Billy Jones King Of The Goblins

Robbie has been trapped by a witch inside a book of short stories. In order to escape, he changes all her scary stories into funny, crazy ones and here's the result: * Red Riding Hood, Grandma and the Wolf take on the evil Piggy Bankers. * Bad Santa has a

Billy Smith is having a rough first day of high school. The new kid at exclusive Francis Drake Prep, Billy embarrasses himself in front of fiery, beautiful Lexi Aquino. He makes an instant enemy in Kurt Novac, the school’s surly star quarterback. Then suddenly Billy, Lexi, and Kurt are mysteriously transported to an underworld teeming with goblins, strange animal hybrids, and powerful magic—the fact that they’re stuck there is probably Billy’s fault, too. With help from an unlikely goblin leader named Hop, the teens soon discover that goblins can be both fierce and friendly, with their own rich language, culture, and history—a history that foretells of a human arriving to claim the Goblin Crown and lead them to victory against the deadly, invading Hanorians. Could Billy—anxious, awkward Billy—be the mythical Goblin King? Could saving the goblin race be his destiny and the key to getting him, Lexi, and Kurt back home?

After being magically transported to another world with two other high school students, perennial outsider Billy Smith has become the unlikely king of a goblin civilization. With the help of his first day of high school crush, Lexi Aquino, now a powerful wizard, quarterback turned warrior Kurt Novac, and a cowardly but wily goblin named Hop, Billy has successfully repelled a human invasion of the goblins’ underground city, Kiranok. But the leader of the attacking Hanorian Army, Lord Marshal Jiyal, has returned to the Hanorian capital, Gran Hanor, where he’s preparing for a second invasion. Billy decides the only way to end the war is to neutralize Jiyal’s powerful ally, a young wizard named Mig. Billy and Kurt set off for Gran Hanor to find Mig and trick her into drinking a potion called the Final Drop which will nullify her magic forever. But after their departure, the Dark Lady, the mad elven wizard who started the war, reappears in Kiranok and reclaims her place as the goblins’ leader. She coerces Lexi, who’s struggling with madness from using too much magic, into helping her raise a skeletal army, then she and her Marching Dead force the goblins to march on Gran Hanor. Now Billy must find a way to stop the Dark Lady and her skeletal army, neutralize Mig, help Lexi regain her sanity, save the goblins, and make peace with the Hanorians before a cataclysmic final battle destroys them all.

“If kinging were easy, everyone would do it.” With help from his friends, Billy Smith—the unlikeliest of heroes—overthrew the corrupt General Sawtooth and claimed the Goblin Crown. But his perilous journey to save the goblin race has just begun. The powerful Hanorian Army is gathered at the gates of Kiranok, threatening to invade the goblin city and wipe out everyone within. So the inhabitants of Mother Mountain must draw on their deepest strengths for the battle to come: Billy, a burgeoning leader, crafts military strategy while fending off foes from within the goblin ranks; Lexi, her magic growing, trades firepower with the mighty wizard Mig; and steadfast Hop and stalwart Kurt set off in pursuit of a mysterious Fallen Star, perhaps their only hope for defeating the enemy—but did it awaken an even darker force in the universe? Billy, Lexi, Kurt, and the goblins soon realize the true meaning of duty, death, and destiny—and that the wages of war come at a steep price.

Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.

The battle is on for a magic realm! Will you join the fearsome goblins or the dangerous elves? Can you escape all their tricks and traps and find your way home? Every 'Twisted Journeys' graphic novel lets you control the action by choosing which path to follow. Which twists and turns will your journey take?