Blank Spots On The Map

Welcome to a top-level clearance world that doesn't exist...Now with updated material for the paperback edition. This is the adventurous, insightful, and often chilling story of a road trip through a shadow nation of state secrets, clandestine military bases, black sites, hidden laboratories, and top-secret agencies that make up what insiders call the "black world." Here, geographer and provocateur Trevor Paglen knocks on the doors of CIA prisons, stakes out a covert air base in Nevada from a mountaintop 30 miles away, dissects the Defense Department's multibillion dollar "black" budget, and interviews those who live on the edges of these blank spots. Whether Paglen reports from a hotel room in Vegas, a secret prison in Kabul, or a trailer in Shoshone Indian territory, he is impassioned, rigorous, relentless-and delivers eye-opening details.

". . . intriguing, both a solid refresher on our savage colonial history and a smart rumination on what it means to get lost. ― Outside First time in paperback, ebook, and audio editions Part travel adventure, part history, part exploration Features four specific "blank spots" from across the country and delves into our human relationships with place In The Last Empty Places, bestselling author Peter Stark takes the reader to four of the most remote, wild, and unpopulated areas of the United States outside of Alaska and mainly not part of protected wilderness: the rivers and forests of Northern Maine; the rugged, unpopulated region of Western Pennsylvania that lies only a short distance from the East’s big cities; the haunting canyons of Central New Mexico; and the vast, arid basins of Southeast Oregon. Stark discovers that the places he visits are only "blank" in terms of a lack of recorded history. In fact, each place holds layers of history, meaning, and intrinsic value and is far from being blank. He also finds that each region has played an important role in shaping our American idea of wilderness through the influential "natural philosophers" who visited these places and wrote about their experiences--Henry David Thoreau, William Bartram, John Muir, and Aldo Leopold. It’s a fascinating look at the value of nature, the ways humans use and approach it, and what it means to seek out empty places in today’s world.

Blanks, Space, Print, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.

Follows the adventures of Minn, a three-legged snapping turtle, as she slowly makes her way from her birthplace at the headwaters of the Mississippi River to the mouth of river on the Gulf of Mexico.

This set explores the hidden histories of San Francisco, New Orleans, and New York City. With many contributors, each atlas addresses the multi-faceted nature of a city as experienced by numerous categories of inhabitants.

The adventurous, insightful, and often chilling story of a young geographer's road trip through the underworld of U.S. military and CIA "black ops" sites. Geographer-artist Trevor Paglen's research into areas that officially "don't exist" leads him on a globe-trotting adventure into a vast, undemocratic, and uncontrolled black empire--the unmarked spots on a map where our military conducts its most clandestine operations. Run by an amorphous group of government agencies and private companies, this empire's annual budget is over $40 billion, yet almost no one knows how it works or what it does. Whether it's from a hotel room in Vegas, secret prisons in Kabul, buried CIA aircraft in Central American jungles, Washington suburbs, or a trailer in Shoshone Indian territory, Paglen's reporting is impassioned, rigorous, relentless, and eye-opening. This is an exposé of a world that, officially, isn't even there.--From publisher description.

The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.