Britain S Medieval Castles

The widespread construction of castles in Britain began as soon as Duke William of Normandy set foot on the shores of southern England in 1066. The castles that were constructed in the ensuing centuries, and whose ruins still scatter the British countryside today, provide us with an enduring record of the needs and ambitions of the times. But the essence of the medieval castle--a structure that is equal parts military, residential, and symbolic--reveals itself not only through the grandeur of such architectural masterpieces as the Tower of London, and the imposing nature of such royal residences as Windsor, but also in the aging masonry carvings, enduring battlements, and more modest earthen ramparts that have survived alongside them. Through a feature-by-feature account of the architectural elements and techniques used in constructing the medieval castle, author Lise Hull allows the multiple functions of these multifarious forms to shine through, and in so doing, lends a new vitality to the thousand faces that the medieval world assumed to discourage its enemies, inspire its friends, and control its subjects. This compelling investigation takes a unique look at each of the medieval castle's main roles: as an offensive presentation and defensive fortification, as a residential and administrative building, and as a symbolic structure demonstrating the status of its owner. Each chapter focuses on one specific role and uses concrete architectural features to demonstrate that aspect of the medieval castle in Britain. A wealth of illustrations is also provided, as is a glossary explaining the distinct parts of the castle and their functions. This book should be of interest to students researching architecture, the Middle Ages, or military history, as well as general readers interested in castles or considering a trip to Britain to observe some of these magnificent sites themselves.

The widespread construction of castles in Britain began as soon as Duke William of Normandy set foot on the shores of southern England in 1066. The castles that were constructed in the ensuing centuries, and whose ruins still scatter the British countryside today, provide us with an enduring record of the needs and ambitions of the times. But the essence of the medieval castle—a structure that is equal parts military, residential, and symbolic—reveals itself not only through the grandeur of such architectural masterpieces as the Tower of London, and the imposing nature of such royal residences as Windsor, but also in the aging masonry carvings, enduring battlements, and more modest earthen ramparts that have survived alongside them. Through a feature-by-feature account of the architectural elements and techniques used in constructing the medieval castle, author Lise Hull allows the multiple functions of these multifarious forms to shine through, and in so doing, lends a new vitality to the thousand faces that the medieval world assumed to discourage its enemies, inspire its friends, and control its subjects. This compelling investigation takes a unique look at each of the medieval castle's main roles: as an offensive presentation and defensive fortification, as a residential and administrative building, and as a symbolic structure demonstrating the status of its owner. Each chapter focuses on one specific role and uses concrete architectural features to demonstrate that aspect of the medieval castle in Britain. A wealth of illustrations is also provided, as is a glossary explaining the distinct parts of the castle and their functions. This book should be of interest to students researching architecture, the Middle Ages, or military history, as well as general readers interested in castles or considering a trip to Britain to observe some of these magnificent sites themselves.

This original and pioneering book examines the role of the castle in the Norman conquest of England and in the subsequent administration of the country. The castle is seen primarily as an instrument of peaceful administration which rarely had a garrison and was more often where the sheriff kept his files and employed his secretariat. In most cases the military significance of the castle was minimal, and only a very few ever saw military action. For the first time, the medieval castle in England is seen in a new light which will attract the general reader of history and archaeology as much as the specialist in economic and social history.

A new way of looking at the medieval castle - as a cultural reflection of the society that produced it, seen through art and literature.

The widespread construction of castles in Britain began as soon as Duke William of Normandy set foot on the shores of southern England in 1066. The castles that were constructed in the ensuing centuries, and whose ruins still scatter the British countryside today, provide us with an enduring record of the needs and ambitions of the times. But the essence of the medieval castle—a structure that is equal parts military, residential, and symbolic—reveals itself not only through the grandeur of such architectural masterpieces as the Tower of London, and the imposing nature of such royal residences as Windsor, but also in the aging masonry carvings, enduring battlements, and more modest earthen ramparts that have survived alongside them. Through a feature-by-feature account of the architectural elements and techniques used in constructing the medieval castle, author Lise Hull allows the multiple functions of these multifarious forms to shine through, and in so doing, lends a new vitality to the thousand faces that the medieval world assumed to discourage its enemies, inspire its friends, and control its subjects. This compelling investigation takes a unique look at each of the medieval castle's main roles: as an offensive presentation and defensive fortification, as a residential and administrative building, and as a symbolic structure demonstrating the status of its owner. Each chapter focuses on one specific role and uses concrete architectural features to demonstrate that aspect of the medieval castle in Britain. A wealth of illustrations is also provided, as is a glossary explaining the distinct parts of the castle and their functions. This book should be of interest to students researching architecture, the Middle Ages, or military history, as well as general readers interested in castles or considering a trip to Britain to observe some of these magnificent sites themselves.

From the author of The Norman Conquest and A Great and Terrible King comes a sweeping and stunning history of the most magnificent castles in Britain. Beginning with their introduction in the eleventh century, and ending with their widespread abandonment in the seventeenth, Marc Morris explores many of the country’s most famous castles, as well as some spectacular lesser-known examples. At times this is an epic tale, driven by characters like William the Conqueror, King John and Edward I, full of sieges and conquest on an awesome scale. But it is also by turns an intimate story of less eminent individuals, whose adventures, struggles and ambitions were reflected in the fortified residences they constructed. Be it ever so grand or ever so humble, a castle was first and foremost a home. To understand castles—who built them, who lived in them, and why—is to understand the forces that shaped medieval Britain.

Considering the richness and variety of both technical and popular literature upon Castles generally, it may appear superfluous to send forth another book upon the same subject, and, if investigation had been at a standstill or barren in results during the past decade, criticism would be justified. But much has come to light upon this interesting subject which undoubtedly revolutionizes pre-existing ideas, both as to primitive forms of castellations and of those in historic periods. The allocation of the former to approximately definite epochs, and also of two great and important phases of the latter to well-defined periods, are the salient features of late investigations. Unfortunately the ordinary reader is debarred from becoming intimate with these changes of thought, inasmuch as newly acquired discoveries are generally to be found only in the transactions of learned Societies or in disconnected brochures not readily available. To bring these ideas to a focus and present them in such a form that the Man in the Street—undoubtedly a member of the preponderating majority—may readily comprehend them is one of the aims of the writer, while another is to suggest to the ordinary observer that the earthworks in our islands entitle primitive man to be considered with much more respect and consideration than has hitherto been afforded him.