Box Office Poison

Winner of the Eisner Award for Talent Deserving Wider Recognition, the International Comics Festival Award for Best Debut Graphic Novel (Angouleme, France), and voted by Wizard Magazine as the best indy graphic novel of all time. "A convincing, absorbing and satisfying fictional portrait of post-college life in New York City."-- Publishers Weekly "A salute to comics, an exploration of the human condition, and a solid, absorbing, and riotously snide tale about at least half of the things that make life important."-- Tasha Robinson, The AV Club "Box Office Poison is a novel complex enough to provoke Book Talk. I even marked panels with post-it notes as I was reading so that I'd remember to show them to my friends."-- Kelly Sue DeConnick, Artbomb.com "The comic book equivalent of the world's best pineapple upside-down cake: layer upon layer of rich dramatic goodness."-- Matthew Craig, Robotfist.com "Box Office Poison is to the comic book culture as Almost Famous is to that of rock and roll."-- Chris Tamarri, The Daily Targum This 608-page epic story of Sherman, Dorothy, Ed, Stephen, Jane, and Mr. Flavor is a true comics masterpiece. Alex Robinson's completely natural and inspiring knack for dialogue makes this story of dreary jobs, comic books, love, sex, messy apartments, girlfriends (and the lack thereof), undisclosed pasts, and crusty old professionals one of the most delightful and whimsical graphic novels to hit the stands in years.

The story of Sherman, Dorothy, Ed, Stephen, Jane, and Mr. Flavor as you’ve never seen it before: IN FULL COLOR! Alex Robinson’s masterpiece of dreary jobs, comic books, love, sex, messy apartments, girlfriends (and the lack thereof), undisclosed pasts, and crusty old professionals remains one of the most delightful and whimsical comic stories—and with colorist Pat N. Lewis’ fantastic color work, BOP is ready to return to comic stands!

Sherman's on a date... with a girl whose name he can't remember! And Ed's employment situation changes, but will it be for the better? All this in thrilling color!

Ed gets ready to interview at Zoom Comics, and Sherman meets the new love of his life at a housewarming party€ now, if he could just track her down again!

Sherman�s frustration with his job grows and grows... while the story of Jane and Stephen�s relationship is revealed!

Ed finds that working for Irving Flavor turns out to be an acquired taste. And the secret origin of the Nightstalker... revealed!

Previously unpublished short stories rounding out last year's smash hit Box Office Poison. More Box Office Poison stories from Alex Robinson! There were several short stories featuring Sherman, Ed and friends which were not collected in the giant Box Office Poison collection. BOP! reprints all of those short stories including all of the SPX/Expo Anthology shorts, the "Box Office Poison Kolor Karnival" (seen here in glorious black and white), and some extra goodies.

“While 1938 may have been a turkey of a year for Hollywood cinema, Catherine Jurca’s book is a genuine feast. Hollywood 1938 is both an intense, up-close study of the big budget films and box office tactics behind the film industry’s annus horribilis, and a savvy meditation on the whole swoop and scope of cinema in Hollywood’s Golden Age. Scrupulously researched and engagingly written, Jurca captures the industry infighting, publicity battles, and audience responses to Hollywood’s ‘greatest year’ with easy erudition and penetrating insight.”—Thomas Doherty, author of Hollywood's Censor: Joseph I. Breen and the Production Code Administration. “Catherine Jurca has taken a nearly forgotten event in the history of Hollywood and demonstrated how much it can tell us about the state of the motion picture industry and its frailties, as well as its relationship with its audience, at a critical moment in its development. She deftly challenges claims about the centrality of Hollywood to American culture in the 1930s, questions its relationship with the public, and examines the ways in which the industry’s perceptions of that public shaped how it made and marketed movies. This is both excellent scholarship and marvelous storytelling.”—Richard Maltby, author of Hollywood Cinema.