Breaching The Bronze Wall Franks At Mamluk And Ottoman Courts And Markets

Breaching the Bronze Wall deals with the idea that the words of honorable Muslims constitutes proof and that written documents and the words of non-Muslims are of inferior value. Thus, foreign merchants in cities such as Istanbul, Damascus or Alexandria could barely prove any claim, as neither their contracts nor their words were of any value if countered by Muslims. Francisco Apellániz explores how both groups labored to overcome the ‘biases against non-Muslims’ in Mamlūk Egypt’s and Syria’s courts and markets (14th-15th c.) and how the Ottoman conquest (1517) imposed a new, orthodox view on the problem. The book slips into the Middle Eastern archive and the Ottoman Dīvān, and scrutinizes sharīʿa’s intricacies and their handling by consuls, dragomans, qaḍīs and other legal actors.

"In the late 16th century, hundreds of travelers made their way to the Habsburg ambassador's residence, known as the German House, in Constantinople. In this centrally located inn, subjects of the emperor found food, wine, shelter, and good company-and left an incredible collection of albums filled with images, messages, decorated papers, and more. Portraits of Empires offers a complete account of this early form of social media, which had a profound impact on later European iconography. Revealing a vibrant transimperial culture as viewed from all walks of life-Muslim and Christian, noble and servant, scholar and stable boy-the pocket-sized albums containing these curiosities have never been fully connected to the abundant archival records on the German House and its residents. Robyn Dora Radway not only introduces these objects, the people who filled their pages, and the house at the center of their creation, but she also presents several arguments regarding chronologies of exchange, workshop practices, the curation of social networks and visual collections based on status, and the purposes of these highly individualized material portraits. Featuring 162 fascinating color images, Portraits of Empires reconstructs the world of Habsburg subjects living in Ottoman Constantinople, using a rich and distinctive set of objects to raise questions about imperial belonging and the artistic practices used to articulate it"--

Beginning in the mid-fifteenth century, the regions bordering the western Indian Ocean – 'the green sea,' as it was known – underwent vast transformation and an era of commercial and cultural exchange blossomed. In Across the Green Sea , Sanjay Subrahmanyam recounts the history of this ocean from a variety of shifting viewpoints. He sets the scene with the withdrawal of China's Ming Dynasty and explores how the western Indian Ocean was transformed by the growth and increasing prominence of the Ottoman Empire and the continued spread of Islam into East Africa. He examines how several cities, including Mecca and the vital Indian port of Surat, grew and changed during these centuries, when various powers interacted, until famines and other disturbances upended the region in the seventeenth century. Rather than proposing an artificial model of a dominant centre and its dominated peripheries, Across the Green Sea reveals the complexity of a truly dynamic and polycentric system through the use of connected histories, a method which Subrahmanyam himself has pioneered.

A sweeping examination of Ottoman plague treatise writers from the Black Death until 1923

This volume examines the use of legal documents for the history of Muslim societies, presenting case studies from different periods and areas of the Muslim world from medieval Iran and Egypt to contemporary Yemen and Morocco, and involving multiple disciplinary approaches.

Al-Suyūṭī, a Polymath of the Mamlūk Period offers new insights into the intellectual profile of al-Suyūṭī (d. 911/1505), a scholar who uniquely interpreted and represented the cultural trends and political tensions of the last stage of the Mamlūk period.