Brian And Arthur S Modern Family

When Brian Dowling and Arthur Gourounlian announced they were expecting their first child, with Brian's sister Aoife acting as their surrogate, it felt like their family dream was finally coming true. Their daughter, Blake, was born in September 2022, but their happily-ever-after has not been without its troubles. Now Brian and Arthur detail their crazy journeys and the sliding-doors moments that brought them together to create a family of their own. Following Arthur's journey to escape war-torn Armenia and Brian's path to self-acceptance after being catapulted into the spotlight as a young gay man in the early noughties, and the sudden death of his mother, this is a story of the pain that life can sometimes bring, but ultimately it is a story about love in all its many magical forms. From births to marriages to deaths, and everything in between, this heartfelt memoir brings Arthur and Brian's positive and inspiring attitude to the page.

Brian Dowling and Arthur Gourounlian are among Ireland's most beloved television personalities and social media stars. The internet exploded when the couple announced they were expecting their first child, with Brian's sister Aoife acting as their surrogate. Their daughter, Blake, was born in September 2022. In this book, Brian and Arthur detail their long journeys, separately and together, before finally realising the dream of creating their own very happy family. From births, to deaths, marriage and everything in between this heartfelt and hilarious memoir brings Arthur and Brian's positive and inspiring attitude to the page as they journey towards parenthood. Brian and Arthur's Modern Family reflects on the universal cycles of adversity, love and grief experienced by all of us as we strive to achieve our dreams, sharing what they have learned along the way about what really matters.

A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.

From disagreement over an Islamic Center in New York to clashes between Christians and Muslims in Egypt, tension between the three Abrahamic faiths often runs high. Yet for all their differences, these three traditions—Judaism, Islam, and Christianity—share much in common. Three Testaments brings together for the first time the text of the Torah, the New Testament, and the Quran, so that readers can explore for themselves the connections, as well as the points of departure, between the three faiths. Notable religion scholars provide accessible introductions to each tradition, and commentary from editor Brian Arthur Brown explores how the three faiths may draw similarities from the ancient Zoroastrian tradition. This powerful book provides a much-needed interfaith perspective on key sacred texts.

Noah's Other Son examines twenty-five familiar figures who play major roles in the Qur'an and in both Old and New Testaments of the Bible, revealing how understanding the characters in these texts can point the present-day Muslim, Jew, and Christian toward a more mature and tolerant concept of religion. Noah's Other Son serves as an introduction to the place of the Qur'an in Muslim and world culture, as well as a tool to help equip all moderate religious people to deal with extremism wherever it may be found.

For the major broadcast networks, the heyday of made-for-TV movies was 20th Century programming like The ABC Movie of the Week and NBC Sunday Night at the Movies. But with changing economic times and the race for ratings, the networks gradually dropped made-for-TV movies while basic cable embraced the format, especially the Hallmark Channel (with its numerous Christmas-themed movies) and the Syfy Channel (with its array of shark attack movies and other things that go bump in the night). From the waning days of the broadcast networks to the influx of basic cable TV movies, this encyclopedia covers 1,370 films produced during the period 2000-2020. For each film entry, the reader is presented with an informative storyline, cast and character lists, technical credits (producer, director, writer), air dates, and networks. It covers the networks (ABC, CBS, Fox, Ion, and NBC) and such basic cable channels as ABC Family, Disney, Fox Family, Freeform, Hallmark, INSP, Lifetime, Nickelodeon, Syfy, TBS and TNT. There is also an appendix of "Announced but Never Produced" TV movies and a performer's index.

Television has historically been largely ineffective at representing queerness in its various forms. In the 21st century, however, as same-sex couples have seen increasing mainstream acceptance, and a broader range of queer characters has appeared in the media, it seems natural to assume TV portrayals of queerness have become more enlightened. But have they? This collection of fresh essays analyzes queerness as depicted on TV from 2000 to the present. Examining Buffy the Vampire Slayer, The Ellen DeGeneres Show, The L Word, Modern Family, The New Normal, Queer as Folk, Queer Eye for the Straight Guy, RuPaul's Drag Race, Spartacus and Will & Grace, among other series, the contributors demonstrate that queer characters in general have achieved visibility at the expense of minimizing much of their queerness--with a few eye-opening exceptions.

In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye's The Watermelon Woman (1996), Todd Haynes' Velvet Goldmine (1998), Joey Soloway's Transparent (2014-2019), Matthew Warchus' Pride (2014) and Tom Rob Smith's London Spy (2015).