Breakdown Printing

This book explores a method of silkscreen printing which involves applying thick dye paints or print paste directly on to the back of the screen, allowing it to dry, and then printing off with more dye paint or print paste. In this way the print medium is gradually dissolving the dried on dye on the screen, breaking it down to print an evolving array of colours, marks and textures, and producing interesting distressed, organic and disintegrating effects.

An architecture portfolio designed by Alex Hogrefe describing 4 original projects with a focus on unique representational techniques and styles.

Dr. Julien Barthes is Collaborative Project Manager at PROTiP MEDICAL SAS. All other Topic Editors declare no competing interests with regards to the Research Topic subject.

Whether you are a novice or an expert in the darkroom, the second edition of The Elements of Black-and-White Printing will give you the tools necessary to control your print making. You will learn the proper techniques for exposing a print, how to choose the correct paper contrast, and ways to find the best combination of paper and developer for your images. In addition to explaining the procedures, this unique book contains exercises that help you calibrate these procedures with your own equipment with the materials you prefer. Photographers will find this book an essential resource in the darkroom. Elements of Black-and-White Printing will help you learn how to choose the right exposure and contrast for your negative; select papers, developers, and toners that complement each other; print negatives with extreme contrast ranges; salvage seemingly hopeless negatives and prints; print, develop, and store negatives and prints for maximun life; display your photographs in a way that enhances their message; properly align your enlarger; and more.

"Printing your own fabric opens up an entire new world of design, especially for quilters, sewists, and other textile artists. Until now, the process of printing with dyes could seem difficult to learn and even harder to implement. But Carol Soderlund and Melanie Testa have taken all the stumbling blocks out of the way of would-be fabric dyers and printers. With step by step advice, instruction, and photographs, this book is a master class in using dyes and low-tech equipment to print your own fabric, and it begins at the beginning. If you've never handled dyes before, never designed your own print motifs, aren't even sure what supplies or space you might need, everything you want to know is here. More advanced students will value the in-depth presentation of techniques, tools, and insights into approaching fabric printing as an art and taking your work to the next level. The opportunities for fun creative expression and producing your most original and exciting fabric work ever are unlimited with Carol and Melanie's friendly help. It's time to try playful fabric printing!" -- Provided by publisher

A guide that examines the history and current state of 2.5D printing and explores the relationship between two and three dimensions 2.5D Printing: Bridging the Gap Between 2D and 3D Applications examines the relationship between two- and three-dimensional printing and explores the current ideas, methods, and applications. It provides insights about the diversity of our material culture and heritage and how this knowledge can be used to design and develop new methods for texture printing. The authors review the evolving research and interest in working towards developing methods to: capture, measure and model the surface qualities of 3D and 2D objects, represent the appearance of surface, material and textural qualities, and print or reproduce the material and textural qualities. The text reflects information on the topic from a broad range of fields including science, technology, art, design, conservation, perception, and computer modelling. 2.5D Printing: Bridging the Gap Between 2D and 3D Applications provides a survey of traditional methods of capturing 2.5D through painting and sculpture, and how the human perception is able to judge and compare differences. This important text: Bridges the gap between the technical and perceptual domains of 2D and 3D printing Discusses perceptual texture, color, illusion, and visual impact to offer a unique perspective Explores how to print a convincing rendering of texture that integrates the synthesis of texture in fine art paintings, with digital deposition printing Describes contemporary methods for capturing surface qualities and methods for modelling and measuring, and ways that it is currently being used Considers the impact of 2.5D for future technologies 2.5D Printing is a hands-on guide that provides visual inspiration, comparisons between traditional and digital technologies, case studies, and a wealth of references to the world of texture printing. Please visit the companion website at: www.wiley.com/go/bridging2d3d . www.wiley.com/go/bridging2d3d

The introduction of digital manufacturing techniques, such as 3D printing applied to concrete material, opens up new perspectives on the way in which buildings are designed. Research on this theme is thriving and there is a high rate of innovation related to concrete. At the same time, the first life-size constructions made from printed concrete are emerging from the ground. This book presents state-of-the-art knowledge on the different printing processes as well as on the concrete material that must adapt to these new manufacturing techniques, such as new hardware and new printers for concrete. The possibilities in terms of architectural design are discussed as well as the pathways that remain to be uncovered. The book also explores the challenges that researchers and companies expect to overcome as they get closer to democratizing this potential revolution that is the digital manufacturing of concrete.