Born Reckless

“You can’t turn someone into a vampire, at least not the kind we are. You have to be born this way.” I thought I was being noble when I put myself between my best friend and the switchblade of a mugger. Turns out Elena could have split the guy in half with her bare hands, and she did while I bled out on the sidewalk. It should have been game over, but I woke up with newfound strength and a terrifying craving for that sweet, sweet smelling liquid pumping through your veins. Too bad my first taste ended a woman’s life and gained me an enemy who swears to make me pay. Enter Mason Godfrey, Elena’s brother. He’s given me an ultimatum. Go back to my life, back to my medical residency, and most likely be hunted down—or come away with them to Chicago and start over. The golden, still-human prince of the city is impossible to resist. Despite the herd of eligible and eager bachelorettes who would rather see me dead than on his arm, his eyes keep lingering on me. Neither of us has forgotten that one magical night we had, right before my first life ended. Where does this lead, now that I’m a vampire and he isn’t? They say Chicago is a safe haven for our kind, but it is nothing like I expected. This new life is filled with luxury and money. There are galas and vampire night clubs, enchanted tattoos, and a council of powerful immortals. But I must never forget. Despite this glamorous second chance at life, I’m still being hunted. And time is ticking until I make a reckless move. Because it’s what I do.

American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.

John Ford's classic films—such as Stagecoach, The Grapes of Wrath, How Green Was My Valley, The Quiet Man, and The Searchers—have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past. Joseph McBride's Searching for John Ford, described as definitive by both the New York Times and the Irish Times, surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities and contradictions, McBride traces the trajectory of Ford's life from his beginnings as “Bull” Feeney, the nearsighted, football-playing son of Irish immigrants in Portland, Maine, to his recognition, after a long, controversial, and much-honored career, as America's national mythmaker. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands.

Traces the life story of the famous actor from his beginnings in Winterset, Iowa, to his death in 1979, becoming a legendary character in his own right

"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

This is the most comprehensive reference work available anywhere, ever, to (1) films and their directors, and (2) directors and their films. Part one is by director. Each entry lists films, years of release, alternate titles, and, when appropriate, the director's pseudonym. Part two is a listing of over 108,000 films (from A, directed by Jan Lenica, to Zyte, from Rene Leprince), giving a director for each.

The entertainment world lost many notable talents in 2017, including iconic character actor Harry Dean Stanton, comedians Jerry Lewis and Dick Gregory, country singer Glen Campbell, playwright Sam Shepard and actor-singer Jim Nabors. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2017 are included. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers.