Blackgirl On Mars

Blackgirl on Mars is a radical memoir that chronicles author, educator and activist Lesley-Ann Brown's two years' worth of travel searching for "home". As she travels across the US during the Black Lives Matter protests and Covid-19 pandemic and then to Trinidad and Tobago to attend the funeral of her grandmother, Brown tells her own life-story, as well as writing about race, gender, sexuality, and education, and ideas of home, family and healing. Both a radical political manifesto and a moving memoir about finding your place in the world, Blackgirl on Mars is about what it means to be a Black and Indigenous woman in Europe and the Americas in the twenty-first century.

A Trinidadian-American writer and activist explores motherhood, migration, identity, nationhood and how it relates to land, imprisonment, and genocide for Black and Indigenous peoples. Having moved to Copenhagen, Denmark from Brooklyn over 18 years ago, Brown attempts to contextualise her and her son's existence in a post-colonial and supposedly post-racial world where the very machine of so-called progress has been premised upon the demise of her lineage. Through these letters, Brown writes the past into the present - penned from the country that has been declared "The Happiest Place in the World" - creating a vision that is a necessary alternative to the dystopian one currently being bought and sold.

"I feel like I can’t tell one story about a giant mustard penis because it’s not about a mustard penis only, but about all of these incidents together, in context, and through time." So begins the title story in Renee Simms’s debut short story collection, Meet Behind Mars—a revealing look at how geography, memory, ancestry, and desire influence our personal relationships. In many of her stories, Simms exposes her own interest in issues concerning time and space. For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s. The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.

The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.

This introductory text explores the lives of 100 Black women and their unique and meaningful legacies upon the history, society, and culture of the USA. Today, the names and remarkable achievements of Black women such as Maya Angelou, Serena Williams, Michelle Obama, and Oprah Winfrey are well known to many Americans. Yet throughout American history, many lesser-known Black women like them have made invaluable contributions to sports, science, the arts, medicine, politics, and civil rights. Josephine St. Pierre Ruffin, who published the first newspaper written for and by African American women, championed the cause of women's suffrage. Matilda Sissieretta Jones, whose father was an enslaved person, toured Europe and performed at the White House in front of four different presidents as one of the great sopranos of her generation. Augusta Savage, overcoming racism and sexism, became one of the most celebrated sculptors in history. This book serves as an important reminder that the story of America cannot be told without the Black women who, with strength and determination, have always pushed America forward even when others held them back.

Miriam is fifteen and she has lived in the same little town her whole life, going to school with the same kids who know everything about her. But now she's in high school and wishing she lived in a big city where she could meet new people and see new things. In other words, like fifteen-year-olds everywhere, Miriam is desperately waiting for her life to start happening. Something, anything -- a first love, perhaps. And then love comes, in a completely unexpected way, when Miriam meets a new classmate, Laura. Suddenly, life is very complicated and unsettling, as Miriam finds herself lying to her girlfriends, avoiding her brother's probing questions, and second guessing every move she makes. Then Philip, Miriam and Laura take a weekend trip to the big city -- a trip that makes everything clear, and more confusing than ever.

A Newbery Medal winning modern classic about a racially divided small town and a boy who runs. Jeffrey Lionel "Maniac" Magee might have lived a normal life if a freak accident hadn't made him an orphan. After living with his unhappy and uptight aunt and uncle for eight years, he decides to run--and not just run away, but run. This is where the myth of Maniac Magee begins, as he changes the lives of a racially divided small town with his amazing and legendary feats.

An exploration of NYC and America in the burgeoning moments before the start of the Civil War through the eyes of a young, biracial girl—the highly anticipated new novel from the winner of the Center for Fiction's First Novel Prize. "Corthron, a true heir to James Baldwin, presents a startlingly original exposure of the complex roots of American racism." —Naomi Wallace, MacArthur "Genius" Playwriting Fellow and author of One Flea Spare In Moon and the Mars, set in the impoverished Five Points district of New York City in the years 1857-1863, we experience neighborhood life through the eyes of Theo from childhood to adolescence, an orphan living between the homes of her Black and Irish grandmothers. Throughout her formative years, Theo witnesses everything from the creation of tap dance to P.T. Barnum's sensationalist museum to the draft riots that tear NYC asunder, amidst the daily maelstrom of Five Points work, hardship, and camaraderie. Meanwhile, white America's attitudes towards people of color and slavery are shifting—painfully, transformationally—as the nation divides and marches to war. As with her first novel, The Castle Cross the Magnet Carter, which was praised by Viet Thanh Nguyen, Robin D.G. Kelley, and Angela Y. Davis, among many others, Corthron's use of dialogue brings her characters to life in a way that only an award-winning playwright and scriptwriter can do. As Theo grows and attends school, her language and grammar change, as does her own vocabulary when she's with her Black or Irish families. It's an extraordinary feat and a revelation for the reader. "Moon and the Mars, [Corthron's] latest masterpiece, is an absorbing story of family and community, of Africans and Irish, of settler and native, of slavery and abolition, of a city and a nation wracked by Civil War and racist violence, of love won and lost." —Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original