Bloodletting Miraculous Cures

Winner of the 2006 Scotiabank Giller Prize An astonishing literary debut centred around four students as they apply to medical school, qualify as doctors and face the realities of working in medicine, from a powerful voice in fiction. Following the interlinked stories of a group of medical students and the unique challenges they face, from the med school to the intense world of emergency rooms, evac missions, and terrifying new viruses. Riveting, convincing and precise, Bloodletting & Miraculous Cures looks with rigorous honesty at the lives of doctors and their patients, bringing us to a deeper understanding of the challenges and temptations that surge around us all. In this masterful collection, Vincent Lam weaves together black humour, investigations of both common and extraordinary moral dilemmas, and a sometimes shockingly realistic portrait of today’s medical profession.

From Giller Prize winner, internationally acclaimed, and bestselling author Vincent Lam comes a superbly crafted, highly suspenseful, and deeply affecting novel set against the turmoil of the Vietnam War. Percival Chen is the headmaster of the most respected English school in Saigon. He is also a bon vivant, a compulsive gambler and an incorrigible womanizer. He is well accustomed to bribing a forever-changing list of government officials in order to maintain the elite status of the Chen Academy. He is fiercely proud of his Chinese heritage, and quick to spot the business opportunities rife in a divided country. He devotedly ignores all news of the fighting that swirls around him, choosing instead to read the faces of his opponents at high-stakes mahjong tables. But when his only son gets in trouble with the Vietnamese authorities, Percival faces the limits of his connections and wealth and is forced to send him away. In the loneliness that follows, Percival finds solace in Jacqueline, a beautiful woman of mixed French and Vietnamese heritage, and Laing Jai, a son born to them on the eve of the Tet offensive. Percival's new-found happiness is precarious, and as the complexities of war encroach further and further into his world, he must confront the tragedy of all he has refused to see. Blessed with intriguingly flawed characters moving through a richly drawn historical and physical landscape, The Headmaster's Wager is a riveting story of love, betrayal and sacrifice.

A riveting exploration of the most difficult and important part of what doctors do, by Yale School of Medicine physician Dr. Lisa Sanders, author of the monthly New York Times Magazine column "Diagnosis," the inspiration for the hit Fox TV series House, M.D. "The experience of being ill can be like waking up in a foreign country. Life, as you formerly knew it, is on hold while you travel through this other world as unknown as it is unexpected. When I see patients in the hospital or in my office who are suddenly, surprisingly ill, what they really want to know is, ‘What is wrong with me?’ They want a road map that will help them manage their new surroundings. The ability to give this unnerving and unfamiliar place a name, to know it—on some level—restores a measure of control, independent of whether or not that diagnosis comes attached to a cure. Because, even today, a diagnosis is frequently all a good doctor has to offer." A healthy young man suddenly loses his memory—making him unable to remember the events of each passing hour. Two patients diagnosed with Lyme disease improve after antibiotic treatment—only to have their symptoms mysteriously return. A young woman lies dying in the ICU—bleeding, jaundiced, incoherent—and none of her doctors know what is killing her. In Every Patient Tells a Story, Dr. Lisa Sanders takes us bedside to witness the process of solving these and other diagnostic dilemmas, providing a firsthand account of the expertise and intuition that lead a doctor to make the right diagnosis. Never in human history have doctors had the knowledge, the tools, and the skills that they have today to diagnose illness and disease. And yet mistakes are made, diagnoses missed, symptoms or tests misunderstood. In this high-tech world of modern medicine, Sanders shows us that knowledge, while essential, is not sufficient to unravel the complexities of illness. She presents an unflinching look inside the detective story that marks nearly every illness—the diagnosis—revealing the combination of uncertainty and intrigue that doctors face when confronting patients who are sick or dying. Through dramatic stories of patients with baffling symptoms, Sanders portrays the absolute necessity and surprising difficulties of getting the patient’s story, the challenges of the physical exam, the pitfalls of doctor-to-doctor communication, the vagaries of tests, and the near calamity of diagnostic errors. In Every Patient Tells a Story, Dr. Sanders chronicles the real-life drama of doctors solving these difficult medical mysteries that not only illustrate the art and science of diagnosis, but often save the patients’ lives.

An essential survival guide—both to pandemic influenza, and to the hype surrounding it. Written by an emergency physician and a public health physician, The Flu Pandemic and You is a timely and forthright guide on how to prepare for an influenza pandemic, and how to understand the broader context in which this health threat exists. With cool heads and professional expertise, Drs. Lam and Lee carefully explain how readers can assess their level of risk, and set out practical advice on how to contend with a pandemic, addressing such issues as: • How the flu virus works and what level of threat Canadians really face • How to help protect yourself and your family from contracting influenza • How to identify symptoms • What you need to know about antiviral drugs • What to do in a worst-case scenario The Flu Pandemic and You develops a lucid framework to help people understand the current anxiety about influenza in the context of the risks we all face in our daily lives. This crucially important book, full of reasoned, knowledgeable advice, is an indispensable resource for fearful times.

Shortlisted for the 2008 Scotiabank Giller Prize Like Wayson Choy and David Bezmozgis before him, Anthony De Sa captures, in stories brimming with life, the innocent dreams and bitter disappointments of the immigrant experience. At the heart of this collection of intimately linked stories is the relationship between a father and his son. A young fisherman washes up nearly dead on the shores of Newfoundland. It is Manuel Rebelo who has tried to escape the suffocating smallness of his Portuguese village and the crushing weight of his mother’s expectations to build a future for himself in a terra nova. Manuel struggles to shed the traditions of a village frozen in time and to silence the brutal voice of Maria Theresa da Conceicao Rebelo, but embracing the promise of his adopted land is not as simple as he had hoped. Manuel’s son, Antonio, is born into Toronto’s little Portugal, a world of colourful houses and labyrinthine back alleys. In the Rebelo home the Church looms large, men and women inhabit sharply divided space, pigs are slaughtered in the garage, and a family lives in the shadow cast by a father’s failures. Most days Antonio and his friends take to their bikes, pushing the boundaries of their neighbourhood street by street, but when they finally break through to the city beyond they confront dangers of a new sort. With fantastic detail, larger-than-life characters and passionate empathy, Anthony De Sa invites readers into the lives of the Rebelos and finds there both the promise and the disappointment inherent in the choices made by the father and the expectations placed on the son.

A collection of short stories set in the ER introduces a neurosurgeon who practices witchcraft, a trauma surgeon who commits suicide, a wounded murderer, and a man chased across the New Mexico desert by a missile.

Atwood triumphs with these dazzling, personal stories in her first collection since Wilderness Tips. In these ten interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences — the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.