Brit Myth

The world sees Britain through the antics of Monty Python’s Flying Circus, the stiff-lipped, painfully class-conscious societies depicted in Gosford Parkand Remains of the Day, and the scathing diatribes of American Idol’s Simon Cowell. The images being projected from the island nation of England are so disparate these days that it’s hard to know what to think of the British. Chris Rojek explores this dilemma, looking at the myths, misconceptions, and stereotypes of the British. Drawing upon a wide range of sources in pop culture, politics, art, and history, Rojek examines how Britons are viewed both at home and abroad. From Austin Powers to King Arthur and Albion, and from Big Brother to international opinion polls, Rojek investigates what it means to be British in a globalized, multicultural world. Brit-Myth deftly avoids extreme nationalism or abstract scholarship, offering a new conception of Britishness that transcends race and emphasizes the integral role of individualism and nonconformity in British identity. Full of thought-provoking insights and engaging anecdotes, Brit-Myth will entertain both Anglophiles and those who want to learn more about the land under the Union Jack.

Beginning with the premise that the biopic is a form of adaptation and an example of intermediality, this collection examines the multiplicity of 'source texts' and the convergence of different media in this genre, alongside the concurrent issues of fidelity and authenticity that accompany this form. The contributors focus on big and small screen biopics of British celebrities from the late twentieth and twenty-first centuries, attending to their myth-making and myth-breaking potential. Related topics are the contemporary British biopic's participation in the production and consumption of celebrated lives, and the biopic's generic fluidity and hybridity as evidenced in its relationship to such forms as the bio-docudrama. Offering case studies of film biographies of literary and cultural icons, including Elizabeth I, Elizabeth II, Diana Princess of Wales, John Lennon, Shakespeare, Jane Austen, Beau Brummel, Carrington and Beatrix Potter, the essays address how British identity and heritage are interrogated in the (re)telling and showing of these lives, and how the reimagining of famous lives for the screen is influenced by recent processes of manufacturing celebrity.

For two hundred years, the abolition of slavery in Britain has been a cause for self-congratulation - but no longer. In 1807, Parliament outlawed the slave trade in the British Empire, but for the next quarter of a century, despite heroic and bloody rebellions, more than 700,000 people in the British colonies remained in slavery. And when a renewed abolitionist campaign was mounted, making slave ownership the defining political and moral issue of the day, emancipation was fiercely resisted by the powerful 'West India Interest'. Supported by nearly every leading figure of the British establishment - including Canning, Peel and Gladstone, The Times and Spectator - the Interest ensured that slavery survived until 1833 and that when abolition came at last, compensation was given not to the enslaved but to the slaveholders. Worth e340 billion in today's money, this was the largest pay-out in British history before the banking rescue package of 2008, incurring a national debt that was only repaid in 2015 and entrenching the power of slaveholders and their families to shape modern Britain. Drawing on major new research, this long-overdue and ground-breaking history shows that the triumph of abolition was also one of the darkest episodes in British history, revealing the lengths to which British leaders went to defend the indefensible in the name of profit.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.

"Geoffrey Ashe's lavishly illustrated Mythology of the British Isles retells the legendary history of Britain and uncovers a national mythology which is comparable to that of the Greeks in its richness and cohesiveness. Recounting stories and legends from the dark centuries of British prehistory to the ninth century AD - tales of giants and fairies, druids and saints, King Lear, King Arthur and Old King Cole - he shows how they all interrelate and take on fresh significance from historical and archaeological research"--Back cover.

THE BRITISH ISLES have a long tradition of tales of gods, heroes and marvels, hinting at a mythology once as relevant to the races which settled the islands as the Greek and Roman gods were to the classical world.The tales drawn together in this book, from a wide range of medieval sources, span the centuries from the dawn of Christianity to the age of the Plantagenets. The Norse gods which peopled the Anglo-Saxon past survive in Beowulf/I>; Cuchulainn, Taliesin and the magician Merlin take shape from Celtic mythology; and saints include Helena who brought a piece of the True Cross to Britain, and Joseph of Arimathea whose staff grew into the Glastonbury thorn. Tales of the British Arthur are followed by legends of later heroes, including Harold, Hereward and Godiva. These figures and many others were part of a familiar national mythology on which Shakespeare drew for Lear, Macbeth and Hamlet, creating the famous versions that are known today. Here the original stories are presented again. RICHARD BARBER's other books include King Arthur: Hero and Legend, Arthurian Legends: An Anthology, and The Knight and Chivalry; he is currently working on a study of the legend of the Holy Grail.Borders.com: England and the British Isles have a rich and still thriving tradition of myths and legends - and this wonderful volume collects together more than thirty of the best from a number of sources... an incredible insight into the fascinating yet complex history of the British Isles and its peoples... Those fascinated by mythology will want to add this wonderful book to their collections.

"The Mythology of the British Islands" by Charles Squire. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.