Blacks And Jews In Literary Conversation

Explores the works of leading black and Jewish writers from the 1950s to the 1980s.

Introduces readers to the new perspectives, approaches and interpretive possibilities in Jewish American literature that emerged in the twenty-first Century.

Explores the complex ways in which Blacks and Jews have portrayed each other in recent American literature.

This book offers the first in-depth treatment of Jewish images of and behavior toward Blacks during the period of peak Jewish involvement in Atlantic slave-holding.

Comprehensive analysis of how Harlem and the Lower East Side have been depicted over the course of the twentieth century in African American and Jewish American literature.

Challenging the notion that Jewish American and Holocaust literature have exhausted their limits, this volume reexamines these closely linked traditions in light of recent postmodern theory. Composed against the tumultuous background of great cultural transition and unprecedented state-sponsored systematic murder, Jewish American and Holocaust literature both address the concerns of postmodern human existence in extremis. In addition to exploring how various mythic and literary themes are deconstructed in the lurid light of Auschwitz, this book provides critical reassessments of Saul Bellow, Bernard Malamud, and Philip Roth, as well as contemporary Jewish American writers who are extending this vibrant tradition into the new millennium. These essays deepen and enrich our understanding of the Jewish literary tradition and the implications of the Shoah.

A Black-Jewish dialogue lifts a veil on these groups' unspoken history, shedding light on the challenges and promises facing American democracy from its inception to the present and modeling the honest conversation needed for Blacks and Jews to forge a new understanding.

Adam Zachary Newton couples works of prose fiction by African American and Jewish American authors from Henry Roth and Ralph Ellison to Philip Roth and David Bradley. Reading the work of such writers alongside and through one another, Newton offers an original way of juxtaposing two major traditions in American literature and rethinking their sometimes vexing relationship. Newton combines Emmanuel Levinas' ethical philosophy and Walter Benjamin's theory of allegory in shaping an innovative kind of ethical-political criticism. A final chapter addresses the Black/Jewish dimension of the O. J. Simpson trial.