Blues In The Dark

Paen Scott is a Dark One: a vampire without a soul. And his mother is about to lose hers too if Paen can’t repay a debt to a demon by finding a relic known as the Jilin God in five days. Half-elf Samantha Cosse may have gotten kicked out of the Order of Diviners, but she’s still good at finding things, which is why she just opened her own private investigation agency. Paen is one of Sam’s first clients and the only one to set her elf senses tingling, which makes it pretty much impossible to keep their relationship on a professional level. Sam is convinced that she is Paen’s Beloved—the woman who can give him back his soul...whether he wants it or not.

The first book by David Dicaire, Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century, (McFarland, 1999), included pioneers, innovators, superstars, and cult heroes of blues music born before 1940. This second work covers those born after 1940 who have continued the tradition. This work has five sections, each with its own introduction. The first, Modern Acoustic Blues, covers artists that are major players on the acoustic blues scene of recent time, such as John Hammond, Jr. The second, Contemporary Chicago Blues, features artists of amplified, citified, gritty blues (Paul Butterfield and Melvin Taylor, among others). Section three, Modern American Electric Blues, includes some Texas blues singers such as Stevie Ray Vaughan and Jimmie Vaughan and examines how the blues have spread throughout the United States. Contemporary Blues Women are in section four. Section five, Blues Around the World, covers artists from four different continents and twelve different countries. Each entry provides biographical and critical information on the artist, and a complete discography. A bibliography and supplemental discographies are also provided.

NBA Blues is a cautionary tale that can serve as a handbook for any young athlete and their families facing the bittersweet taste of success in professional sports. Along with entertaining the reader, this book acts as a guide to help understand the pitfalls that come with financial success in professional sports. Most have a greater chance of becoming a business professional before he or she becomes a professional athlete, however, whether a young person has the talent and opportunity to become a professional athlete or a productive citizen in society, the proper guidance is necessary to maintain their success. Told in a compelling and engaging voice, this urban contemporary is creatively written with authentic characters. Although based on actual events, names and scenarios have been changed slightly to protect the innocent, and not so innocent. The message of the book is being presented in an educational and entertaining platform as author, Gerry Lancaster, renamed Gary Allen, shares his experiences while working as a personal assistant to a childhood friend who became a professional athlete. The real baller, renamed Vaughn Fisher (an Olympic Gold Medal Winner and four -time NBA All-star Player with earnings of over 100 million dollars) is the subject of the book. Vaughn was a talented athlete who attained his dream of playing professional basketball in the NBA, but the fame and fortune disappeared quickly as the thrill of making a basket was replaced by the thrill of getting a high from prescription drugs and alcohol. His story is told through the words of a friend who knew him from his humble beginnings, to the great heights of fame and back down the slippery slope of drugs, promiscuity and financial ruin. No one could tell the complete story unless they were actually there, and Gerry was.

'This is not only Oliver's finest book on the blues, but is perhaps the finest overall survey of the subject that has yet been written. ' FINANCIAL TIMES The influence of the blues on popular mainstream music is immense. Its fascinating history reaches back to the end of the nineteenth century, its roots in the work songs of slavery, the ballads and country music of black Americans. Paul Oliver places singers like Blind Lemon Jefferson, Bessie Smith, Muddy Waters and Lightnin' Hopkins firmly in the context of their surroundings. He considers every facet of the Blues, its themes and subjects, the impact of recording, its-far-reaching legacy. This is not simply the history of a music but a reflection of the tumult with American society.

In the near future, almost the entire world lies in the iron grip of the power-hungry conglomerate, Persona Century Corporation. The city of Shinjuku has, until this point, remained outside the grasp of this greedy company, but in spite of this, or perhaps because of it, it has become a dangerous and lawless town, teeming with rebels and terrorists. One day, a handsome, enigmatic young man by the name of Darkside mysteriously appears in Shinjuku. He, along with a small band of rebels, will attempt to break Persona's stranglehold on the world, if it isn't too late.

Erin Osmon presents a detailed, human account of the Rust Belt–born musician Jason Molina—a visionary, prolific, and at times cantankerous singer-songwriter with an autodidactic style that captivated his devoted fans. The songwriting giant behind the bands Songs: Ohia and Magnolia Electric Co. had a knack for spinning tales, from the many personal myths he cultivated throughout his life to the poems and ballads he penned and performed. As with too many great musicians, Molina’s complicated relationship with the truth, combined with a secretive relationship with the bottle, ultimately claimed his life. Jason Molina: Riding with the Ghost details Molina’s personal trials and triumphs and reveals for the first time the true story of Molina’s last months and works, including an unpublished album unknown to many of his fans. Offering unfettered access to the mind and artistry of Molina through exclusive interviews with family, friends, and collaborators, the book also explores the Midwest music underground and the development of Bloomington, Indiana–based label Secretly Canadian. As the first authorized and detailed account of this prolific songwriter and self-mythologizer, Jason Molina provides readers with unparalleled insight into Molina’s tormented life and the fascinating Midwest musical underground that birthed him. It’s a story for the ages that speaks volumes to the triumphs and trials of the artistic spirit while exploring the meaningful music that Molina’s creative genius left behind.

An extensive biographical and critical survey of more than 300 jazz and popular singers is comprised of provocative, opinionated essays that incorporate the views of peers, fans and critics while assessing key movements and genres.

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture “They’re not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We’re on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers