Border Fury

Border Fury provides a fascinating account of the period of Anglo-Scottish Border conflict from the Edwardian invasions of 1296 until the Union of the Crowns under James VI of Scotland, James I of England in 1603. It looks at developments in the art of war during the period, the key transition from medieval to renaissance warfare, the development of tactics, arms, armour and military logistics during the period. All the key personalities involved are profiled and the typology of each battle site is examined in detail with the author providing several new interpretations that differ radically from those that have previously been understood.

The authors are particularly interested in the picture postcard as a source of historical documentation. This collection is thoroughly annotated and nicely produced.

Border Fury provides a fascinating account of the period of Anglo-Scottish Border conflict from the Edwardian invasions of 1296 until the Union of the Crowns under James VI of Scotland, James I of England in 1603. It looks at developments in the art of war during the period, the key transition from medieval to renaissance warfare, the development of tactics, arms, armour and military logistics during the period. All the key personalities involved are profiled and the typology of each battle site is examined in detail with the author providing several new interpretations that differ radically from those that have previously been understood.

Just a trolley ride from El Paso, Ciudad Juárez was a popular destination in the early 1900s. Enticing and exciting, tourists descended on this and other Mexican border towns to browse curio shops, dine and dance, attend bullfights, and perhaps escape Prohibition America. In Postcards from the Chihuahua Border Daniel D. Arreola captures the exhilaration of places in time, taking us back to Mexico’s northern border towns of Cuidad Juárez, Ojinaga, and Palomas in the early twentieth century. Drawing on more than three decades of archival work, Arreola uses postcards and maps to unveil the history of these towns along west Texas’s and New Mexico’s southern borders. Postcards offer a special kind of visual evidence. Arreola’s collection of imagery and commentary about them shows us singular places, enriching our understandings of history and the history of change in Chihuahua. No one postcard tells the entire story. But image after image offers a collected view and insight into changing perceptions. Arreola’s geography of place looks both inward and outward. We see what tourists see, while at the same time gaining insight about what postcard photographers and postcard publishers wanted to be seen and perceived about these border communities. Postcards from the Chihuahua Border is a colorful and dynamic visual history. It invites the reader to time travel, to revisit another era—the first half of the last century—when these border towns were framed and made popular through picture postcards.

Offers an illustrated study that asks how the art produced about the U.S.-Mexico border reflects political and economic transformations occurring world-wide.

Buck Starrett, fast-shooting Texas Ranger, is reputed for his determination to win against overwhelming odds. He takes a novice ranger to Adobe Flat on the Mexican border, unaware that he faces his toughest challenge yet. Plunged into an all-out war with Mexican rustlers operating on both sides of the border, Starrett must also shoot his way into the crooked situation enveloping Adobe Flat to overcome the criminal element - then shoot his way out again.

When restrictive immigration laws were introduced in the late-nineteenth and early-twentieth centuries, they involved new requirements for photographing and documenting immigrants--regulations for visually inspecting race and health. This work is the first to take a comprehensive look at the history of immigration policy in the United States through the prism of visual culture. Including many previously unpublished images, and taking a new look at Lewis Hine's photographs, Anna Pegler-Gordon considers the role and uses of visual documentation at Angel Island for Chinese immigrants, at Ellis Island for European immigrants, and on the U.S.-Mexico border. Including fascinating close visual analysis and detailed histories of immigrants in addition to the perspectives of officials, this richly illustrated book traces how visual regulations became central in the early development of U.S. immigration policy and in the introduction of racial immigration restrictions. In so doing, it provides the historical context for understanding more recent developments in immigration policy and, at the same time, sheds new light on the cultural history of American photography.