Border Games A Novel

Career Army Sergeant Sterling Archer is a respected military man who suddenly finds himself out of a job, out of luck, and penniless on the mean streets of Las Vegas. When an old Army buddy presents him with an opportunity to make more money than he ever imagined, Archer jumps at the chance, unaware of incoming catastrophe. Soon, the pyramid scheme goes sour, and Archer ends up behind bars in federal prison. His only way out is to turn government informant. As if things could get any worse, his new partnership with the FBI places him square in the sights of a Mexican drug cartel, and Archer's life is turned upside down as he fights to stay alive, no matter the cost. He must now desperately weave his way through the dark underworld of gunrunning, human trafficking, and the illegal narcotics trade. But Archer's troubles don't end there as the investigative trail leads him across international borders and into the high stakes world of espionage and political intrigue.

Yet the unprecedented buildup of border policing has taken place in an era otherwise defined by the opening of the border, most notably through NAFTA. This contrast creates a borderless economy with a barricaded border.".

Private Bill Savery lands right in the middle of the Cold War when he is assigned to a US military base in Germany in the 1960s. As a linguist, it is his job to transcribe and translate intelligence coming in from the Russians, and hes looking forward to the challenge. Its a lot more exciting than anything he ever did in his home state of Vermont. When hes transferred to the small town of Schningen that borders East Germany, he meets Christine, a beautiful girl who dreams of becoming a reporter. It doesnt take long for the two to start spending all their free time together, and soon their friendship blossoms into love. Christine is often sad, though, and Bill wonders what causes it, though he never asks. Then one day, it becomes all too clear. Christine is engaged to marry another man, a marriage both families have already agreed upon. Breaking the betrothal will be nearly impossible, but Bill isnt about to give up. He loves Christine, and he knows she feels the same. Yet two days before the wedding, Bill receives an urgent assignment. A border incident is brewing way up north on the Elbe river, and he must put aside his personal feelings for his duty. Will he and Christine find out a way to be together, or is it already too late?

ONE OF THE MOST ACCLAIMED BOOKS OF THE YEAR Contains an excerpt from Don Winslow’s explosive new novel, City on Fire! NAMED A BEST BOOK OF THE YEAR BY Washington Post • NPR • Financial Times • The Guardian • Booklist • New Statesman • Daily Telegraph • Irish Times • Dallas Morning News • Sunday Times • New York Post "A big, sprawling, ultimately stunning crime tableau." – Janet Maslin, New York Times "You can't ask for more emotionally moving entertainment." – Stephen King "One of the best thriller writers on the planet." – Esquire The explosive, highly anticipated conclusion to the epic Cartel trilogy from the New York Times bestselling author of The Force What do you do when there are no borders? When the lines you thought existed simply vanish? How do you plant your feet to make a stand when you no longer know what side you’re on? The war has come home. For over forty years, Art Keller has been on the front lines of America’s longest conflict: The War on Drugs. His obsession to defeat the world’s most powerful, wealthy, and lethal kingpin?the godfather of the Sinaloa Cartel, Adán Barrera?has left him bloody and scarred, cost him the people he loves, even taken a piece of his soul. Now Keller is elevated to the highest ranks of the DEA, only to find that in destroying one monster he has created thirty more that are wreaking even more chaos and suffering in his beloved Mexico. But not just there. Barrera’s final legacy is the heroin epidemic scourging America. Throwing himself into the gap to stem the deadly flow, Keller finds himself surrounded by enemies?men who want to kill him, politicians who want to destroy him, and worse, the unimaginable?an incoming administration that’s in bed with the very drug traffickers that Keller is trying to bring down. Art Keller is at war with not only the cartels, but with his own government. And the long fight has taught him more than he ever imagined. Now, he learns the final lesson?there are no borders. In a story that moves from deserts of Mexico to Wall Street, from the slums of Guatemala to the marbled corridors of Washington, D.C., Winslow follows a new generation of narcos, the cops who fight them, street traffickers, addicts, politicians, money-launderers, real-estate moguls, and mere children fleeing the violence for the chance of a life in a new country. A shattering tale of vengeance, violence, corruption and justice, this last novel in Don Winslow’s magnificent, award-winning, internationally bestselling trilogy is packed with unforgettable, drawn-from-the-headlines scenes. Shocking in its brutality, raw in its humanity, The Border is an unflinching portrait of modern America, a story of—and for—our time.

The U.S.-Mexico border is the busiest in the world, the longest and most dramatic meeting point of a rich and poor country, and the site of intense confrontation between law enforcement and law evasion. Border control has changed in recent years from a low-maintenance and politically marginal activity to an intensive campaign focusing on drugs and migrant labor. Yet the unprecedented buildup of border policing has taken place in an era otherwise defined by the opening of the border, most notably through NAFTA. This contrast creates a borderless economy with a barricaded border. In the updated and expanded second edition of his essential book on policing the U.S.-Mexico border, Peter Andreas places the continued sharp escalation of border policing in the context of a transformed post-September 11 security environment. As Andreas demonstrates, in some ways it is still the same old border game but more difficult to manage, with more players, played out on a bigger stage, and with higher stakes and collateral damage.

"In this updated third edition, Peter Andreas brings the story of the intensifying practice and politics of policing drugs and migrants across the U.S.-Mexico border to the present day and helps make sense of how the busiest border in the world has also become one of the most heavily fortified"--

Brandon Vanderkool’s severe dyslexia and six-foot-eight height give him an unusual perspective on his new job with the American Border Patrol, along the Washington/BC border — just a long, grassy ditch, really, barely dividing neighbours who used to be as congenial as those in any small community. Though his curious mind proves surprisingly adept at intercepting Canadian pot smugglers and potentially dangerous illegals, years of security hysteria and cross-border resentment — and a fascinating young Canadian who has turned her green thumb to a more lucrative crop — complicate Brandon’ s world in ways even he might not be able to see past. Border Songs is that rare delight: a gently satirical portrait, an extraordinary love story and a celebration of the coincidental and the miraculous.

Cormac McCarthy's first novel, The Orchard Keeper, won the William Faulkner Award. His other books - Outer Dark, Child of God, Suttree, and Blood Meridian - have drawn a cult readership and the praise of such writers as Annie Dillard and Shelby Foote. "There are so many people out there who seem to have a hunger to know more about McCarthy's work," says McCarthy scholar Vereen Bell. Helping to satisfy such a need, this collection of essays, one of the few critical studies of Cormac McCarthy, introduces his work and lays the groundwork for study of an important but underrecognized American novelist, winner in 1992 of the National Book Award and the National Book Critics Circle Award for All the Pretty Horses. The essays explore McCarthy's historical and philosophical sources, grapple with the difficult task of identifying the moral center in his works, and identify continuities in his fiction. Included too is a bibliography of works by and about him. As they reflect critical perspectives on the works of this eminent writer, these essays afford a pleasing introduction to all his novels and his screenplay, "The Gardener's Son."