Blood On The Dining Room Floor

A quirky literary mystery from the iconic modernist writer known for her Jazz-Age Paris salon and bestselling book The Autobiography of Alice B. Toklas. Gertrude Stein was a distinctly unique talent who penned many novels, essays, and poems. And on one occasion, during a bout of writer’s block, she decided to play with the popular genre of mystery fiction. The book that resulted, Blood on the Dining-Room Floor, is not your typical whodunit, just as Stein was not your typical author. With elements of her trademark avant-garde style, the story revolves around the mysterious passing of Madame Pernollet, who is found dead in the courtyard of a hotel owned by her husband. Incorporating some autobiographical details from events at her own French country house, Stein invites the reader to play detective—and offers a glimpse into one of the early twentieth century’s most interesting and challenging literary minds.

This eBook features the unabridged text of ‘Blood on the Dining Room Floor by Gertrude Stein - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Gertrude Stein’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Stein includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Blood on the Dining Room Floor by Gertrude Stein - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Stein’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

The definitive book on Gertrude Stein

A Stanford University Press classic.

This true crime investigation of a Boston teenager’s murder trial is “a chilling story about corruption, political power and a stacked judicial system" (John Ferak, author of Failure of Justice). On a hot night in July 1995, Janet Downing was stabbed ninety-eight times in her Somerville home, two miles northwest of Boston. Within hours, fifteen-year-old Eddie O’Brien was identified as the prime suspect. The best friend of one of Janet’s sons, Eddie was a peculiar choice. He had no criminal record or symptoms of mental illness. He had neither motive nor opportunity to commit the crime—while others had both. And yet, powers far beyond Somerville decided that Eddie was guilty. Perhaps it was politics. At the time, a movement targeting the supposed scourge of young “superpredators” was sweeping the nation. Dubbed the alter boy murder case by Court TV, Eddie’s trial garnered national publicity and changed juvenile law in Massachusetts. But, as attorney Margo Nash demonstrates in this explosive expose, the justice system failed Eddie. Appointed Eddie’s guardian ad litem, Nash attended every court session and gained access to his files. Examining the investigation, trial transcripts, and forensic evidence, Nash demonstrates that Eddie could not have committed the crime and that other viable suspects were never properly considered. Now readers can decide if politics sent an innocent boy to adult prison for the rest of his life.

Levay analyzes representations of the criminal in British and American modernism from the late nineteenth century to the 1950s.

American Hybrid Poetics explores the ways in which hybrid poetics—a playful mixing of disparate formal and aesthetic strategies—have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets—Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine—use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions—consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness—these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles.