Bright Light City

You are at a nightclub talking to a girl with a shaved head. The club is either Heartbreak or the Lizard Lounge. All might become clear if you could just slip into the bathroom and do a little more Bolivian Marching Powder. Then again, it might not... So begins our nameless hero's trawl through the brightly lit streets of Manhattan, sampling all this wonderland has to offer yet suspecting that tomorrow's hangover may be caused by more than simple excess. Bright Lights, Big City is an acclaimed classic which marked Jay McInerney as one of the major writers of our time.

When Elvis crooned "Bright light city . . . gonna set my soul on fire," he voiced and embraced the siren call of a glittering urban utopia that continues to mesmerize millions. Call it Sin City or Lost Wages, Las Vegas definitely deserves its rapturous "Viva!" Larry Gragg, however, invites readers to view Las Vegas in an entirely new way. While countless other authors have focused on its history or gaming industry or entertainment ties, Gragg considers how popular culture has depicted the city and its powerful allure over its first century. Drawing on hundreds of films, television programs, novels, and articles, Gragg identifies changing trends in the city's portraits. Until the 1940s, boosters promoted it as the "last frontier town," a place where prospectors and cowboys enjoyed liquor, women, and wide-open gambling. Then in the early 1950s commentators increasingly characterized Las Vegas as a sophisticated resort city in the desert, and ever since then journalists, filmmakers, and novelists have depicted a city largely built by organized crime and featuring non-stop entertainment, gambling, luxury, and, of course, beautiful-and available-women. In Gragg's narrative, these images form a kaleidoscope of lights, sounds, characters, and ultimately amazement about this neon oasis. In these pages, readers will meet gangsters like Bugsy Siegel, Tony Spilotro, and Lefty Rosenthal, as well as Las Vegas's most popular entertainers: Elvis Presley, Sinatra's Rat Pack, Liberace, and Wayne Newton, not to mention the Folies Bergere showgirls. And Gragg's skillful interweaving of fictional and journalistic accounts of organized crime shows just how mutually reinforcing they have become over the years. Vegas will always make people's eyes light up as bright as the Strip, witness the new TV show Vegas or the recent film The Hangover. For everyone entranced by its glitter and glamour, Bright Light City is a must read boasting color photos and bursting with insider details: an eclectic blend of stories, people, sights, and sounds that together make up this desert city's extraordinary appeal.

A visitor from beyond the solar system is planet shopping. A member of a dying species, he is looking for new real estate to annex. He finds it on planet earth. The task of preventing the total annihilation of the human species falls to two unlikely people-- an entertainer and a recovering vampiress. The entertainer is none other than the King himself, Elvis Presley, who is alive and well and currently living incognito on the Big Island of Hawaii. The vampire is his sultry and mysterious longtime girlfriend, Desdemona.

A story about first love, first fights, and finding yourself in a messed up world, from the acclaimed author of Happyface. Walter Wilcox has never been in love. That is, until he meets Naomi, and sparks, and clever jokes, fly. But when his cop dad is caught in a racial profiling scandal, Walter and Naomi, who is African American, are called out at school, home, and online. Can their bond (and mutual love of the Foo Fighters) keep them together? With black-and-white illustrations throughout and a heartfelt, humorous voice, Bright Lights, Dark Nights authentically captures just how tough first love can be...and why it's worth fighting for.

A little girl and her father have an opportunity to appreciate the wonders of the night sky. Phoebe helps her dad set up telescopes on the sidewalk outside his store. It’s a special night — Saturn and Mars are going to appear together in the sky. But will Phoebe be able to see them with all the city lights? Raindrops begin to fall, followed by lightning and thunder. Phoebe is filled with disappointment as she and her father hurry inside to wait out the storm. But suddenly the power fails and then, amazingly, the rain and clouds disappear. Phoebe and her dad and all kinds of people spill into the street. And there, in the bright night sky, the splendor of the planets and a multitude of stars are revealed for all to see. An illustrated afterword includes information about the solar system, planetary conjunctions and rings, moons, telescopes and light pollution. A glossary and recommended further reading are also included. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details. CCSS.ELA-LITERACY.RL.2.1 Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text. CCSS.ELA-LITERACY.RL.2.7 Use information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.

At age forty-seven, Whit Alexander, the American cofounder of the Cranium board game, decided to start a new business selling affordable goods and services to low-income villagers in Ghana, West Africa. His brother, Max, a journalist, came along to tell the story. Neither of them could have anticipated just how much of an adventure they'd find there. In Ghana, Whit's initial goal is to market a high-quality, rechargeable AA battery for off-grid villagers. If successful, he planned to grow a larger for-profit business based on those batteries: creating a trusted brand that would provide life-enhancing products, services, and jobs, without relying on charity. Ghana, however, presents extraordinary challenges, and the brothers wage daily battles against deadly insects, insane driving conditions, unspeakable food, voodoo priests, corrupt officials, counterfeiters, and ethnic rivalries on their way to success. From signing up customers who earn a few dollars a month at most to training employees with no Western-style work experience, the brothers quickly learn that starting a business in Africa requires single-minded focus, a sense of humor, and a lot of patience. Along the way, Whit and Max relive their own childhood, bickering across the African bush and learning a great deal about Africans as well as themselves. Irreverent, hilarious, and ultimately inspiring, Bright Lights, No City challenges accepted notions of charity; shows the power of broadening your horizons; and suggests that there is hope and opportunity in Africa.

Bright Lights in the Desert explores the history of how members of the Church of Jesus Christ of Latter-day Saints in Las Vegas have improved the regions’ neighborhoods, inspired educational institutions, brought integrity to the marketplace, and provided wholesome entertainment and cultural refinement. The LDS influence has helped shape the metropolitan city because of its members’ focus on family values and community service. Woods discusses how, through their beliefs and work ethics, they have impacted the growth of the area from the time of their first efforts to establish a mission in 1855 through the present day. Bright Lights in the Desert reveals Las Vegas as more than just a tourist destination and shows the LDS community’s commitment to making it a place of deep religious faith and devotion to family.

Gay-friendly dance clubs, upmarket bars, and party circuits--such commercial venues evoke the image of a gay globe, but what happens when they are bound to a landscape of disorder, mass poverty, and urban decay? Vividly describing this world of contradictions through the prism of twenty-first-century Manila, Under Bright Lights challenges popular interpretations of the "third world queer" as a necessarily radical figure. Drawing on ethnographic research, Bobby Benedicto paints a remarkably counterintuitive portrait of gay spaces in postcolonial cities. He argues that Filipino gay men's pursuit of an elusive global gay modernity sustains the very class, gender, and racial hierarchies that structure urban life in the Philippines. Benedicto examines, for example, how practices such as driving enable the emergence of a classed gay cityscape, and how scenes of networked global cities engender discourse that positions Manila within a global system of "gay capitals." And yet he also analyzes how the fantasy of gay globality is imperiled when privileged gay men from Manila, while traveling abroad, encounter Filipino labor migrants and come face-to-face with the exclusionary racial orders that operate in gay spaces overseas. Unique in its methodological approach, Under Bright Lights employs affective, first-person storytelling techniques to capture the visceral experience of Manila and gay life in a third world city.