Bodies Of Others

Our pre-March 2020 world is gone forever. Irretrievable. For in league with mass surrender to all-powerful technology, the "restrictions" against human assembly, speech and gathering, culture and worship brough on by pandemic panic have brought new cultural norms frighteningly at odds with traditional Western notions of freedom and independent thought. Indeed, in our fear of public ostracism and shaming and our ready abandonment of free, open, spontaneous, individualistic, egalitarian and tolerant expression, we in the West today live in a world of CCP-style regimentation and conformity. It is a world in which all human endeavor--all human joy, all human fellowship, all human advancement, all human culture, all human song, all human drama, all worship, all surprise, all flirtation, all celebration--is behind a digital pay wall. A world in which we must ask permission of technology to be human. This is a world we must challenge and change.

The first book-length exploration of drag dance in the U.S.

Available in English for the first time, The Bodies of Others investigates, through a series of close readings of several theatrical and film productions in Europe and South America, the relationship between “representation” (including theatrical representation) and ethics (defined as an ongoing relational negotiation, as opposed to a set of universal moral laws). The main concepts are exposed through a comparative analysis of historical processes, political actions and artistic works from different periods. Thus, the dialogue between the film La carrose d'or by Jean Renoir (1952) and Rosa Cuchillo by Yuyachkani (2006) serves to address the problem of the multiple meanings of representation. The dialogue between the play El Señor Galíndez by Eduardo Pavlovsky (1973), the performance The Conquest of America by Las Yeguas del Apocalipsis (1989) and the novel 2666 (2004) by Roberto Bolaño allows the concept of an 'ethic of the body' to be addressed. Other key concepts such as identity, care, cruelty, violence, memory and testimony are considered through investigation of work such as Angelica Liddel's theatre pieces, Rabih Mroué and Lina Majdalanie's performances, Albertina Carri, Basilio Martín Patino and Apichatpong Weerasethakul's films, and Mapa Teatro's trans-disciplinary creations.

In 1967, the present author published as a monograph "Histological studies of the human thyroid gland observed from the viewpoint of its postnatal development" based upon the quantitative measurements of thyroid tissue compo nents in 326 cases ranging in age from immediately after birth to 88 years. Through successive intermediate zones, newborn, infant, child and pubertal on one hand and through a transitional zone presenile on the other hand, the realm of interest concerning in medicine recently has been extended from the main trunk of the adult towards two poles, senile (gerontology) and embryonic (prena talogy). The problem of the thyroid gland is no exception to this recent trend (Boyd, 1950) and also seems to be one of the most topic endocrine subjects from the standpoint of this view (Russel et at., 1957; Carr et at., 1959; Smith et at., 1961; Pickering, 1964; Pickering et al., 1958, 1961, 1963; French et al., 1964). A survey of the literature shows considerable numbers of papers dealing with the developmental histology of the prenatal human thyroid gland. Earlier, Dr.

What is human sociality? How are universals such as truth and doubt variously demonstrated and negotiated in different cultures? This book offers an accessible introduction to these and other fundamental human questions. Bloch shows that the social consists of two very different things. One is a matter of continual adjustments between individuals who read each others' minds and thus, as in sex and birth, "go in and out of each other's minds and bodies." The other is a time defying system of roles and groups. Interaction at this level is created by ritual and is unique to humans. What is referred to by the word "religion" is a part of this, but it is not separate. The study of "religion" as such is therefore theoretically misleading. A second major theme is the way truth is established in different cultures. Bloch's arguments go against recent approaches in anthropology which have sought to relativize ideas of the social and religion.

What people say is often very different from what they think or feel. Body language by Allan Pease is just what you require to know those feelings which people often try to hide.

This Reader brings together a selection of key writings to explore the relationship between religion, media and cultures of everyday life. It provides an overview of the main debates and developments in this growing field, focusing on four major themes: Religion, spirituality and consumer culture Media and the transformation of religion The sacred senses: visual, material and audio culture Religion, and the ethics of media and culture. This collection is an invaluable resource for students, academics and researchers wanting a deeper understanding of religion and contemporary culture.

As Others See Us, first published in 1994 by Gordon & Breach, is a book designed to introduce the reader to a new way of thinking about the movements, both conscious and unconscious, that we make every day and every second of our lives. Goldman describes the human experience as a continuous stream of body movements, though we are only aware of a small fraction of the more obvious and intrusive physical acts. The aim of this book is first to increase awareness of the subtleties and complexities of our body language, and then to encourage the reader to perceive these intricacies in their own movements and in those of others. Finally, with a more complete understanding and appreciation for the power of body language and non-verbal communication, one can achieve a deeper connection between physical and intellectual spheres, to allow for a fuller and more engaging experience of communication and expression. This new knowledge of the human body's movements not only permits one to more accurately perceive the emotions and thoughts of others, but can allow a glimpse into one's own mind, to see how we present ourselves to the world, and whether our thoughts are in sync with our actions. Central to the text is the author's treatment of the Integrated Movement, a term used to describe the merger of a posture and a gesture with a consistent quality, dynamic or shape. This approach to understanding and explaining human movement offers a unique way of thinking about conscious gesture, unconscious body language, and verbal speech as interconnected communication, a synthesis that allows for a more complete view of ourselves and others around us. The structure of the book follows a logical framework that mirrors the progress of the reader, from perception of movement, to the close inspection of gesture and body language, to the introduction and experience of Integrated Movement, to the application of one's new awareness to different aspects of life. Biographical sketches of leading figures in the field are included, as are suggestions for additional reading and resources. Perhaps the most unique feature of the book are the personal exercises (boxed-off text) that appear on almost every other page. These exercises are designed to allow the reader to experience the power of body language in real-life situations, while working towards the increased awareness and perception that is the goal of the book.