Boxing In Black And White

Professional sports in America offer numerous examples of equal opportunity and broken down racial barriers. These developments call for pride and celebration. Yet skin color continues to have an influence in how Americans experience sport. From Al Campanis' statement about the under-representation of blacks in baseball front offices to the almost exclusively white ownership of professional teams, one sees that sports, though admirably more equitable than other societal institutions, are hardly a colorblind American pursuit. Choosing the racially charged sport of boxing for investigation, the author has compiled dozens of statistics measuring whether or not America's racial majority still yearns for a white champion--a Great White Hope. Drawing upon data from The Ring Magazine and its annual record books, this study endeavors to bolster or refute the popular perception in boxing circles that white fighters of lesser ability are helped along to their sports elite level, as a result of being promotional gold in the eyes of the public.

"Boxing's like an addiction, it just gets in the blood." --Bobby Howard, trainer and ex-middleweight fighter Punch-by punch accounts of key heavyweight fights involving such champions as Jack Johnson, Jack Dempsey, Joe Louis, Joe Frazier, and Muhammad Ali reveal the passion and danger of the ring, as well as the impact of what happens there. Peter Bacho makes his living as an author and professor of Asian-American literature, but throughout his life he has been a fight fan, a fighter, a trainer, and a student of boxing. It is those personal experiences that frame this book. Then, while taking readers through the action in the most thrilling prize fights of the century, he shows how those bouts defined the racial and social tension of their times.

This is the story of the lineage of Boxing's World Heavyweight Championship from 1882-1915 and how it explains a cultural attitude toward race and identity in that era. The first true national and international sports celebrities were boxers in the late 1800s. Soon after the abolishment of slavery in the United States the first World Champions of the sport were crowned. As the Champion of the World these boxing heavyweights were held on a pedestal of athletic dominance, and in the eyes of some white Americans, and many of those in the boxing community, these champions had to be white, anything else would challenge the belief of white Anglo-saxon superiority that many white Americans were clinging to at the time. It is the story of the symbol of the World Champion during that period and what it meant in society. It's also a story about a bunch of tough, bad-ass guys from over a hundred years ago that used to beat each other up.

Black and White: The Birth of Modern Boxing is the definitive history of the early years of transatlantic pugilism. It reveals the poisonous racism disfiguring the sport and the black boxers fighting an uphill struggle for equality. It lays bare ugly attempts by authorities to stifle or ban a sport that millions flocked to see, and exposes the unethical actions of distinguished figures such as Lord Lonsdale and Sir Winston Churchill. Black and White brings to life some of the greatest fights in history as the narrative charts boxing's growth from underground sleaze to fashionable spectacle. Along the way we hear the stories of the great champions of the era including Jack Dempsey, Jack Johnson, Jimmy Wilde and Ted 'Kid' Lewis. The book culminates in the 'Fight of the Century', where a gallant European and an unpopular American battled for supremacy as the world looked on with trepidation.

The black prizefighter labored in one of the few trades where an African American man could win renown: boxing. His prowess in the ring asserted an independence and powerful masculinity rare for black men in a white-dominated society, allowing him to be a man--and thus truly free. Louis Moore draws on the life stories of African American fighters active from 1880 to 1915 to explore working-class black manhood. As he details, boxers bought into American ideas about masculinity and free enterprise to prove their equality while using their bodies to become self-made men. The African American middle class, meanwhile, grappled with an expression of public black maleness they saw related to disreputable leisure rather than respectable labor. Moore shows how each fighter conformed to middle class ideas of masculinity based on his own judgment of what culture would accept. Finally, he argues that African American success in the ring shattered the myth of black inferiority despite media and government efforts to defend white privilege.

"[The dramatist] has used his hero, a fighter based on the first Black heavyweight champion of the world, Jack Johnson ... as a symbol in part of Black aspiration"--Back cover.

1950's Boxing takes a close look at the top figures in each major weight division and the author's choice for the fighter, and fight of the decade. Read about popular boxers including Sugar Ray Robinson, Rocky Marciano, and Archie Moore.