Bright Lights No City

At age forty-seven, Whit Alexander, the American cofounder of the Cranium board game, decided to start a new business selling affordable goods and services to low-income villagers in Ghana, West Africa. His brother, Max, a journalist, came along to tell the story. Neither of them could have anticipated just how much of an adventure they'd find there. In Ghana, Whit's initial goal is to market a high-quality, rechargeable AA battery for off-grid villagers. If successful, he planned to grow a larger for-profit business based on those batteries: creating a trusted brand that would provide life-enhancing products, services, and jobs, without relying on charity. Ghana, however, presents extraordinary challenges, and the brothers wage daily battles against deadly insects, insane driving conditions, unspeakable food, voodoo priests, corrupt officials, counterfeiters, and ethnic rivalries on their way to success. From signing up customers who earn a few dollars a month at most to training employees with no Western-style work experience, the brothers quickly learn that starting a business in Africa requires single-minded focus, a sense of humor, and a lot of patience. Along the way, Whit and Max relive their own childhood, bickering across the African bush and learning a great deal about Africans as well as themselves. Irreverent, hilarious, and ultimately inspiring, Bright Lights, No City challenges accepted notions of charity; shows the power of broadening your horizons; and suggests that there is hope and opportunity in Africa.

Stories of growing up LGBTQI+ in regional WA.

You are at a nightclub talking to a girl with a shaved head. The club is either Heartbreak or the Lizard Lounge. All might become clear if you could just slip into the bathroom and do a little more Bolivian Marching Powder. Then again, it might not... So begins our nameless hero's trawl through the brightly lit streets of Manhattan, sampling all this wonderland has to offer yet suspecting that tomorrow's hangover may be caused by more than simple excess. Bright Lights, Big City is an acclaimed classic which marked Jay McInerney as one of the major writers of our time.

The hilarious story of two brothers, a truckload of batteries, and a brilliant plan to bring light--and new business opportunities--to Ghana At age 47, Whit Alexander, the American co-founder of the Cranium board game, decided to start a new business selling affordable goods and services to low-income villagers in Ghana, West Africa. His brother Max, a journalist, came along to tell the story. Neither of them could have anticipated just how much of an adventure they’d find there. In Ghana, Whit's initial goal is to market a high quality rechargeable AA battery that off-grid villagers could use to power their flashlights and radios, as well as to charge their cell phones. If successful, he planned to grow a larger for-profit business based on those batteries--creating a trusted African brand that would provide life-enhancing products, services, and jobs, without relying on charity. Ghana, however, presents extraordinary challenges, and the brothers wage daily battles against deadly insects, insane driving conditions, unspeakable food, voodoo priests, corrupt officials, counterfeiters, and ethnic rivalries on their way to success. From signing up customers who earn a few dollars a month at most to training employees with no Western-style work experience, the brothers quickly learn that starting a business in Africa requires single-minded focus, a sense of humor, and a lot of patience. Along the way, Whit and Max relive their own childhood, bickering across the African bush and learning a great deal about Africans as well as themselves. Irreverent, hilarious, and ultimately inspiring, Bright Lights, No City challenges accepted notions of charity, shows the power of broadening your horizons, and suggests that there is hope and opportunity in Africa. Praise for Bright Lights, No City: "An affectionate, good-humored and finally inspiring account of one American's determination to make good things happen." --Kate Braestrup, New York Times bestselling author of Here If You Need Me "My boss, Bill Gates, coined the phrase 'creative capitalism' to encourage the use of market forces to address the needs of the poor. But my friend, Whit Alexander, moved creative capitalism from ideas to bold practice. Bright Lights, No City will scratch your travel bug, tickle your business brain, and touch your heart." --Patty Stonesifer, former CEO of the Bill & Melinda Gates Foundation "I thoroughly enjoyed this adventure, which helps to prove that what much of the developing world needs is a hand up, not a hand out." --John Wood, founder of Room to Read and author of Leaving Microsoft to Change the World "I loved, loved, loved Bright Lights, No City. A tour de force! Bravo. It's perceptive, informative, thoughtful, engaging, funny." --Carey Winfrey, editor emeritus, Smithsonian magazine and former Africa correspondent, New York Times "Max Alexander has woven a compassionate and oft-times hilarious tale of the Brothers Alexander's attempt to save the world, one rechargeable battery at a time. If you have any interest in a great story or helping the other 4 billion, read this book, now." --W. Hodding Carter, author of Westward Whoa and A Viking Voyage "A lyrically written universal testimony to the humanity that binds all people together on this fragile planet, Bright Lights, No City is a deeply moving and funny, can't-put-it-down book." --Frank Schaeffer, author of Crazy for God "This book is filled with the passion and relentless pursuit that it takes to make dreams come to life, and reminds you that it takes compassion, luck, and humor to make history. A must read for every entrepreneur." --Richard Tait, Co-Founder, Cranium; CEO, Galazo

Mahama chronicles his coming-of-age in Ghana during the dismal post-independence "lost decades" of Africa. It offers a look at the country that has long been considered Africa's success story with a rare literary voice from a political leader, with personal stories, fables, and analysis.

A story about first love, first fights, and finding yourself in a messed up world, from the acclaimed author of Happyface. Walter Wilcox has never been in love. That is, until he meets Naomi, and sparks, and clever jokes, fly. But when his cop dad is caught in a racial profiling scandal, Walter and Naomi, who is African American, are called out at school, home, and online. Can their bond (and mutual love of the Foo Fighters) keep them together? With black-and-white illustrations throughout and a heartfelt, humorous voice, Bright Lights, Dark Nights authentically captures just how tough first love can be...and why it's worth fighting for.

Jen Lancaster hates to burst your happy little bubble, but life in the big city isn't all it's cracked up to be. Contrary to what you see on TV and in the movies, most urbanites aren't party-hopping in slinky dresses and strappy stilettos. But lucky for us, Lancaster knows how to make the life of the lower crust mercilessly funny and infinitely entertaining. Whether she's reporting rude neighbors to Homeland Security, harboring a crush on her grocery store clerk, or fighting-and losing-the Battle of the Stairmaster- Lancaster explores how silly, strange, and not-so-fabulous real city living can be. And if anyone doesn't like it, they can kiss her big, fat, pink, puffy down parka.

Gay-friendly dance clubs, upmarket bars, and party circuits--such commercial venues evoke the image of a gay globe, but what happens when they are bound to a landscape of disorder, mass poverty, and urban decay? Vividly describing this world of contradictions through the prism of twenty-first-century Manila, Under Bright Lights challenges popular interpretations of the "third world queer" as a necessarily radical figure. Drawing on ethnographic research, Bobby Benedicto paints a remarkably counterintuitive portrait of gay spaces in postcolonial cities. He argues that Filipino gay men's pursuit of an elusive global gay modernity sustains the very class, gender, and racial hierarchies that structure urban life in the Philippines. Benedicto examines, for example, how practices such as driving enable the emergence of a classed gay cityscape, and how scenes of networked global cities engender discourse that positions Manila within a global system of "gay capitals." And yet he also analyzes how the fantasy of gay globality is imperiled when privileged gay men from Manila, while traveling abroad, encounter Filipino labor migrants and come face-to-face with the exclusionary racial orders that operate in gay spaces overseas. Unique in its methodological approach, Under Bright Lights employs affective, first-person storytelling techniques to capture the visceral experience of Manila and gay life in a third world city.