Blackroots Science

Knowledge of the elders about the ancient life and ancient science, beginning with the creation of our universe all the way to the creation of our earth. Contains knowledge of what is soon to come regarding this present era.

Knowledge of the elders about the ancient life and ancient science, beginning with the creation of our universe all the way to the creation of our earth. Contains knowledge of what is soon to come regarding this present era.

Blackroots Science Volume 2 is a publication of the email correspondences between Brother Blackroots and certain people. These writings were left out of the first book in order to make it a convenient size. They are now published and made available to a few, and to make sure these teachings do not get lost.

Secret African Knowledge That Positions Us To Overcome The 'New Normal' as a Group. This is Intervention From The Nile Valley's Mountain of Peace To Lift A Fallen Society and Crash The Ultimate Plan of Luciferian PriesthoodsKeys From the Ancient World To Beat The Medical Industry, NanoTechnology, Trans-humanism, Artificial Intelligence Inter-Planetary Slavery, Deceptive ETs and Other Godly Topics To Activate Black Folks

Why did the Victorians collect with such a vengeance and exhibit in museums? Focusing on this key nineteenth-century enterprise, Barbara J. Black illuminates British culture of the period by examining the cultural power that this collecting and exhibiting possessed. Through its museums, she argues, Victorian London constructed itself as a world city. Using the tools of cultural criticism, social history, and literary analysis, Black roots Victorian museum culture in key political events and cultural forces: British imperialism, exploration, and tourism; advances in science and changing attitudes about knowledge; the commitment to improved public taste through mass education; the growth of middle-class dominance and the resulting bourgeois fetishism and commodity culture; and the democratization of luxury engendered by the French and industrial revolutions. She covers a wide range of genres--from poetry to museum guidebooks to the triple-decker novel--and treats three London museums as case studies: Sir John Soane's house-museum, the Natural History Museum, and the exemplary South Kensington. While On Exhibit provides a fascinating analysis of Victorian society, it also reminds us how modern the Victorians were--how, in crucial ways, our culture derives from the Victorian era. Forging connections among museums, urbanism, and modernity, Black provokes us to examine cultural imperialism and the costs and advantages of cultural consensus.

A Denver neurosurgeon relocates to the small rural town named after her ancestor in the aftermath of a wrongful malpractice suit to recover and reconnect with her estranged father--

Segregation in America at the beginning of the 20th century was at its peak. The Jim Crow laws enforced racial discrimination. In this political situation, a black man had a hard time wishing to go to college. A smart young man Belton Piedmont faces numerous difficulties. He has no money to go to college, and when he finally finds financing, he is to face all the pains of segregation: inequality, social ostracism, and despise. In these conditions, he has to overcome different challenges, like a false accusation, mob attacks, unfair court hearing, and finding the strength to unite with the fellows to fight back.

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.