helps them sort it out. Now Paul understands what is important for Ben and what has been worrying him. The story ends with them choosing a new activity to do together. We all experience situations that make us feel cross and stressed. Sometimes this can lead to an angry outburst or other sorts of behaviour that challenges. This book will help people and their supporters to work together to sort out difficult situations, and avoid them happening in the future.

The subject of this book is young children’s emotional-social learning and development within early childhood care and education settings in Aotearoa-New Zealand. The focus on emotional complexity fills a gap in early childhood care and education research where young children are frequently framed narrowly as ‘learners,’ ignoring the importance of emotional functioning and the feelings with which children make sense of themselves and the world. This book draws on original data in the form of narrative-like framed events to creatively illustrate the complexities in children’s diverse ways of feeling, thinking, playing, being, and becoming. Events illuminate the feelings and meanings of observed experiences in holistic and contextualised gestalts. Awareness of unconscious processes, the feeling of feelings, and cultural dimensions of development and meaning-making are addressed. The book emphasises the emergent and psychodynamic nature of children’s development and learning with strong links to the role of play and playfulness in the events, drawing on two ethnographically inspired research projects that present theory, experience and practice in real-life events.

I wanted to know what they were experiencing, and why to us they feel so compelling, and so-close. This time I allowed myself to ask them the question that for a scientist was forbidden fruit: Who are you? Weaving decades of field observations with exciting new discoveries about the brain, Carl Safina's landmark book offers an intimate view of animal behavior to challenge the fixed boundary between humans and nonhuman animals. In Beyond Words, readers travel to Amboseli National Park in the threatened landscape of Kenya and witness struggling elephant families work out how to survive poaching and drought, then to Yellowstone National Park to observe wolves sort out the aftermath of one pack's personal tragedy, and finally plunge into the astonishingly peaceful society of killer whales living in the crystalline waters of the Pacific Northwest. Beyond Words brings forth powerful and illuminating insight into the unique personalities of animals through extraordinary stories of animal joy, grief, jealousy, anger, and love. The similarity between human and nonhuman consciousness, self-awareness, and empathy calls us to re-evaluate how we interact with animals. Wise, passionate, and eye-opening at every turn, Beyond Words is ultimately a graceful examination of humanity's place in the world.

This volume includes The Eternal Legacy, an introduction to the canonical literature of Buddhism, and Wisdom Beyond Words, a commentary on several Perfection of Wisdom texts.

After the Interlude explores destiny, the sibling relationship, the impact on destiny of family of origin dynamics, where we were before we were born, where we're going after we've left the planet, thin places, dreams, prayer and the importance of unbending intent. The book tackles purpose and the most difficult personal question of all personal questions-Why? After the Interlude converses with existence. After the Interlude is an expression of an Everyperson. All human beings know fear. All human beings lose family members. All human beings question. All human beings are wounded and flawed. And, above all, all human beings come with a destiny to be uncovered and lived and a monumental capacity to love. The wounds that happen along the way are part of the contract we undertake in coming here, trailing our own Wordsworthian clouds of glory. Whether we come once or multiple times is a moot point. The point of life, according to After the Interlude, is now and what we do with all the nows of our lives. After the Interlude is highly personal and yet it will touch readers in their personal beliefs and fears. With references to the Platonic philosophers, Julian of Norwich, Emily Dickinson, William Blake, C. S. Lewis, Annie Dillard, Mary Oliver and Chet Raymo, the argument that the purpose of life is the advancement of the soul is brought home. And it's brought home with an openness that allows the reader to try it on for size, rather than insisting on adoption or rejection. And, above all, After The Interlude faces death head-on. Ellyn Peirson's credo on the soul's journey is a personal culmination of years of exploration of the soul. Andrew Ruhl, Ellyn's soul-friend, responds to and frames the theories and propositions in words and photography. It all began simply enough. The question was rather ordinary. Margaret, Ellyn's only sibling and soul-companion of longest standing, had just died. Andrew, in his fourth post-bone-marrow-transplant year, wondered via email what the experience of Margaret's actual death-her process of leave-taking-had revealed to Ellyn. Because of their familiar journey into the territory of Andrew's leukemia, its treatments and effects, Andrew and Ellyn communicated easily about such matters. While the sharing during the process of Margaret's death was soothing for Ellyn, Andrew's question the morning of Margaret's death was different, unanswerable in a sense, and Ellyn tucked it away in her computer. She'd reply soon. "What was her death like?" Andrew wondered. "What did you see and understand?" Simple enough... but in the paradoxical way that life and death can shift paradigms and relationships, the question became a holy grail. Pondering, strategizing, mentally rehearsing, Ellyn spent two months traipsing the question's circumference. How does one begin to give words to the sanctity of grief and gratitude, to the observation of a death, to the exit of a huge soul? This critical task seemed to be a beginning without a beginning. Weary of coughing and sniffing from what she called her grief colds, Ellyn carved out a short weekend in early May to retreat to her cottage... to rest and to address the essence of Andrew's quest. The floodgates opened... in dreams and writing. Over the next seven months of 2006, After the Interlude wrote itself. As each chapter was complete, Ellyn sent it off to Andrew. Andrew embraced each experience and commented, sometimes with his own word-sketches and sometimes with photography. Much of the writing occurred at Spindrift, the cottage that dominates the landscape of After the Interlude.