Both Of Me

It was supposed to be just another flight, another escape into a foreign place where she could forget her past, forget her attachments. Until Clara found herself seated next to an alluring boy named Elias Phinn—a boy who seems to know secrets she has barely been able to admit to herself for years. When her carry-on bag is accidentally switched with Elias’s identical pack, Clara uses the luggage tag to track down her things. At that address she discovers there is not one Elias Phinn, but two: the odd, paranoid, artistic, and often angry Elias she met on the plane, who lives in an imaginary world of his own making called Salem; and the kind, sweet, and soon irresistible Elias who greets her at the door, and who has no recollection of ever meeting Clara at all. As she learns of Elias’s dissociative identity disorder, and finds herself quickly entangled in both of Elias’s lives, Clara makes a decision that could change all of them forever. She is going to find out what the Salem Elias knows about her past, and how, even if it means playing along with his otherworldly quest. And she is going to find a way to keep the gentle Elias she’s beginning to love from ever disappearing again.

The story of two boys with more in common than meets the eye

The stories in Don't Make Me Do Something We'll Both Regret are linked by their exploration of queer evil. The mystery of desire and sting of rejection drive a child to violence. Boys enter the forest, naive to what lurks within. A pack of pop stars-turned-lovers strike a terrible bargain to preserve their youth. Its characters are gnostics and mystics, ogres and queens whose defiance of the normative both liberates and confines. Innovative Prose ... from “Tim Jones-Yelvington is a Pretty Little Liar” My lovelies, I haven’t forgotten your secrets. Everything each of you told me in confidence. You said, Promise you’ll keep this to yourself. You said, Promise you’ll never tell a soul. You said, If anyone finds out, my life is over! I said, I’ll take it to the grave. Once, I came upon our frienemy in the marketplace. I said, I know what you’ve been up to! Don’t pretend your hemline’s clean! And she begged me, Keep your voice down! Don’t make me do something we’ll both regret. This is the new new me. Black feathered collar, black feathered cuffs, gold-threaded jacket, my shoulder plumage spills. I am a peacock. My chin is cocked. I am a libertine. I am a dandy. I am an emu, ready to stretch my neck. To sharpen my beak.

Gabby Mastreoni has been in love with Christoff Scutari since she was four years old. Their fathers are in the same business, and nearly twenty years later, their families remain close. With four older brothers, Gabby leads a protected and sheltered life—until she and Christoff cross a line, and she discovers that love can hurt people. Brie Masters left everything and everyone behind to begin again. Starting over in California, she’s found her new home. She soon learns though that she can run away from her past, but it will always be there. No matter how many miles she puts between herself and her former life, she is still running, reinventing herself—so much so that she’s not even sure who she is anymore. And she has to ask herself, “Am I Brie, or am I still Gabby?”

"A significant literary achievement that also happens to be a terrific page-turner."- Jonathan Lee "Elegantly written, darkly entertaining."- John Banville "An extraordinary writer of great compassion . . . Stunning."- Denise Mina In the aftermath of Brexit, the body of a young woman is found by the river Thames, and a neighbor, a retired teacher from Chapleton College, is arrested. An eccentric loner-intellectual, shy, a fastidious dresser with expensive tastes-he is the perfect candidate for a media monstering. In custody he is interviewed by two detectives: the circumspect Ander, and his workaday foil, Gary. Ander is particularly watchful now, because the man across the table is someone he knows-someone he hasn't seen in nearly thirty years. Determined to salvage the truth as ex-pupils and colleagues line up against the accused, he must face a story from decades back, from his own time as a Chapleton student, at the peak of anti-Irish sentiment. With the momentum of classic crime fiction, Throw Me to the Wolves follows two mysteries-one unfolding in the media-saturated present, and the other bubbling up from the abusive past of the 1980s English school system. Beautifully written and psychologically acute, it is a novel about memory and childhood, prescient and piercingly funny, as wise as it is tragic.

The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

Understand what your teenage daughter really means—and learn to use your arguments to strengthen your bond with her. Mothers and teenage daughters argue more than any other child-parent pair—on average every two-and-a-half days. These quarrels, Terri Apter shows, are attempts to negotiate changes in a relationship that is valued by both mothers and daughters. A daughter often feels her mother doesn't know or understand her, and by fighting hopes to force her mother into a new awareness of who she really is, how she has changed, and what she is now capable of doing and understanding. But mothers often misinterpret their daughter's outbursts as signs of rejection, and they may pull back feeling hurt and confused. Through case studies and conversations between mothers and daughters, Apter shows mothers how to interpret the meanings behind a daughter's angry words and how to emerge from arguments with a new closeness.

FEATURED ON THE COVER OF TIME MAGAZINE AS A 2021 NEXT GENERATION LEADER “A once-in-a-generation voice.” – Vulture “One of our greatest living writers.” – Shondaland A full-throated and provocative memoir in letters from the New York Times bestselling author, “a dazzling literary talent whose works cut to the quick of the spiritual self” (Esquire) In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic, and spiritual plane, culminating in a book that is as tender as it is brutal. Electrifying and inspiring, animated by the same voracious intelligence that distinguishes Emezi's fiction, Dear Senthuran is a revelatory account of storytelling, self, and survival.