Bridge Over Blood River

Nelson Mandela is dead and his dream of a rainbow nation in South Africa is fading. Twenty years after the fall of apartheid the white Afrikaner minority fears cultural extinction. How far are they prepared to go to survive as a people? Kajsa Norman's book traces the war for control of South Africa, its people, and its history, over a series of December 16ths, from the Battle of Blood River in 1838 to its commemoration in 2011. Weaving between the past and the present, the book highlights how years of fear, nationalism, and social engineering have left the modern Afrikaner struggling for identity and relevance. Norman spends time with residents of the breakaway republic of Orania, where a thousand Afrikaners are working to construct a white-African utopia. Citing their desire to preserve their language and traditions, they have sequestered themselves in an isolated part of the arid Karoo region. Here, they can still dictate the rules and create a homeland with its own flag, currency and ideology. For a Europe that faces growing nationalism, their story is more relevant than ever. How do people react when they believe their cultural identity is under threat? Bridge Over Blood River's haunting and subversive evocation of South Africa's racial politics provides some unsettling answers.

Nelson Mandela is dead and his dream of a rainbow nation in South Africa is fading. Twenty years after the fall of apartheid the white Afrikaner minority fears cultural extinction. How far are they prepared to go to survive as a people? Kajsa Norman's book traces the war for control of South Africa, its people, and its history, over a series of December 16ths, from the Battle of Blood River in 1838 to its commemoration in 2011. Weaving between the past and the present, the book highlights how years of fear, nationalism, and social engineering have left the modern Afrikaner struggling for identity and relevance. Norman spends time with residents of the breakaway republic of Orania, where a thousand Afrikaners are working to construct a white-African utopia. Citing their desire to preserve their language and traditions, they have sequestered themselves in an isolated part of the arid Karoo region. Here, they can still dictate the rules and create a homeland with its own flag, currency and ideology. For a Europe that faces growing nationalism, their story is more relevant than ever. How do people react when they believe their cultural identity is under threat? Bridge Over Blood River's haunting and subversive evocation of South Africa's racial politics provides some unsettling answers.

Reporter Chang Frick grew up dark-haired in a nation of blonds. Ostracized as a child, in adulthood he set out to expose the hypocrisy of Swedish society. When he revealed the cover-up of mass sexual assaults on teen girls at a 2015 music festival, he provoked a chain reaction that rattled the nation. Sweden's elites shirked responsibility and rushed to discredit him. Although Sweden boasts the world's oldest free press, its history of homogeneity and social engineering has created a culture where few dare dissent from consensus, those who do are driven to extremes, and there is no place for outsiders--even those who conform. In this groundbreaking book, investigative journalist Kajsa Norman turns her fearless gaze on the oppressive forces at the heart of Sweden's 'model democracy'. Weaving the history of its social politics with the stories of Frick and other outcasts, Norman exposes the darkness in the Swedish soul.

Having been abandoned as a newborn and found and raised by Pastor Ezekiel Freeman in the small California town of Haven, Abra Matthews feels like she doesn't belong and at the age of seventeen runs off to Hollywood, becoming starlet Lena Scott.

In a hunt for the secrets of hell, Bolan joins Phoenix Force to crash the Congo.

Where the Blood Mixes is meant to expose the shadows below the surface of the author's First Nations heritage, and to celebrate its survivors. Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd's alcoholism, under the pain and isolation of the play's main character? Loring's title was inspired by the mistranslation of the N'lakap'mux (Thompson) place name Kumsheen. For years, it was believed to mean "the place where the rivers meet"--the confluence of the muddy Fraser and the brilliant blue Thompson Rivers. A more accurate translation is: "the place inside the heart where the blood mixes." But Kumsheen also refers to a story: Coyote was disemboweled there, along a great cliff in an epic battle with a giant shape-shifting being that could transform the world with its powers--to this day his intestines can still be seen strewn along the granite walls. In his rage the transformer tore Coyote apart and scattered his body across the nation, his heart landing in the place where the rivers meet. Floyd is a man who has lost everyone he holds most dear. Now after more than two decades, his daughter Christine returns home to confront her father. Set during the salmon run, Where the Blood Mixes takes us to the bottom of the river, to the heart of a People. In 2009 Where the Blood Mixes won the Jessie Richardson Award for Outstanding Original Script; the Sydney J. Risk Prize for Outstanding Original Script by an Emerging Playwright; and most recently the Governor General's Literary Award for Drama.

An award-winning author chronicles the settling of the Ohio River Valley, home to the defiant Shawnee Indians, who vow to defend their land against the seemingly unstoppable. They came on foot and by horseback, in wagons and on rafts, singly and by the score, restless, adventurous, enterprising, relentless, seeking a foothold on the future. European immigrants and American colonists, settlers and speculators, soldiers and missionaries, fugitives from justice and from despair—pioneers all, in the great and inexorable westward expansion defined at its heart by the majestic flow of the Ohio River. This is their story, a chronicle of monumental dimension, of resounding drama and impact set during a pivotal era in our history: the birth and growth of a nation. Drawing on a wealth of research, both scholarly and anecdotal—including letters, diaries, and journals of the era—Allan W. Eckert has delivered a landmark of historical authenticity, unprecedented in scope and detail.

Winner of the Cundill History Prize Winner of the Frederick Douglass Book Prize Named One of the Best Books of the Year by NPR A breathtakingly original work of history that uncovers a massive enslaved persons' revolt that almost changed the face of the Americas Named one of the best books of the year by NPR, Blood on the River also won two of the highest honors for works of history, capturing both the Frederick Douglass Prize and the Cundill History Prize in 2021. A book with profound relevance for our own time, Blood on the River “fundamentally alters what we know about revolutionary change” according to Cundill Prize juror and NYU history professor Jennifer Morgan. Nearly two hundred sixty years ago, on Sunday, February 27, 1763, thousands of slaves in the Dutch colony of Berbice—in present-day Guyana—launched a rebellion that came amazingly close to succeeding. Blood on the River is the explosive story of this little-known revolution, one that almost changed the face of the Americas. Michael Ignatieff, chair of the Cundill Prize jury, declared that Blood on the River “tells a story so dramatic, so compelling that no reader will be able to put the book down.” Drawing on nine hundred interrogation transcripts collected by the Dutch when the rebellion collapsed, and which were subsequently buried in Dutch archives, historian Marjoleine Kars has constructed what Pulitzer Prize–winning historian Eric Foner calls “a gripping narrative that brings to life a forgotten world.”