Black Sabbath Uk Vinyl Discography 1970 1980

Details of every Black Sabbath UK release on the Vertigo swirl and Vertigo spaceship, WWA and NEMS labels from 1970 to 1980 with full colour, high quality photography throughout of labels, sleeves and inserts along with detailed analysis and identifi cation of the crucial 1st pressing details of every album and single. Essential reading for collectors of Black Sabbath UK 1st pressings. The only book of its kind with this information for vinyl record collectors of rare UK first pressing Black Sabbath albums and singles.

This is a comprehensive, illustrated book about one of the most enduringly popular forms of music. Combining biography, critical analysis, and detailed reference sections, it profiles all the major heavy metal artists as well as a huge selection of other niche acts from around the world. Metal: The Definitive Guide includes new firsthand interviews with many major metal musicians and detailed discographies. It is the definitive metal encyclopedia.The over 300 illustrations in this book encompass fantastic including artist pictures and memorabilia such as posters, ticket stubs, and much more.

Heavy Metal, Gender and Sexuality brings together a collection of original, interdisciplinary, critical essays exploring the negotiated place of gender and sexuality in heavy metal music and its culture. Scholars debate the current state of play concerning masculinities, femininities, queerness, identity aesthetics and monstrosities in an area of music that is sometimes mistakenly treated as exclusively sustaining a masculinist hegemony. The book combines a broad variety of perspectives on the main topic, regarding gender in connection to: the history of the genre; the range of metal subgenres; heavy metal's multidimensional scope (music, lyrics, performance, style, illustrations); men and women; sexualities and various local and global perspectives. Heavy Metal, Gender and Sexuality is a text that opens up the world of heavy metal to reveal that it is a very diverse and ground-breaking stage where gender play is at the centre of its theatricality and sustains its mass appeal.

Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound – thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors.

The 1970s saw the rise of rock and metal as a force in record and ticket sales. Right there at the birth of this was Black Sabbath, whose first album came from nowhere to smash into the top of the charts in Britain and around the world. The book covers the career of the original foursome - Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward - from Polka Tulk, through Earth and their original nine years as Black Sabbath, when the band recorded such iconic albums as Paranoid, Sabbath Bloody Sabbath and Masters of Reality. The book includes new interview material from key figures including Rick Wakeman and engineers Mike Butcher and Robin Black, among others. This is a comprehensive roundup of the band's music in the decade. All of the albums and singles from 'The Rebel' until 'Never Say Die' are examined in detail, along with related archive releases. There is also a section covering Black Sabbath's tours in the era, looking at key live recordings from every tour. Overall, this is the most comprehensive account of the fortunes in the band during this crucial decade yet written.

The complete story of the controversy behind WWA Records, founded by Black Sabbath manager, Patrick Meehan with details of every UK release on the WWA label from 1973 to 1974, including Black Sabbath, Gentle Giant, Groundhogs, Tony McPhee, Snafu and Jackie Lynton. With full colour, high quality photography throughout of labels, sleeves and inserts along with detailed analysis and identifi cation of the crucial 1st pressing details of every album and single. Essential reading for collectors of WWA UK 1st pressings. The only book of its kind with this information for vinyl record collectors of rare UK first pressing WWA albums and singles.