Blue And Other Colors

Fine artists are paired with early learning concepts in this groundbreaking series for the toddler set. Henri Matisse's abstract cut-outs are used to teach colors in this polished read-aloud board book. Blue & Other Colors takes children through Matisse's color palette, one artwork per page, beginning with blue and returning to it as a familiar refrain throughout. The variance of shapes, depth, and scale will keep readers engaged, while the text enriches the reading experience with relatable and humorous commentary. Readers will not only learn their colors, but also grow familiar with fine art in this relevant and relatable first title in this series of concept books featuring the most innovative and influential artists. Includes a read-aloud "about the artist" at the end. Created for ages 1-3 years

Help young readers to discover the ways in which colors can be transformed right before their very eyes, including red, yellow, blue, and white. This series illustrates how colors change when they are mixed with other colors and allows readers to recognize why these changes take place.

The book, in the main, grew out of my experience as one of the first of two African American women officers in the Navy. Before describing my application, acceptance, training, assignments and friendships in the service, I outline my life up to that cruicial point. Birth and early childhood were in Pennsylvania and New York. Following my discharge from the service, I relate adventures, largely growing out of that exposure. The last third of my story includes the happy experience of my second marriage, now in its forty-third year in stark contrast to the first, which endured here and in Paris, France for less than two months. The above was written in 1996. She died in 1998.

An alarming and enlightening first-hand account of what's really going on behind the borders of the Islamic State. ISIS, IS, the Islamic State. The name is chilling. The images are horrific. This is a group that chops the heads off journalists - and yet one, the German Jürgen Todenhöfer, went out of his way to get an invitation to visit ISIS fighters in Mosul to ask them to explain their beliefs. This book is the result of his conversation. My Journey into the Heart of Terror: Ten Days in the Islamic Stateshows how the organisation grew from its al-Qaeda roots and takes a harsh look at the West's role in its past and today. Only by understanding, Todenhöfer believes, can we move forward and combat ISIS's radical, violent interpretation of Islam and the terror and destruction it brings.

Help young readers to discover the ways in which colors can be transformed right before their very eyes, including red, yellow, blue, and white. This series illustrates how colors change when they are mixed with other colors and allows readers to recognize why these changes take place.

The story of the color black in art, fashion, and culture—from the beginning of history to the twenty-first century Black—favorite color of priests and penitents, artists and ascetics, fashion designers and fascists—has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings—and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful—and ambivalent—shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.