Bringing Out The Dead

Perhaps only someone who has worked for almost a decade as a medic in New York City's Hell's Kitchen--as Joe Connelly has--could write a novel as riveting and fiercely authentic as Bringing Out the Dead. Like a front-line reporter, Connelly writes from deep within the experience, and the result is a debut novel of extraordinary power and intensity. In Frank Pierce, a brash EMS medic working the streets of Hell's Kitchen, Connelly gives us a man who is being destroyed by the act of saving people. Addicted to the thrill ("the best drug in the world") and the mission of the job, Frank is nevertheless drowning in five years' worth of grief and guilt--his own and others': "my primary role was less about saving lives than about bearing witness." His wife has left him, he's drinking on the job, and just a month ago he "helped to kill" an eighteen-year-old asthmatic girl. Now she's become the waking nightmare of all his failures: hallucination and projection ("the ghosts that once visited my dreams had followed me out to the street and were now talking back"), and as real to him as his own skin. And in reaction to her death, Frank has desperately resurrected a patient back into a life now little better than death. In a narrative that moves with the furious energy of an ambulance run, we follow Frank through two days and nights: into the excitement and dread of the calls; the mad humor that keeps the medics afloat; the memories, distant and recent, through which Frank reminds himself why he became a medic and tries, in vain, to convince himself to give it up. And we are with him as he faces his newest ghost: the resurrected patient, whose demands to be released into death might be the most sensible thing Frank has heard in months, if only he would listen. Bringing Out the Dead is a stunning novel.

In 1793 a disastrous plague of yellow fever paralyzed Philadelphia, killing thousands of residents and bringing the nation's capital city to a standstill. In this psychological portrait of a city in terror, J. H. Powell presents a penetrating study of human nature revealing itself. Bring Out Your Dead is an absorbing account, form the original sources, of an infamous tragedy that left its mark on all it touched.

Perhaps only someone who has worked for almost a decade as a medic in New York City's Hell's Kitchen--as Joe Connelly has--could write a novel as riveting and fiercely authentic as Bringing Out the Dead. Like a front-line reporter, Connelly writes from deep within the experience, and the result is a debut novel of extraordinary power and intensity. In Frank Pierce, a brash EMS medic working the streets of Hell's Kitchen, Connelly gives us a man who is being destroyed by the act of saving people. Addicted to the thrill ("the best drug in the world") and the mission of the job, Frank is nevertheless drowning in five years' worth of grief and guilt--his own and others': "my primary role was less about saving lives than about bearing witness." His wife has left him, he's drinking on the job, and just a month ago he "helped to kill" an eighteen-year-old asthmatic girl. Now she's become the waking nightmare of all his failures: hallucination and projection ("the ghosts that once visited my dreams had followed me out to the street and were now talking back"), and as real to him as his own skin. And in reaction to her death, Frank has desperately resurrected a patient back into a life now little better than death. In a narrative that moves with the furious energy of an ambulance run, we follow Frank through two days and nights: into the excitement and dread of the calls; the mad humor that keeps the medics afloat; the memories, distant and recent, through which Frank reminds himself why he became a medic and tries, in vain, to convince himself to give it up. And we are with him as he faces his newest ghost: the resurrected patient, whose demands to be released into death might be the most sensible thing Frank has heard in months, if only he would listen. Bringing Out the Dead is a stunning novel.

The work of the Renaissance humanists comes to life in Anthony Graftonâe(tm)s exploration of the primary sources and modern scholarship, classical and modern elements in the world of European letters from the fifteenth to the nineteenth century.Tracing the ties that bound the world of humanistic learning in early modern Europe to other social and cultural spheres, Grafton defines the current state of the art of scholarship on early modern European cultural and intellectual history while simultaneously demonstrating how entertaining, enlightening, and relevant that history can be.Covering a dazzling variety of topics and authors as different as Alberti and Descartes, Grafton maps the grand and meticulous efforts of the past to connect the realm of nature with that of books, the realm of everyday experience with that of passionate reading in massive tomes, and the realm of codes of etiquette and institutions with that of extravagant and joyous eruditionâe"efforts that this book itself brilliantly carries on.

A detailed, theoretically attuned analysis of all of the Scorsese-directed features from The Last Waltz to Bringing Out the Dead . Grist illuminates Scorsese's authorship, but also reflects back upon a range of informing contexts.

With a style reminiscent of early David Morell and Stephen Hunter, in Bringing Back the Dead, Joe Domenici presents a classic tale of military honor pushed to its outer extreme, and the clash that inevitably occurs when those who use violence to corrupt, meet those who use it to protect. Newly retired from the U.S. Army Special Forces, and settling into a quiet retirement in the American Southwest, Ted Hickman thought he'd seen his last battle. Then he picked up the phone... After the horrors of Vietnam, for Larry Yoder, the study of theology made the world make sense again. Until his work as a Pastor took him to Belle Glade, Florida. A town built on dark secrets, and run by an old boy network bent on keeping them buried. Two qualities that made Yoder's devotion to faith and honesty dangerous. And although you won't hear it from the local cops, maybe had something to do with his sudden disappearence. Except, Yoder knows a few people whose loyalty lies outside Belle Glade's channels of power. Like Ted Hickman. Long ago, as a special forces commander in Vietnam, Hickman made a pledge to defend Yoder's life at any cost. So when Hickman gets the call that Yoder is missing, it doesn't take much convincing to get him and some of the old Vietnam "A" team on the first plane to Belle Glade. A place, located dead in the center of the Florida Everglades, where men with skills honed in the jungles of Southeast Asia might prove useful in getting some answers...

Scorsese and Religion explores and analyzes the religious vision of filmmaker Martin Scorsese’s oeuvre, showing that Scorsese cannot be properly understood without reflecting on the ways that his religious interests are expressed in and through his art.

Some might say that Crumbtown isn’t a place. It’s a state of mind. And for the residents of this sinking, stinking, carcinogenic, potholed neighborhood, “There’s bad luck in the world, and then there’s crumbluck.” But for Don Reedy, a true victim of this phenomenon, his crumbluck is about to change. Sentenced to 15 years in prison after a botched armed robbery, Don is paroled early when a television producer decides to turn Don’s tragic story into a television show. Back in Crumbtown and working as a special consultant on the shoot, Don wrestles with delusional actors, pines for a beautiful Russian bartender, and reunites with cops and accomplices alike. But when the opportunity presents itself, Don decides to do something really daring: He robs the re-enactment of his legendary robbery. With the cameras rolling and the line between television and reality blurring, the hunt for Don—and a ratings coup—is on.