Bibliography Of Foreign Language Newspapers And Periodicals Published In Chicago

Excerpt from Bibliography of Foreign Language Newspapers and Periodicals Published in Chicago In listing the publications the attempt was made to include the following information: title, translation of title, frequency of issue, type of publication (newspaper or periodical), editorial policy, date of establishment, date of expiration, name of editor, name and address of publisher, and library location symbols designating holdings. Unfortunately it was not possible in every case to secure all of the above data for each item listed. The sources used in compiling this bibliography were many. All available newspaper and periodical directories, checklists, catalogs and guides were combed. Almanacs, yearbooks, and advertisers and city directories were thoroughly searched. Library lists and special bibliographies, including the Union List of Serials and Union List of Newspapers, were minutely examined. Pertinent material was gleaned from numerous histories of foreign language groups in Chicago and in the United States. Finally the private archives of various editors and publishers were checked for additional information. A few points concerning the style of listing require amplification. The titles are entered in the Latin alphabet and are arranged alphabetically, definite and indefinite articles excluded, by language. Where transliteration was necessary, it was performed in accordance with standard practices. For the benefit of the general user the titles are translated; in some cases this was done rather freely. It was not always easy to determine whether a given publication should be classed as a newspaper or periodical. The rule of thumb generally applied here was the frequency of issue and the percentage of space devoted to current news. The dates of establishment and expiration of a publication cover only its life in Chicago. In listing the name of the editor, the intention was to indicate the last person to hold that position, but in many cases this was not possible. While publications printed wholly in English are not included, those published partly in English and partly in a foreign tongue appear in this volume. Lastly, a few ephemeral items may have been listed which should possibly have been excluded. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

American literary works written in the heyday of modernism between the 1890s and 1940s were playfully, painfully, and ambivalently engaged with language politics. The immigrant waves of the period fed into writers' aesthetic experimentation; their works, in turn, rewired ideas about national identity along with literary form. Accented America looks at the long history of English-Only Americanism-the political claim that U.S. citizens must speak a singular, shared American tongue-and traces its action in the language workshop that is literature. The broadly multi-ethnic set of writers brought into conversation here-including Gertrude Stein, Jean Toomer, Henry Roth, Nella Larsen, John Dos Passos, Lionel Trilling, Am?rico Paredes, and Carlos Bulosan-reflect the massive demographic shifts taking place during the interwar years. These authors share an acute awareness of linguistic standardization while also following the defamiliarizing sway produced by experimentation with invented and improper literary vernaculars. Rather than confirming the powerfully seductive subtext of monolingualism-that those who speak alike are ethically and politically likeminded-multilingual modernists compose literature that speaks to a country of synthetic syntaxes, singular hybrids, and enduring strangeness.