Books Banks Buttons

Identifies the technological innovations of the middle ages, noting how such ubiquitous items as eyeglasses, books, arabic numbers, underwear, banks, the game of chess, clocks, and domesticated cats came into being during the period.

This final volume in the four-volume series Habits of Being shows how the dialectic between everyday appearance and outrageous acts is mediated through clothing and accessories. It considers how clothing and accessories can move quickly from the ordinary to the extravagant. Employing many different approaches, these essays explore how wearing an object—a crown, a flower, an earring, a corsage, a veil, even a length of material—can stray beyond the bounds of the body on which it is placed into the discrepant territory of flagrantly excessive public signs of love, status, honor, prestige, power, desire, and display. The varied contributions of scholars (historians, ethnographers, literary and film critics) and artists (photographers, sculptors, writers, weavers, and embroiderers) take up the threads of these forays into history, psyche, and aesthetics in surprising and useful ways. With examples from around the world, contributors address how the simple action of ornamenting the body, even with something as common as a button, are open to elaborate interpretations—which themselves offer new understandings of human behavior and artistic endeavor. When our “habits of being” receive close scrutiny, they seem anything but habitual. Contributors: Mariapia Bobbiobi; Camilla Cattarulla, U of Rome Three; Paola Colaiacomo, Sapienza, U of Rome; Maria Damon, Pratt Institute of Art; Joanne B. Eicher, U of Minnesota; Maria Giulia Fabi, U of Ferrara; Margherita di Fazio; Adeena Karasick, Fordham U; Tarrah Krajnak, Pitzer College; Charlotte Nekola, William Paterson U; Victoria R. Pass, Maryland Institute College of Art; Amanda Salvioni, U of Macerata; Maria Anita Stefanelli, U of Rome Three.

Though enamel buttons have been around for centuries and are favorites of button collectors, there has not been a book completely dedicated to their study . . . until now! Author Karen L. Cohen brings her unique perspective as an enamelist, Studio Button Artist, and educator to Enamel Buttons: An Essential Resource for Collectors. Meticulous research combined with her insights about the properties of enamel and the techniques used in buttons make this a must-have book for every collector. Hundreds of photos provide examples of the various techniques and button types and are a valuable resource for study. Cohen explains why things look like they do, such as why Motiwala Bros. “Liquid Enamel” buttons look like they flow, while also helping the collector distinguish between closely related techniques, such as Champlevé and Cloisonné or Monochrome and Grisaille. Her extensive research on the evolution of enameling techniques provides the history chapter with fascinating facts intertwined with how they relate to enamel buttons. Cohen has documented many of the enamelist makers along with their back marks, making it easier for collectors to identify button finds. The appendices include related information such as how to identify enamel look-alikes such as CPE (cold plastic enamel) and restoration techniques. If you already collect enamel buttons, this is an essential resource for understanding your collection in more depth. If you are curious about the topic, this book tells it all: history, material, techniques and embellishments, makers, and more. If you are a collector of other types of enamelware or are fascinated with enameling or are someone who resells enamels such as antique dealers, this book is an excellent resource about the various aspects of enamel in general. Lastly, it’s a button book you will enjoy paging through again and again, admiring the hundreds of glorious enamel buttons!

Richard Stonley has all but vanished from history, but to his contemporaries he would have been an enviable figure. A clerk of the Exchequer for more than four decades under Mary Tudor and Elizabeth I, he rose from obscure origins to a life of opulence; his job, a secure bureaucratic post with a guaranteed income, was the kind of which many men dreamed. Vast sums of money passed through his hands, some of which he used to engage in moneylending and land speculation. He also bought books, lots of them, amassing one of the largest libraries in early modern London. In 1597, all of this was brought to a halt when Stonley, aged around seventy-seven, was incarcerated in the Fleet Prison, convicted of embezzling the spectacular sum of £13,000 from the Exchequer. His property was sold off, and an inventory was made of his house on Aldersgate Street. This provides our most detailed guide to his lost library. By chance, we also have three handwritten volumes of accounts, in which he earlier itemized his spending on food, clothing, travel, and books. It is here that we learn that on June 12, 1593, he bought "the Venus & Adhonay per Shakspere"—the earliest known record of a purchase of Shakespeare's first publication. In Shakespeare's First Reader, Jason Scott-Warren sets Stonley's journals and inventories of goods alongside a wealth of archival evidence to put his life and library back together again. He shows how Stonley's books were integral to the material worlds he inhabited and the social networks he formed with communities of merchants, printers, recusants, and spies. Through a combination of book history and biography, Shakespeare's First Reader provides a compelling "bio-bibliography"—the story of how one early modern gentleman lived in and through his library.

The author identifies and explains the critical components and functions of the systems for the holding of rights in accounts with intermediaries, identifying underlying principles that should be embodied in modern legislation underpinning the law of a

A compilation of books and other resources that are appropriate for students in kindergarten through twelfth grade.