Bright Air Brilliant Fire

One of the world's foremost brain scientists argues that biology provides the key to understanding the brain and examines the connections between psychology and physics, medicine, philosophy, and more. Published to coincide with the "decade of the brain", decreed by President Bush and Congress.

We are on the verge of a revolution in neuroscience as significant as the Galilean revolution in physics or the Darwinian revolution in biology. Nobel laureate Gerald M. Edelman takes issue with the many current cognitive and behavioral approaches to the brain that leave biology out of the picture, and argues that the workings of the brain more closely resemble the living ecology of a jungle than they do the activities of a computer. Some startling conclusions emerge from these ideas: individuality is necessarily at the very center of what it means to have a mind, no creature is born value-free, and no physical theory of the universe can claim to be a ”theory of everything” without including an account of how the brain gives rise to the mind. There is no greater scientific challenge than understanding the brain. Bright Air, Brilliant Fire is a book that provides a window on that understanding.

Takes the reader on a tour that covers such topics as computers, evolution, Descartes, Schrodinger, and the nature of perception, language, and individuality. The author argues that biology provides the key to understanding the brain.

Burgeoning advances in brain science are opening up new perspectives on how we acquire knowledge. Indeed, it is now possible to explore consciousness - the very centre of human concern - by scientific means. In this illuminating book, Dr. Gerald M. Edelman offers a new theory of knowledge based on striking scientific findings about how the brain works. And he addresses the related compelling question: does the latest research imply that all knowledge can be reduced to scientific description? Edelman's brain-based approach to knowledge has rich implications for our understanding of creativity, of the normal and abnormal functioning of the brain, and of the connections among the different ways we have of knowing. While the gulf between science and the humanities and their respective views of the world has seemed enormous in the past, the author shows that their differences can be dissolved by considering their origins in brain functions. He foresees a day when brain-based devices will be conscious, and he reflects on this and other fascinating ideas about how we come to know the world and ourselves.

Beyond Permanence: The Great Ideas of the West covers the full range of Western thought. Th e fi rst part reviews Western thought from its earliest beginnings in the civilization of Sumer through the philosophy of Hegel. After Sumer, it covers Egypt, Judaism, Classical philosophy focusing on Plato and Aristotle, Christianity and the Gnostics, the medieval church and the mystics, and the fi nal attempt by philosophers like Rene Descartes and Immanuel Kant to “pin down” the world in a comprehensive philosophy. Th e aim was permanence of explanation describing a world of permanence whose actions refl ected the essential nature of its constituents. Th e second part moves into the modern age with the new physics and biology and the philosophies of William James and Alfred North Whitehead. It shows, for example, how the mind is not the permanent soul, but is rather the manifestation of the body, particularly the brain. Th rough the work of John Dewey and others, it outlines a new activism whereby people don’t accept society as a permanent order, but think of it as constantly subject to improvement. We are not “in” society, but society is in us, and is open to our needs and desires.

Is contemporary continental philosophy making a break with Kant? The structures of knowledge, taken for granted since Kants Critique of Pure Reason, are now being called into question: the finitude of the subject, the phenomenal given, a priori synthesis. Relinquish the transcendental: such is the imperative of postcritical thinking in the 21st century. Questions that we no longer thought it possible to ask now reemerge with renewed vigor: can Kant really maintain the difference between a priori and innate? Can he deduce, rather than impose, the categories, or justify the necessity of nature? Recent research into brain development aggravates these suspicions, which measure transcendental idealism against the thesis of a biological origin for cognitive processes. In her important new book Catherine Malabou lays out Kants response to his posterity. True to its subject, the book evolves as an epigenesis – the differentiated growth of the embryo – for, as those who know how to read critical philosophy affirm, this is the very life of the transcendental and contains the promise of its transformation.

What goes on in our head when we have a thought? Why do the physical events that occur inside a fistful of gelatinous tissue give rise to the world of conscious experience? In The Universe of Consciousness , Gerald Edelman and Giulio Tononi present for the first time a full-scale theory of consciousness based on direct observation of the human brain in action. Their pioneering work, presented here in an elegant style, challenges much of the conventional wisdom about consciousness. The Universe of Consciousness has enormous implications for our understanding of language, thought, emotion, and mental illness.

A “sensual, brutal . . . ambitious, dazzling, disturbing, and memorable” retelling of Jason and the Argonauts seen through the eyes of Medea (Financial Times). International bestselling and multi-prize-winning author David Vann transports readers to the Mediterranean and Black Sea, 3,250 years ago, for “[a] stunning depiction of one of mythology’s most complex characters” (The Australian). It is thirteenth century BC, and the Argo is bound for its epic return journey across the Black Sea from Persia’s Colchis with the valiant Jason, the equally heroic Argonauts, and the treasured symbol of kingship, the Golden Fleece. Aboard as well is Medea, semi-divine priestess, and a believer in power, not gods. Having fled her father, and butchered her brother, she is embarking on a conquest of her own. Rejected for her gender, Medea is hungry for revenge, and to right the egregious fate of being born a woman in a world ruled by men. In Bright Air Black, “David Vann blow[s] away all the elegance and toga-clad politeness . . . around our idea of ancient Greece . . . to reveal the bare bones of the Archaic period in all their bloody, reeking nastiness (The Times, London), and to deliver a bracing alternative to the long-held notions of Medea as monster or sorceress. We witness Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, the cataclysmic repercussions of betrayal, and the drive of an impassioned woman—victim, survivor, and ultimately, agent of her own destiny. The most intimate and corporal version of Medea’s story ever told, Bright Air Black “a compelling study of human nature stripped to its most elemental” (The Guardian).