Biodeterioration Of Cultural Heritage

Since prehistoric times and throughout the course of human evolution, wood has been an integral part of all civilizations. Wooden Cultural Heritage can be found worldwide, providing valuable information on the social and economic context of human history. Nonetheless, as a natural cellulosic material, wood shows low resistance to biodeterioration and thus wooden Cultural Heritage often fails to escape decomposition in both aquatic and terrestrial ecosystems. This book provides a comprehensive overview on the biodeterioration of wooden Cultural Heritage and describes the decay mechanisms of key organisms and microorganisms encountered in aquatic and terrestrial ecosystems. Cultural Heritage professionals, researchers and academics may explore within this book the associations between deteriogens, habitats and decay, which will assist them to understand wood biodeterioration and design effective prevention, mitigation and remediation strategies. The book presents case studies around the world to demonstrate the impact of biogenic deterioration on wooden Cultural Heritage and illustrates mechanisms and patterns in order to be a useful handbook of decay diagnosis. Lastly, by adopting a holistic approach to wood decay, basic concepts of wood technology, ecology, and deteriogens' biology are introduced, permitting readers of different scientific backgrounds to easily comprehend wood biodeterioration.

This open access book offers a comprehensive overview of the role and potential of microorganisms in the degradation and preservation of cultural materials (e.g. stone, metals, graphic documents, textiles, paintings, glass, etc.). Microorganisms are a major cause of deterioration in cultural artefacts, both in the case of outdoor monuments and archaeological finds. This book covers the microorganisms involved in biodeterioration and control methods used to reduce their impact on cultural artefacts. Additionally, the reader will learn more about how microorganisms can be used for the preservation and protection of cultural artefacts through bio-based and eco-friendly materials. New avenues for developing methods and materials for the conservation of cultural artefacts are discussed, together with concrete advances in terms of sustainability, effectiveness and toxicity, making the book essential reading for anyone interested in microbiology and the preservation of cultural heritage.

Brings together wide-ranging scientific contributions from those who have studied the biological degradation of cultural heritages. It tackles both general topics (mechanisms of biodeterioration; correlation between biodeterioration and environment; and destructive organisms) and specific ones (the problems presented by different materials, environments, climatic conditions, and geographic settings). The contributors also discuss ways to diagnose, prevent, and control deterioration.

The world's monuments, art objects and archeology are at increasing risk of deterioration from environmental threats e.g. climate change, air pollution, and tourism. Microorganisms play a central role in these deterioration processes. They grow both on the surface and in the interiors of many materials. Our understanding of the role that the microbial community plays in these activities has improved significantly in recent years and a deeper understanding of the mechanisms of degradation is now possible. In addition, new tools have opened the door to the use of bacteria as protective agents. In this book, contributors have focused on the essential role that biodeterioration plays in both the deterioration and preservation of a wide range of materials. The volume brings together recent research by conservation microbiologists working in diverse environments. In addition, papers are included on the effects of microbial biofilms and climate change on the biodeterioration process. It is hoped that this book will prove helpful to microbiologists, chemists, and other scientists working in the field of conservation. It should also be useful to practicing conservators, and individuals in public policy concerned with the protection of our world's cultural heritage treasures. Contents: SECTION I - THE IMPACT OF THE ENVIRONMENT ON BIODETERIORATION AND PRESERVATION OF HERITAGE MATERIALS The Importance of Microbial Biofilms in Deterioration of Heritage Materials - Marc W. Mittleman Effects of Climate Change on the Biodeterioration of Historic Materials - Peter Brimblecombe SECTION II - BIODETERIORATION AND PRESERVATION PROCESSES Microbial Processes Involved in Deterioration of Paper and Parchment - Flavia Pinzari Biodeterioration of Photographic and Cinematographic Materials: Methods of Investigation - Domenico Pangallo Biodeterioration of easel paintings - An overview - A. Teresa Caldeira, Cátia Salvador, Tânia Rosado, and António Candeias Modern materials and contemporary art - Francesca Cappitelli and Federica Villa Use of dyes as a method to control textile biodeterioration - Barbara Blyskal Biodeterioration of paintings in caves, catacombs, and other hypogean sites - Clara Urzi, Laura Bruno, and Filomena De Leo Limestone Biodeterioration: Examples from Portugal - A.C. Pinheiro, N. Mesquita, and António Portugal Reasons for Removing Biological Materials from Calcareous Stone Monuments - Margaret Breuker and Joannie Bottkol.

This book provides detailed insights into the role of microorganisms and microbial products in biodeterioration, conservation and restoration of cultural heritage. Topics to be discussed are microbial colonization and their growth control on both artworks and aerosol of indoor environments such as libraries or museums, as well as human health hazard from exposure to microbial agents. In addition innovative biotechnological protocols and strategies for the removal of undesired layers on artwork surfaces are described in detail. Also the advances and perspectives in this emerging biotechnological field are discussed, supported by the latest original findings.

Fungi-induced stains on paper are one of the most challenging forms of biodeterioration to study and to prevent; this is because they involve living organisms, and the ways in which fungi respond to changes in the environment and modifications of paper are unpredictable. Yet, there is a great desire among those who encounter fungi on documents, manuscripts, or artwork to remove fungi and clean the paper. This experience in most cases is particularly challenging. What are the reasons behind this challenge? This ground-breaking book attempts to answer this question, among others, by exploring the complex interfacial forces between paper, fungi, and their pigmented secretions which result in bio-stains on paper. Black fungi, collectively referred to as Dematiaceous fungi, were used in this study as a subset of pigment-producing fungi species. The focus is on two, under-studied aspects of the fungi infestation of paper, an interface of fungal pigments and paper, and the impact of light on the production of fungi bio-stains. The results of analytical testing included in this book elucidate the synergistic interactions between the environment, biological clocks of the microorganisms, and secretion of fungal pigments to paper. The black fungal pigment formation is explored in-depth in two scenarios: one that is ‘natural’, when the bio-stains of original artworks have occurred over time by chance, and another, induced by Aspergillus niger, in bio-simulation on known papers in a controlled environment. The findings are intended to provide guidance for preservation strategies, mitigating the biodeterioration of paper, and designing conservation treatment when applicable. The surface of artworks and artifacts is of great aesthetic and artistic importance; conversely, it plays a significant role in governing fungal attachments. In this book, the paper surface is characterized in detail and in correlation with chemical and physical alterations caused by fungal pigmentation. A broad range of analytical instruments was used for surface characterization, such as surface metrology profilometers, a confocal laser scanning microscope, and environmental scanning electron microscope; chemical microanalysis was carried out using X-ray energy dispersive spectroscopy. The novel, three-dimensional characterization of pigmented fungal inclusions and their interaction with paper matrix was studied with micro-X-ray-computed micro-tomography on the synchrotron ESRF. The proposed book is the first to explore the complexity of fungal–paper interactions with the intention to assist professionals working with cultural materials, especially paper-based materials, to make informed decisions when dealing with the fungi infestation of paper.

Despite the perception that artworks are timeless and unchanging, they are actually subject to biological attack from a variety of sources--from bacteria to fungi to insects. This groundbreaking volume, which publishes the proceedings of a conference held at The Metropolitan Museum of Art in 2002, explores how the development of these organisms can be arrested while preserving both the work of art and the health of the conservator.The richly illustrated text, containing the writings of over 40 scientists and conservators, is divided into sections on stone and mural paintings, paper, textiles, wood and archaeological materials, treatment and prevention, and special topics. The artworks and cultural properties discussed include, among many others, Paleolithic cave paintings, Tiffany drawings, huts built by early Antarctic explorers, and a collection of toothbrushes taken from Auschwitz victims.