Border Terrains World Diasporas In The 21st Century

Border Terrains examines 21st century diasporas through the lenses of identity negotiation, religious faith, language, media and representations in fiction.

Central to the aim of both this book is to rethink the concept of diaspora as it is used both academically and popularly at the beginning of the twenty-first century. It seeks to interrogate the notion of “diaspora” in an interdisciplinary way, and to explore the contradictions inherent in contemporary notions of place and identity. It presents explorations of both “traditional” diasporas, such as the Irish community in the United States and in Great Britain, as well as recently established diasporas being formed through new patterns of migration and resettlement. Traditional conceptions of diaspora focused on forced exile from the homeland and the adoption of conscious strategies of integration upon arrival in the new land. In the past, it was assumed that migrants would rapidly assimilate into their receiving societies. Alternatively, migrant workers were regarded by themselves and their host societies as “sojourners”: they were not expected to integrate precisely because their alien presence was perceived to be temporary. Two poles then framed the traditional interpretation of migration and settlement. On the one hand, migrants assimilated rapidly; on the other, migrants were temporarily in the host-land. Yet, the realisation both that the melting pot is a myth and that migrant workers do not, in the main, go home, has forced an increasing acceptance of ethnic diversity. This, combined with ongoing improvements in travel and communications technologies, facilitates today’s migrants in maintaining links with their home countries. The increased visibility of transnational ethnic communities and a resurgence in labour migration in the twenty-first century, have stimulated academic interest in both contemporary diasporas and in recovering the hidden narratives of earlier global migrations. The renewed interest in the formation and narrative of diasporas is evident across a range of disciplines. Moreover, the meaningful exploration of any aspect of the humanities and social sciences requires an inter-disciplinary approach. Thus is the aim of this volume. Contributors approach the issue of diaspora from a variety of academic backgrounds: sociology, politics, history, literature and the visual arts. Concomitantly, data sources are diverse, with contributors drawing on official government publications, literary sources and personal memoirs, paintings and photographs, popular culture and personal interviews. This diversity of data sources indicates the multifarious approaches to the exploration diaspora. More importantly, it highlights the critical role played by unofficial, and often hidden, narratives in representing the experiences of those who find themselves, through a variety of political, social and economic factors, displaced. "This edited collection is a timely and precocious answer to a gap in the literature of identities and nationhood. It is a response to the new challenges and opportunities facing diasporic communities and, what is more, sets out key pointers for rethinking diaspora in the twenty-first century. At a time when western states are facing the need to re-evaluate traditional responses to ethnic difference arising from migration in the mid-twentieth century, this book posits an important perspective on the multiculturalism debate. Contrary to previous political and scholarly assumptions, this book shows that the children and grandchildren of immigrants can continue to have an ambiguous relationship to the state in which they were born in part because of the very nature of diaspora. The enduringly complex and sometimes volatile insider/outsider relationship is explored in these chapters through analysis of various narratives, in textual, spoken and visual forms. Analysis of such ‘hidden narratives’ reveals that the meaning and pertinence of membership of a diasporic community is defined as much by the context of the host country as by the discourses of the homeland. Across their various sources and case studies, the authors demonstrate the power of the juncture between dominant national discourses of the host state and the identity of its immigrants. Each author notes how different the diasporic community in question would be – not to mention the impact on its relationship to the host state and the homeland – if some of narratives hidden over time were to be reclaimed. As one author puts it, flux in elements of identity-formation in postmodern society represents a chance to ‘engage in dialogue with our own diversity’. In constructing a coherent volume from such a diverse range of cases and disciplines, the editors successfully demonstrate the wide validity of their case for ‘rethinking diasporas’. Nonetheless, the specific origins of this book – a conference held in a border town in Ireland – are, it may be argued, uniquely significant. For the current process of change in Irish national identity is inseparable from central features of diaspora-formation that the authors highlight, including economic pressures. Moreover, just as the town of Dundalk has historically felt the effects of its proximity to Northern Ireland, so the ‘imagined borders’ of diaspora explored in this book are shown to be all the more powerful for the fact that their delineation is contested." —Katy Hayward (Institute for British-Irish Studies, UCD

Why is Cleopatra, a descendent of Alexander the Great, a Ptolemy from a Greek–Macedonian family, in popular imagination an Oriental woman? True, she assumed some aspects of pharaonic imagery in order to rule Egypt, but her Orientalism mostly derives from ancient (Roman) and modern stereotypes: both the Orient and the idea of a woman in power are signs, in the Western tradition, of 'otherness' – and in this sense they can easily overlap and interchange. This volume investigates how ancient women, and particularly powerful women, such as queens and empresses, have been re-imagined in Western (and not only Western) arts; highlights how this re-imagination and re-visualization is, more often than not, the product of Orientalist stereotypes – even when dealing with women who had nothing to do with Eastern regions; and compares these images with examples of Eastern gaze on the same women. Through the chapters in this volume, readers will discover the similarities and differences in the ways in which women in power were and still are described and decried by their opponents.

Middle Eastern Christians have a long tradition of interacting with Europe. As other minorities they have also "emerged" through relations of European powers with the region. The historical circulation of people and ideas is also relevant for identities of Middle Eastern Christians who have settled in Europe in the past decades. This volume, stemming from an interdisciplinary workshop in Salzburg 2016, brings together both perspectives of entanglement.

This volume focuses on advances in research methodology in an interdisciplinary field framed by discourses of identity and interculturality. It includes a range of qualitative studies: studies of interaction, narrative studies, conversation analysis, ethnographic studies, postcolonial studies and critical discourse studies, and emphasizes the role of discourse and power in all studies of identity and interculturality. The volume particularly focuses on critical reflexivity in every stage of research, including reflections on theoretical concepts (such as ‘identity’ and ‘interculturality’) and their relationship with methodology and analytical practice, reflections on researcher identity and subjectivity, reflections on local and global contexts of research, and reflections on language choice and linguacultural aspects of data generation, analysis and communication.

Since the Arab Spring in 2011 and ISIS’s rise in 2014, Egypt’s Copts have attracted attention worldwide as the collateral damage of revolution and as victims of sectarian strife. Countering the din of persecution rhetoric and Islamophobia, The Political Lives of Saints journeys into the quieter corners of divine intercession to consider what martyrs, miracles, and mysteries have to do with the routine challenges faced by Christians and Muslims living together under the modern nation-state. Drawing on years of extensive fieldwork, Angie Heo argues for understanding popular saints as material media that organize social relations between Christians and Muslims in Egypt toward varying political ends. With an ethnographer’s eye for traces of antiquity, she deciphers how long-cherished imaginaries of holiness broker bonds of revolutionary sacrifice, reconfigure national sites of sacred territory, and pose sectarian threats to security and order. A study of tradition and nationhood at their limits, The Political Lives of Saints shows that Coptic Orthodoxy is a core domain of minoritarian regulation and authoritarian rule, powerfully reversing the recurrent thesis of its impending extinction in the Arab Muslim world.

Art, Borders and Belonging: On Home and Migration investigates how three associated concepts-house, home and homeland-are represented in contemporary global art. The volume brings together essays which explore the conditions of global migration as a process that is always both about departures and homecomings, indeed, home-makings, through which the construction of migratory narratives are made possible. Although centrally concerned with how recent and contemporary works of art can materialize the migratory experience of movement and (re)settlement, the contributions to this book also explore how curating and exhibition practices, at both local and global levels, can extend and challenge conventional narratives of art, borders and belonging. A growing number of artists migrate; some for better job opportunities and for the experience of different cultures, others not by choice but as a consequence of forced displacement caused economic or environmental collapse, or by political, religious or military destabilization. In recent years, the theme of migration has emerged as a dominant subject in art and curatorial practices. Art, Borders and Belonging thus seeks to explore how the migratory experience is generated and displayed through the lens of contemporary art. In considering the extent to which the visual arts are intertwined with real life events, this text acts as a vehicle of knowledge transfer of cultural perspectives and enhances the importance of understanding artistic interventions in relation to home, migration and belonging.

Liquid Borders provides a timely and critical analysis of the large-scale migration of people across borders, which has sent shockwaves through the global world order in recent years. In this book, internationally recognized scholars and activists from a variety of fields analyze key issues related to diasporic movements, displacements, exiles, "illegal" migrants, border crossings, deportations, maritime ventures, and the militarization of borders from political, economic, and cultural perspectives. Ambitious in scope, with cases stretching from the Mediterranean to Australia, the US/Mexico border, Venezuela, and deterritorialized sectors in Colombia and Central America, the various contributions are unified around the notion of freedom of movement, and the recognition of the need to think differently about ideas of citizenship and sovereignty around the world. Liquid Borders will be of interest to policy makers, and to researchers across the humanities, sociology, area studies, politics, international relations, geography, and of course migration and border studies.