Blue Clay People

"A haunting account of one man's determination and the struggles of a people living in a deeply troubled country."-Booklist When William Powers went to Liberia as a fresh-faced aid worker in 1999, he was given the mandate to "fight poverty and save the rainforest." It wasn't long before Powers saw how many obstacles lay in the way, discovering first-hand how Liberia has become a "black hole in the international system"-poor, environmentally looted, scarred by violence, and barely governed. Blue Clay People is an absorbing blend of humor, compassion, and rigorous moral questioning, arguing convincingly that the fate of endangered places such as Liberia must matter to all of us.

Ursula K. Le Guin's richly-imagined vision of a post-apocalyptic California, in a newly expanded version prepared shortly before her death This fourth volume in the Library of America’s definitive Ursula K. Le Guin edition presents her most ambitious novel and finest achievement, a mid-career masterpiece that showcases her unique genius for world building. Framed as an anthropologist’s report on the Kesh, survivors of ecological catastrophe living in a future Napa Valley, Always Coming Home (1985) is an utterly original tapestry of history and myth, fable and poetry, story- telling and song. Prepared in close consultation with the author, this expanded edition features new material added just before her death, including for the first time two “missing” chapters of the Kesh novel Dangerous People. The volume con- cludes with a selection of Le guin’s essays about the novel’s genesis and larger aims, a note on its editorial and publication history, and an updated chronology of Le guin’s life and career. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

“One of [Le Guin's] most radical novels. . . . A study in what a complete and utter rejection of capitalism and patriarchy might look like—for society and for the art of storytelling."—The Millions Reissued for a new generation of readers, Always Coming Home is Ursula K. Le Guin’s magnificent work of imagination, a visionary, genre-crossing story about a future utopian community on the Northern California coast, hailed as “masterly” (Newsweek), “hypnotic” (People) and “[her] most consistently lyric and luminous book” (New York Times). This new edition features an introduction by Shruti Swamy, author of A House is a Body, as well as illuminating extra material that includes interviews and liner notes to the book's musical soundtrack. Midway through her career, Le Guin embarked on one of her most detailed, impressive literary projects, a novel that took more than five years to complete. Blending story and fable, poetry, artwork, and song, Always Coming Home is this legendary writer’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives, including a woman named Stone Telling, who travels beyond the Valley and comes to reside with another tribe, the patriarchal Condor people. With sharp poignancy, Le Guin explores the complexities of the Kesh’s unified society and presents to us—in exquisite detail—their lives, histories, adventures, customs, language, and art. In addition to poems and folk tales, Le Guin created verse dramas, records of oral performances, recipes, and even an alphabet and glossary of the Kesh language. The novel is illustrated throughout with drawings by artist Margaret Chodos and includes a musical component—original recordings of Kesh songs that Le Guin collaborated on with composer Todd Barton—bringing this utterly original and compelling world to life.

A biracial boy in the Midwest uses a supernatural gift from his grandfather to push back against two older boys who are terrorizing him. In a tale inspired by the song “Colossus” by heavy metal band THE CLAY PEOPLE, intolerance, drug addiction, poverty, and boredom collide into a perfect storm of grisly revenge! THE CLAY PEOPLE is a rock band hailing from Albany, New York. The band’s self-titled debut album was released on Mercury/Slipdisc records; their furiously propulsive lead single “Awake” climbed the radio charts and launched the band into an international touring act with the likes of Disturbed, Staind, Clutch, Rob Zombie, Static-X, Stabbing Westward, and Filter. “Colossus” is from THE CLAY PEOPLE’s latest album, Demon Hero.

If one seeks to understand Haudenosaunee (Six Nations) history, one must consider the history of Haudenosaunee land. For countless generations prior to European contact, land and territory informed Haudenosaunee thought and philosophy, and was a primary determinant of Haudenosaunee identity. In The Clay We Are Made Of, Susan M. Hill presents a revolutionary retelling of the history of the Grand River Haudenosaunee from their Creation Story through European contact to contemporary land claims negotiations. She incorporates Indigenous theory, Fourth world post-colonialism, and Amerindian autohistory, along with Haudenosaunee languages, oral records, and wampum strings to provide the most comprehensive account of the Haudenosaunee’s relationship to their land. Hill outlines the basic principles and historical knowledge contained within four key epics passed down through Haudenosaunee cultural history. She highlights the political role of women in land negotiations and dispels their misrepresentation in the scholarly canon. She guides the reader through treaty relationships with Dutch, French, and British settler nations, including the Kaswentha/Two-Row Wampum (the precursor to all future Haudenosaunee-European treaties), the Covenant Chain, the Nanfan Treaty, and the Haldimand Proclamation, and concludes with a discussion of the current problematic relationships between the Grand River Haudenosaunee, the Crown, and the Canadian government.

This is the fourth volume in Colin Clay's autobiographical series which tells of the seven years the Clay family enjoyed living in the town of Capreol, a railway community just a short distance from Sudbury, Ontario. Colin had served pastorally and academically in Sudbury when the family arrived from England, but when there came a vacancy at St Alban's parish in Capreol the Archbishop of Algoma appointed Colin as its rector with Colin continuing at Laurentian University but soon adding a position as the Civilian Officiating Clergyman at the Canadian Forces Station at Falconbridge. Capreol provided many opportunties for Colin, Barbara and their four children and Colin was happy with his varied responsibilities. The Clay family continued to enjoy exciting holiday travels across North America along with renewed visits with families in the United Kingdom. Colin was active with Army Cadets as was Barbara with Girl Guides. When the family left for Saskatoon in 1977 Philip and Gill had begun studies at university and college and Alan and Susan were ready for high school. The next volume entitled "It's A Dry Cold" will continue with the Clay's adventures on the Canadian prairies.